A red car waits in front of a blue Chicago building
This was a surprise grab shot near the end of a day of photographing, as we walked back to our Chicago hotel to get ready to go out for dinner. Most of the surroundings were not terribly conducive to photography at this point, being in the middle of a very neat and tidy hotel and business area, but here the organized forms seemed right for a photo, with the perfect vertical columns of blue shaded light and the single spot of red from the car parked in the driveway and, if you look closely, a single person in front of the car.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Fall colors along the canyon of the East Carson River, California
Aspens are most certainly not the only sources of autumn color in the Sierra Nevada. There are many bush-like plants that can be quite colorful, such as the willows that may line high elevation creeks, and in the lower places along rivers cottonwood trees produce beautiful color just a bit later than the aspens.
This photograph was made along a section of the East Carson River not far from the tiny town of Markleeville in Alpine County, one of the least populated areas in the state. In this general area there is a transition from the higher country around the Sierra crest toward the high desert east of the range where rivers like this one end up. As I drove up the highway alongside the East Carson it was still early morning and shadows filled the bottom of the river canyon, where colors came from brush, cottonwoods, reflected blue sky and warmer colors reflected from higher canyon walls.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
We had been in roughly the Millennium Park area for a good part of this day, wandering around and looking at stuff and visiting a museum, and we were (if I recall correctly) heading back toward our hotel in the late afternoon, planning to perhaps take a break before figuring out where to go for Chicago style pizza. (One goal on this trip was to have both Chicago and New York pizza. After all, pizza research is a solemn duty.)
I’ve noted elsewhere that Chicago’s tendency to combine tall downtown buildings with more open space allows a lot of beautiful light to reach down to ground level and it sometimes permits clearer views up and down streets. As we walked past this intersection, marking the end of East Madison, the late light was coming straight up the street from the west, though slightly hazy and soft atmosphere, striking the sides of buildings and silhouetting people and vehicles on the street. This was light to stop for!
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A grove of autumn color aspens reflected in an eastern Sierra Nevada pond
I saved my visit to this place for the final evening of the final day of this year’s aspen hunt. Although I had passed by the mouth of this canyon four days earlier, while heading to another location near the start of my trip, I had only glanced in from the main highway — but I could tell, both from experience and from looking, that there would almost certainly be some good color here later on. Although the color change seemed to start on a rather early schedule this year, later on the pattern seemed to become closer to the norm. Color started high, and by the time I made this photograph a lot of the highest elevation color was going or gone. (Not all of it though — even amidst lots of bare trees up high, I still came across scattered high elevation groves full of color.)
As the color transition continues, it moves to successively lower elevations, and some of the most protected east-side canyons can hold color even longer. In the past this has often been a decent late season location for color, but I’ve also been there when the color came and went early, for reasons I could not decipher. So on this day when I actually entered the canyon for the first time this fall, I wondered if the colors that I could see along the stream where it emptied into larger valley below might be all there was… or if the color would continue up higher. It turned out that the colors did continue, and in outstanding form! The majority of the trees had fully or nearly fully changed color, with a few other trees at either end of the transition — some still all or mostly all green, and a few that had gone to bare trunks and branches. Far up the canyon there are flooded meadows, and I made this photograph at the highest of these ponds.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
