Tag Archives: stone

Photographs: Central California, Photographs: Nature

Trees and Stone

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Trees and Stone
Trees, a boulder, cliffs and towers — Pinnacles National Park

Trees and Stone. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Trees, a boulder, cliffs and towers — Pinnacles National Park

Visiting Pinnacles National Monument last week presented me with an unusual experience. Typically I photograph in two kinds of places. To simplify a bit, one sort is the places that I have photographed repeatedly over long periods of time, and which I have gotten to know intimately. The other type would be places that I don’t know at all, and which I come to with an almost “blank slate,” discovering their character directly as I encounter them. “The Pinnacles,” as I’ve referred to the place for years, doesn’t quite fit into either category. When I was much younger I frequently visited the place, starting with my parents when I was quite young and continuing into my twenties when I was a rock climber. So some memories and sensations from the place a deeply embedded in my memory and experience. But they I stopped going there and has been decades since I was last there.

With that in mind, it is no surprise that my first visit included quite a few “I remember this!” moments, combined with about as many “This is new!” moments. We mostly visited the east side when I was young, but this time I arrived from the west. I had hiked the high peaks trail, and even climbed some of its pinnacles, but I was surprised to (re)discover just how narrow, steep and exposed it is. So my approach to the place was a combination of working with what I know and discovering what was new. In the end it felt like I was sort of “feeling my way” back into familiarity with the place. I could not yet quite see how to photograph some seemingly obvious subjects, such as the high peaks area, so I focused on many non-iconic subjects, such as the scene of gray and red rocks and trees in this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees, Snowy Ledge

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Trees, Snowy Ledge, Yosemite Valley
“Trees, Snowy Ledge” — Trees grow on a snowy ledge below Glacier Point

The cliffs and spires of Yosemite Valley — and not always the most iconic among them — fascinate me. While there is only one Half Dome, there are uncounted intimate vignettes of ridge, ledge, spire, light, texture, color, and atmosphere everywhere — where the cliffs meet the canyon floor, up these giant walls, and along the rim of the Valley. The variety is astonishing — something that is uninteresting in one kind of light may glow in another, what appears as a featureless face in summer may acquire relief when there is snow, changing light color brings colors out of what might otherwise seem entirely gray.

In February a spent a couple of very early (and very cold!) mornings contemplating one specific area of the Valley, staring upwards as the bluish pre-dawn glow was transformed as light came to the sky and then as beams of sunlight slanted across the granite faces and ledges. On both mornings I photographed this subject — a pair of taller trees flanked by smaller trees and brush and a dead snag, and set against a particularly varied bit of cliff texture and color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Abstract, Photographs: Imaginary Landscapes, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Cliff Detail

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Cliff Detail
A section of a Yosemite Valley cliff

Cliff Detail. Yosemite National Park, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A section of a Yosemite Valley cliff

I was in Yosemite Valley for the weekend, initially for the opening reception for the Yosemite Renaissance 32 exhibit in the Yosemite Museum Gallery next to the Visitor Center. Friday was all about the exhibit — the wonderful reception and then afterwards with my many friends among the artists in the show and others artists who have a connection to the event. This was also the seasonal peak of the annual Horsetail Fall excitement, a phenomenon that brings hordes of people to a couple of small areas… but consequently brings a degree of solitude and quiet to many other parts of the Valley.

In any case, my visit was also an excuse for photography. On my last morning there I was up an out in the 17 degree chill before sunrise. I headed to a nearby clear area from which I had an unobstructed view of some of the mighty cliffs. As I photographed I alternated between subjects that were typical landscape material — trees on ledges, morning light slanting across granite, snow and ice — and more abstract images focusing a sort of disembodied landscape and isolation striking bits of pattern and color high on the cliff walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: France, Photographs: Urban/Street

Along the Seine

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Along the Seine
“Along the Seine’ — A man sits at the top of steps along the Seine River, Paris

Most of our time in Paris this past August was spent walking, and there are certainly plenty of great places to walk in this city! But Paris is big enough that sometimes it is useful to get around in other ways: train, bus, subway… and boat. So, after a few days of looking around on foot we decided to catch one of the river tours up and down the Seine through the city. We’ve done this in other cities and discovered that the boats often provide a very different view of things than what we see from the streets.

I quickly figured out that much of my photography from the river would best be done with a longer lens, so I put a telephoto zoom that I had brought along on my little Fujifilm XPro2 camera. Photographic subjects, when seen from a boat, often pass very quickly and there would be little time for lens changes. I photographed almost continuously — architecture, bridges, people along the banks of the river, and more. Here I saw a fellow relaxing against a wall at the top of a stairway leading down to a walkway along the river.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.