Tag Archives: small

Redwoods Great And Small

Redwoods Great And Small
Dense Northern California redwood forest containing both old-growth and young trees

Redwoods Great And Small. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dense Northern California redwood forest containing both old-growth and young trees

I’ve lived on the fringes of California’s coastal redwoods ever since my family moved to the state when I was four-years-old. For years we did weekend trips to places like Big Basin Redwoods State Park, often hiking through the trees and beyond. So I have always been familiar with these extraordinarily tall trees and with the special forests they inhabit. However, it wasn’t until much later that I understood how truly rare the original old-growth forests are. I recently read that only 5% of the original forest was left mostly untouched — meaning that 95% of the trees (19 out of 20!) were cut down during a fairly short period, mostly in the 20th century. This was an astounding example of where greed can push humankind, and we can reasonably imagine that without intervention all of the old-growth forests would have been lost forever. If that greed had gotten its way, you would have to reimagine scenes like this one with only the slender trees on the right, because certain parties would have cut up every accessible tree like the one on the left.

Today it seems bizarre to recall the strong objections to saving these remnants back when the Redwood National Park was first proposed. Even conserving parts of the last 5% of the ancient forests seemed to be a bridge to far for interests blinded by their long-term investments in a nearly depleted natural resource, and they fought bitterly against that parks. There are several lessons in this. This was not isolated resistance to conservation — it has been the pattern with the creation of essentially all of our great American parks and other efforts to protect wilderness and natural areas. There are [i]always[/i] a few very loud voices shrieking that the protection of a few last remnants of America’s great landscape will ruin their economy. (Witness the Utah minority today working to undo national monuments.) However, now that our park system is well over a century old, it is plainly obvious that virtually every single protected area is regarded as a treasure and virtually no sane person would argue that we did the wrong thing by protecting them.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dogwood and Granite, Autumn

Dogwood and Granite, Autumn
A small dogwood tree with autumn colors against the face of a granite boulder

Dogwood and Granite, Autumn. Yosemite Valley, California. October 21, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small dogwood tree with autumn colors against the face of a granite boulder

I’m certainly not the only photographer in Yosemite Valley to be intrigued by the juxtaposition of (near) permanent granite and impermanent seasonal subjects, but how can anyone resist? Such opportunities are everywhere, given that the valley is ringed by granite cliffs and filled with large reminders that chunks of these cliffs do periodically break loose and fall into the valley below. We often seem surprised with the news of a rock slide in the Valley, but even a little familiarity with the place makes it obvious that these are the rule and not the exception. Giant rock piles sit at the bases of cliffs. Recent slides are visible. And almost everywhere in the Valley, often surprisingly far from the cliffs, there are gigantic boulders that could only have arrived there from one source.

I happened upon this yellow autumn dogwood and its boulder while driving along one of the valley roads. Yes, that is almost an embarrassing admission — though most of my photographs of this type come while hiking. It was one of those moments when I catch a glimpse of something out of the corner of my eye, immediately pull over (from driving or hiking) and see if I can find a photograph in it. Since I’ve already admitted to finding this photograph while driving, how about another admission? The biggest challenge of making this photograph? Waiting for the leaves to stop swinging back and forth in the breeze created by passing cars!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Ring Of Aspens

Ring Of Aspens
Two autumn aspens in a small clearing, surrounded by a circular grove of larger trees

Ring Of Aspens. Great Basin National Park, Nevada. September 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two autumn aspens in a small clearing, surrounded by a circular grove of larger trees

Thinking that I would like to explore some new areas, in late September I headed out to Great Basin National Park along the eastern border of Nevada, just a few miles from Utah. I picked this time to go since I knew that Utah aspen color can peak than that in California — late September rather than early October — and I figured that the same calendar might work in Nevada. I made the long (12 hour!) drive from the San Francisco Bay Area to Baker, Nevada in a day, and the next morning I set out to enjoy a rare thing — the first experience in a new (to me) national park. To describe it briefly, much of the park encompasses and mountain range among the many found in Nevada’s basin and range country. The highest peak is over 13,000′ tall and even supports a small glacier. This high area is, at least to most people, on of the two main features of the park. The other is Lehman Caves, which I did not visit on this trip.

While much of Nevada is “basin,” and therefore dry and without a ton of vegetation, these mountain ranges can support a lot of life. They are often covered with forests, and there are lots of aspens if you look in the right places. The aspens were high on my list of photographic targets. But it seemed that I may have slightly miscalculated on the dates of peak color, and when I arrived many of the trees were still quite green. (Others had apparently just dropped leaves, and late in the visit I finally did “discover” a less-traveled canyon with lots of colorful trees.) I found one lookout high in the mountains from which I could look across a large valley, and in this valley there are quite a few aspens — solid groves of them and other trees interspersed with the conifers. This small grove caught my attention with its unusual arrangement — a ring of trees surrounding a couple of isolated trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Within The Aspen Grove

Within The Aspen Grove
An eastern Sierra Nevada grove of small aspen trees with fall color

Within The Aspen Grove. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

An eastern Sierra Nevada grove of small aspen trees with fall color

This little grove is a sort of special place for me. I have photographed there quite a few times in the past, and on one or two occasions with a great deal of success. If I described its location, even those who would then recognize the spot might be surprised to hear that I think of it as being special — it is in a location that we generally drive right past on our way to other better known locations. Often when I walk into this grove I find myself at a loss for photographs — the light can be tricky, and it isn’t always easy to find a composition there. But it was one of the locations where I learned that the big, iconic locations are far from the only ones other photographing, and that it can be far more rewarding — photographically and personally — to slow down and start paying attention to the rest of the landscape!

In fact, on this morning I was, once again, on my way from one other place to a different location further away when I drove past. We almost didn’t stop, but there was something about the light and the grove that persuaded me to get out and look around. I wandered (quite literally) into the grove and at first I didn’t really see anything. I almost walked back out to go look elsewhere. But then I stopped myself and thought about slowing down and simply looking around to see what the grove had to offer. I decided that the density of the trees might make a very wide-angle lens useful, and once I started to “see” that way the potential become clearer.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.