Tag Archives: shutters

Ponte Vecchio

Ponte Vecchio
Buildings on the Ponte Vecchio bridge across the Arno River, Florence/Firenze

Ponte Vecchio. Florence/Firenze, Italy. August 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Buildings on the Ponte Vecchio bridge across the Arno River, Florence/Firenze

I have mentioned before that I often like to not know too much about a place before my first visit — I love the experience of discovering it in my own way once I arrive. While some research is a good thing, too much can compromise the experience. As a result, it isn’t unusual for me to arrive in a new location completely unaware of some thing that everyone else knows about. (Someone I know still tells the story of my first visit to Arches National Park…) This is a long way of saying that I did not really know about the famous Ponte Vecchio bridge until I saw it moments before I walked across the first time.

I now understand that this bridge across the Arno River in Florence has a very long history, but when I first saw it I simply responded to it on the basis of what I saw. And I had never seen a bridge quite like this before. The old span is almost entirely lined with buildings, many quite old, and apparently it was long ago the location of butcher shops and more recently of jewelers, art sellers, and souvenir shops. We arrived late in the day, just as the sunset light was coming on. I photographed this scene in the shaded side of the bridge, narrowing the composition to focus on the shapes, colors, and textures of the old buildings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bargains of Chinatown

Bargains of Chinatown
Night photograph of a closed Chinatown shop, San Francisco

Bargains of Chinatown. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Night photograph of a closed Chinatown shop, San Francisco

In early September I again joined a group of folks who like to photograph San Francisco urban and street subjects after dark. Most of the group met before sunset, did a bit of street photography, joined for dinner at a place along the edge of Chinatown, and then headed out for a couple of hours of photographing in the urban nightscape. Once again we passed through Chinatown — hard to resist when we were already there! — and on down into areas closer to Market Street.

Late in the evening it was time for me to head back to my car, so I said good-bye to the rest of the group and headed back the way I had come, walking alone this time. It was now much later, and this area pretty much shuts down — surprisingly so for a Saturday night in The City. But this meant that the earlier crowds were gone and the scene was a lot quieter and slower. When I passed this corner earlier the shop was open and there were quite a few people around, but now the shutters were closed and the green light washed over the urban landscape of sidewalks and steps leading up toward a dark alley. After years of doing night photography the “old way” — tripod and long exposures — I’m still amazed that I can wander out and shoot stuff like this using a small handheld camera these days.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Security Shutters

Security Shutters
Partially closed security shutters in front of a San Francisco business

© Copyright 2015 G Dan Mitchell – all rights reserved.

Partially closed security shutters in front of a San Francisco business

There are many things I enjoy about doing street photograph, and several of them have to do with the fast-moving and spontaneous nature of the pursuit. The urban environment, at least once you start seeing its possibilities, can be an almost overwhelmingly rich source of potential subjects, to that point that I often have to make a subconscious choice to deal with only a subset of them at any given moment. For a while I may focus on color, then I may engage with human subjects, then it might be effects of light, or balances of shapes and mass, or tiny details, or…

As we turned down this block between Stockton and Grant during an evening of night street photography in San Francisco, for some reason I made one of these gear changes. Moments before I had been photographing people and the fronts of shops that were closing up for the day — but as I walked down this street I forgot about all of that and instead photographed mostly small details such as the accordion pattern of this security panel over a window.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Asian Ambiance

Asian Ambiance
A man works in the display window of the Asian Ambiance shop, next to the Francisco Aquino’s Ross Alley 1889 Mural

Asian Ambiance. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A man works in the display window of the Asian Ambiance shop, next to the Francisco Aquino’s Ross Alley 1889 Mural

When shooting at night — and, frankly, often when shooting during the day — I may photograph a scene, feeling that something about it “works,” but not knowing quite why in then sense that I could explain why I’m making the photograph. I frequently work quite intuitively, even though I’m very aware of my surroundings and fully engaged with them. This is one of those photographs.

I think I first simply thought the light spilling out of the colorful windows of the shop was interesting. As I walked over for a closer look I saw the man working intently on something in the window — perhaps repairing some sort of security shutter. I think I may have been aware of the pool of light on the sidewalk, and I soon noticed the mural to the left. (I later looked it up and found out that it has been there for a while and is far more than random graffiti.) As I quickly framed up a photograph, hoping the man would not move, I thought about the edges of the frame and the position of the lamp at the right become an important consideration. The title, of course, is simply the name of the shop.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.