Reflections in new windows during reconstruction at the World Trade Center site, New York City, 2011.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A study in right angles, MOMA courtyard, Manhattan.
This is a photograph from nearly a decade ago, made on one of our semi-regular visits to New York City. For some reason I ended up in the archive of raw files from that visit recently and I ended up working on this photograph. It turns out that it is quite similar to another I made at this same spot, but there are some subtle but important distinctions that convinced me to work on this version.
The camera position is a window facing this courtyard, a spot that most people probably walk right past on their way between floors at the Museum of Modern Art. I think I may first have been attracted by the elevated viewpoint, looking down into the courtyard where people may sit or walk. I also was fascinated by the dense cubic forms of the buildings and the strong perspective lines that they form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
The corner of Nassau and Ann Streets, Manhattan. (Charles Ives fans may get the reference.)
Anne Street
Quaint name Ann street. Width of same, ten feet. Barnum’s mob Ann street, Far from ob-solete.
Narrow, yes, Ann street, But business, both feet. (Nassau crosses Ann Street) Sun just hits Ann street, Then it quits–some greet! Rather short, Ann Street.
– Maurice Morris
Fans of the work of American composer Charles Ives may “get” this. Not long ago I finally worked out the location of theManhattan street that gives the song its name, found it, and looked for the parenthetical cross street. Located on the fringes of the financial district it still has connections to this rather old poetic description. (Those who are inclined to find and listen to the song should look for some wonderful musical puns in Ives’ treatment.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Rhododendron flowers liine a trail through Northern California redwood forest.
Late on this June day we went back to this trail that we had visited earlier. We knew that the rhododendrons were in bloom here, that it featured a dark and thick forest, and that there could be glowing light from the west at this time of day. We entered the forest as the light was diminishing — which happens here well before sunset — and hiked a short distance to scope out the possibilities.
As the light began to diminish we turned back toward the trailhead, which was not far away, and we walked back through lush growth and past a section of forest thick with those seasonal blooms. I stopped here to photograph, noticing the graceful branch arching above the trail and the flowers beyond — but also because it seemed like such a typical scene along the trails of these forests, with soft-light, plenty of quiet, and growth everywhere.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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