Tag Archives: stand

Waiting Man

Waiting Man
A man stands at the curb with his head bowed, San Francisco.

Waiting Man. © Copyright 2021 G Dan Mitchell – all rights reserved.

A man stands at the curb with his head bowed, San Francisco.

This photograph comes from a day spent doing street photography while walking through San Francisco… just a few short months before our world changed in early 2020 and such activities become difficult, if not impossible. I still photograph “street” a bit in the areas not far from where I live, but I haven’t been back to shoot this way in San Francisco since the “before times” — though I’m starting to imagine being able to do so once again. I did just a bit of this kind of photography when I spent a few days up there during our Open Studio event at a gallery in North Beach, though I’m still distracted by streets full of masked people.

I know that some people wonder why this “nature photographer” wanders off to photograph urban environments, and some are even perplexed by the photographs. There are lots of reasons for a landscape photographer to also be a street photographer. In some ways the genres are complementary, and doing one actually has the potential to improve the other. If nothing else, photographing street can remove the “I don’t have anything to photograph!” excuse, since there’s potentially something right outside your front door. In addition, for photographers who are often more comfortable photographing things than people, this work can be a way to stretch your boundaries.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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People Standing By Window

People Standing By Window
Two people stand against a dark wall next to a window, Museum of Modern Art.

People Standing By Window. © Copyright 2021 G Dan Mitchell – all rights reserved.

Two people stand against a dark wall next to a window, Museum of Modern Art.

This photograph comes from a Manhattan visit a few years back. We usually are there for at least a week each year — though we have not been back since before the start of the pandemic. We miss the place! We have some traditions when it comes to these visits. One is to indulge me in a lot of “museum time.” (The amount of time I’m willing to spend in such places occasionally makes me the butt of family jokes.) We visited the Museum of Modern Art on this visit, and the photograph comes from there.

I’m often a bit surprised — though by how you’d think I would not be — by how interesting I find museums as photographic spaces. They are full of interesting and sometimes unusual architecture, and they are often designed to incorporate a lot of investing lighting, especially natural lighting. In many cases there is some sort of central atrium or similar that creates a tall, vertical open area… and that provides some wild and off-kilter angles of subjects that would look quite different if photographed on their own level. Here a pair of people stands at the base of a stairway, positioned in the angle between a nearly-black wall and a window.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wall of Redwoods

Wall of Redwoods
A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

Wall of Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

This dense “wall”of redwood trees is part of a grove at Humboldt Redwoods State Park in Northern California. Our experience of arriving in the grove was quite striking. We had just spent hours driving a long loop of small country roads out to part of the “Lost Coast” area, and after a somewhat steep descent the road dropped into this deep, dark, and quiet grove. We stepped out of the car into the cathedral-like experience of these incredibly large trees and paused here on our drive for some time, wandering slowly among the trees and making photographs.

I’ve written before about how photographing in the redwood forest presents a number of challenges. Some of them are objective — it is very dark here, even in the middle of the day in many cases, and one ends up using very long exposures, sometimes adding up to several seconds. And despite the sense of stillness, it seems that there is always a tiny bit of air movement that affects branches and leaves. But a more complex question is how to render photographs of these places. What the camera records here is quite different than what the eye and the mind see. For some technical reasons I’ve written about previously, while the eye sees rich and deep colors, the camera records something that can appear flatter and dimmer. So the post-processing question always becomes how to move things back toward the light and colors that we remember experiencing. When doing that it is easy to get carried away and perhaps create something that is a bit too much of a fantasy — there’s nothing objectively wrong with that, but the question of how far to go is never far away. I chose here to stick with a rather dark rendition, since I remember that this is how the scene felt to me at the time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Crane Congregation

Crane Congregation
Sandhill cranes in a wetland pond as the first morning light arrives on a foggy morning.

Crane Congregation. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sandhill cranes in a wetland pond as the first morning light arrives on a foggy morning.

Things have changed a lot since I made this photograph back in early March, barely more than two months ago. At that time a trip to the Central Valley to photograph birds typically involved being completely self-contained, avoiding any unnecessary stops en route, and bringing along a mask and hand cleaner. Two months later and it is quite possible to envision time when things are back to pretty much normal.

Back when I made this trip I worked my way quickly through the images I brought back, but soon had to move on to other projects. Now I am finally finding the time to revisit this collection of many hundreds of raw files (that’s what I end up with when I photograph birds!) and take a closer look at them. I made this photograph very early on this slightly foggy morning, when the first eastern light was struggling to make it though the haze. The cranes were mostly standing quietly in shallow water as the sun arrived, though the tension of their incipient fly-out was already on my mind.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.