Tag Archives: thick

Forest, White Trunks

Forest, White Trunks
White trunks in a dense forest of deciduous trees, Redwood National Park.

Forest, White Trunks. © Copyright 2021 G Dan Mitchell – all rights reserved.

White trunks in a dense forest of deciduous trees, Redwood National Park.

It turns out that I have yet one more photograph from our early June visit to the far northern reaches of coastal California and the Redwood National and State parks. I am embarrassed to admit how long it was before I finally went up there to photograph, but since my first visit a few years ago I have been back every spring, usually trying to time my trips to coincide with the blooming of the rhododendrons. We were less than successful in that regard this year, but there is much else to see there, too. And because this was back in the early “maybe the pandemic is about over” period, it felt great to travel a bit more freely once again.

When it comes to trees, the redwood forests are obviously the mail attraction up there. But they are not the only attractions, and in many places all sorts of trees and plant life grow abundantly in this relatively wet climate. I stop at this particular forest of densely-spaced trees with light colored trunks on every visit — I like the challenge of looking for compositions that somehow bring some kind of order to the wild density of this vegetation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Young Forest

Young Forest
A dense forest of small trees, likely in an old logging tract, Northern California.

Young Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense forest of small trees, likely in an old logging tract, Northern California.

As I described in a previous post, in early June we spent a day driving a somewhat less-travelled loop in far Northern California, a route the took us west from US 101 and out to the “Lost Coast” before heading south along a stretch of lonely beach and then turning inland. From there the route took us through coastal hills and valleys, though small hamlets, and past the ubiquitous marijuana farms before climbing a tall ridge and then dropping steeply into a dark and quiet redwood forest not far from our return route along US 101.

The first portion of this look was quite varied and different from what I expected. I only knew that it was a narrow, winding road with a somewhat dubious surface, and that it would eventually take us to the coast. But I had no idea of what terrain we’d cover or what sorts of vegetation we would see. Although the route starts near a coastal plain featuring farmland, it soon climbed into tree-covered hills, occasionally emerging into open meadows that sometimes afforded expansive views. At times the road was quite steep — it is not the sort of gentle route that tries to avoid steep grades. At one point we descended from a high open area and were surprised to find ourselves in this forest of small trees, moss, and ferns.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Edge of the Forest

Edge of the Forest
Deciduous trees at the edge of a forest, Redwood National Park.

Edge of the Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Deciduous trees at the edge of a forest, Redwood National Park.

This photograph comes from a section of forest that always surprises and pleases me when I visit Redwood National Park. In a place where the giant coast redwoods are everywhere… here there aren’t any! Instead these densely-spaced deciduous trees with their thick green foliage line both sides of the road. Although the spot is not marked as an iconic location, there are always others stopped there when I arrive.

Part of the attraction of subjects like this is the challenge of finding some sort of logical composition in all of the extremely complex detail of trunks, branches, and leaves. It is there, but I often have to look for it. Typically I spot something that seems like it might anchor the photograph… and then as I look over the scene I discover some element that doesn’t fit or a spot that is too dark or otherwise seems empty. At the same time, I don’t want it to be too perfect — without some formal tension the scene can easily become completely static.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redwood Grove, Humboldt Redwoods

Redwood Grove, Humboldt Redwoods
A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

Redwood Grove, Humboldt Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

When photographing new locations, there is a tension between knowing enough and knowing too much ahead of time. In most cases, some preparatory research about a place is useful — it lets you find your way to (and back from!) interesting locations, and it alerts you to their existence. On the other hand, knowing too much about a place limits opportunities to experience the feeling of “discovering” something unexpected. When we arrived at this grove near the end of an exploratory loop to the far Northern California coast, the unexpected stillness and quiet of this magnificent grove was magical.

Another tension concerns the best way(s) to interpret coast redwood forests in photographs. For me, the path usually lies somewhere between the (hopeless and uninteresting) idea of “capturing” supposed objective reality and fascinating and extravagantly subjective and even fantastical interpretations that may be problematic. I don’t think that there is a right answer, but extreme cases raise important questions. On this visit I focused on carefully considering what I see without the camera — how cool/warm the light appears in these places, how much detail can I really see, how much light is really in the scene. These observations inform how I render these subjects — and my thinking about the boundaries between what was there, how the camera “saw” it, and how I want you to see it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.