Tag Archives: travel

Clearing Storm, Sierra Crest

Clearing Storm, Sierra Crest
A late-spring storm clears along the Sierra Nevada crest near Bloody Canyon.

Clearing Storm, Sierra Crest. © Copyright 2022 G Dan Mitchell.

A late-spring storm clears along the Sierra Nevada crest near Bloody Canyon.

This photograph comes from an early-season trip across the Sierra crest a few years ago. It must have been quite a day. The first photographs from the set were in springtime Yosemite Valley. By the end of the day I had crossed Tioga Pass and headed out to the east of the range and into high desert near Mono Lake, the location from which I made this photograph late in the afternoon.

If only I kept a diary of these things! My hunch is that this was my “first trip of the season” across recently-cleared passes, on which I often take stock of the conditions at the beginning of a new summer season. From the looks of the clouds hugging the crest along the eastern Yosemite boundary, winter had not yet quite let go. There was still a decent amount of snow, clouds draped the crest, and it looks like there is some active precipitation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Zeum, Architectural Detail

Zeum, Architectural Detail
A San Francisco view from the Zeum on a blue sky day.

Zeum, Architectural Detail. © Copyright 2022 G Dan Mitchell.

A San Francisco view from the Zeum on a blue sky day.

Recently I have leaned on a Minor White quote more than once: “One should not only photograph things for what they are but for what else they are.” I’ve always taken this to be about photography’s burden of “capturing the real world,” how limiting that goal may be, and how photographs can be seen in other ways. It is almost always worth asking about a photograph, “Beyond what this is, what is it?”

This is, obviously, a photograph of a bit of architecture in San Francisco, a place called “The Zeum.” I’ve wandered through it many times while on San Francisco photography walks. An incomplete list of the “what else it is” in this photograph could include some of the following. It is about color and light and shadow. It is about perspective and angles and lines. It is about that sky and that single cloud. Perhaps you can think of other things?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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The Big Trees

The Big Trees
Giant sequoias at Mariposa Grove, Yosemite National Park

The Big Trees. © Copyright 2022 G Dan Mitchell.

Giant sequoias at Mariposa Grove, Yosemite National Park

With the Washburn fire in the news, many of us have been thinking about that fire, the fact that the Mariposa Grove has been in its path, the recent destruction of a significant percentage of Southern Sierra sequoias, the role of fire in forest life, and the changes wrought by human-caused climate change. This grove, along with almost all Sierra forests, has a symbiotic relationship with periodic wildfires. A disruption of that cycle — either through complete suppression or the resultant hot and destructive fires that feed on too much undergrowth, enhanced by the changing climate — is dangerous to the long-term health of forests.

Figuring out how to feel about wildfires is complicated. If you were brought up on Smokey the Bear telling us that all fires are bad, it was a revelation to later learn that this isn’t the whole truth. More recently, as we were coming to terms with the idea that fire plays a role in forest health, Sierra fires have become more frequent, larger, and far more destructive. The duration of the fire season is expanding, and the forests are being so badly damaged that some seem to not be coming back.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Empty Lot, Paris #2

Empty Lot, Paris #2
An empty lot with graffiti in Paris, a 2022 rendition.

Empty Lot, Paris #2. © Copyright 2022 G Dan Mitchell.

An empty lot with graffiti in Paris, a 2022 rendition.

Almost any time I open up an old photograph for some reason other than pure curiosity — and sometimes for that reason, too — I reconsider it and make some minor adjustments that seem like improvements. That might seem odd in today’s world of digital post-processing and inkjet printing. Back in the film era, every print was a unique rendition, the result of physical acts in the darkroom during the printing process. It was literally impossible to do what is the norm today — to make every print exactly the same as the others. All of this is a long way of saying that I don’t see why an early version of a photograph should be the final say on it.

Recently I re-opened this photograph, made a few years back on an evening walk around the Montmartre area in Paris. It was surprising to find this empty lot in a crowded area and to note that it appears to have been empty for some time. There’s a lot going on in the scene, but that blue portrait catches my attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.