Tag Archives: trees

Two Small Trees, Autumn Fog

Two Small Trees, Autumn Fog
A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

Two Small Trees, Autumn Fog. Yosemite National Park, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

I admit it. I got distracted. This past week I had reason to visit Oakhurst, California, just below the southern boundary of Yosemite National Park. I drove up there in tremendous rain, had my meeting, and then headed to The Valley for a few hours of photography. As I drove up from Oakhurst the forest was wet and fog was everywhere — perhaps the ideal conditions for all color — but I kept driving, wanting to get to the Valley before the light was gone. At one spot inside the park I caught a glimpse of a bright yellow big leaf maple tree in a small gully leading away from the road, but I did not stop.

I was back in Oakhurst that night, and then up very early the next morning with a plan to arrive in the Valley again by daybreak. I headed up from town again, but once again there was fog, though less of it. Three things I cannot resist are autumn color, fog, and forests — so when I passed this spot again I quickly decided to turn around and come back to make some photographs. This is a complex photograph, the opposite of the minimalist images I like to produce (see some recent Mono Lake photographs for examples), but that is the nature of forest scenes like this — they are an utterly harmonious whole created out of a very complex set of components. And, even better, they are mysterious and quiet and still.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Rain, Fallen Leaves, Reflections

Rain, Fallen Leaves, Reflections
A pedestrian walks post a small garden in the rain near the Tate Modern, London

Rain, Fallen Leaves, Reflections. London, England. August 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A pedestrian walks post a small garden in the rain near the Tate Modern, London

It may be a bit hard to see in this small version of the photograph, but the walkway, made dark and reflective by light rain, is covered by a universe of small leaves that have fallen from the row of trees that stretches to the right and out of the frame. I was also attracted by the complementary red and green colors of reflections and leaves.

The location is not far from the end of London’s Millennium Bridge and at the entrance to the Tate Modern, where we went to see a wonderful exhibit of Georgia O’Keeffe paintings. (And, yes, it did seem slightly strange to be visiting the exhibit of this American painter in a British museum.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Green and Yellow

Aspens, Green and Yellow
Transitional early autumn aspen color in the Eastern Sierra Nevada

Aspens, Green and Yellow. Eastern Sierra Nevada, California. October 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Transitional early autumn aspen color in the Eastern Sierra Nevada

These tall aspen trees with their straight trunks are not the most common sight in the Eastern Sierra Nevada, where smaller and more twisted trees are more the rule. But in protected and well-watered locations the trees can grow straight and tall. I photographed these at the beginning of what most would consider the prime aspen color season in this region, the first two or three weeks of October. The color starts up high (often even earlier than this) among small, high elevation trees and then works its way down into the canyons and out into the drier lands east of the Sierra. At this spot, though not within the view of the camera, there was an entire hillside covered in bright yellow small trees, but among these larger trees the show was just beginning.

This demonstrates something that Sierra aspen-chasers eventually learn, namely that if the trees in one spot are not ideal we can simply look higher or lower, north or south, and we’ll probably find trees in good condition. Although I did not make it back after this visit during the 2016 aspen color season, I’m quite sure that those who came to this spot a week or two after I was there found that some of the yellow trees had lost their leaves and that the trees that are green in this photograph were brightly colored.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Slopes, Evening

Aspen Slopes, Evening
Back-lit aspens along the base of the eastern Sierra Nevada, evening

Aspen Slopes, Evening. Eastern Sierra Nevada, California. October 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Back-lit aspens along the base of the eastern Sierra Nevada, evening

This eastern Sierra slope is filled with scattered groves of aspen trees, and because of its gentle slope upward to the west it catches the late afternoon light beautifully, backlighting the colorful autumn foliage. I photographed it perhaps a week or so before the peak of its autumn color — on the downside that means that some trees are still green, but it also means that no trees are yet completely bare.

This photograph can illustrate a few ideas about photographing such places. First, this is a location that I know very well, a popular and easily accessible location for seeing and photographing fall aspen color. As I’ve returned to it over the years, I have continued to photograph from the usual locations — but I’ve also poked around the area and I’ve found a few less obvious vantage points. That leads me to the second point, namely that it is often a good idea when photographing such things to try to get a little elevation on the subject. For this image I managed to find a spot that was perhaps a few hundred feet higher than the usual vantage points. Not only did this give a bit more separation to the beautiful ridges with their strips of rim light, but it also helped me avoid flare when shooting directly into the late afternoon sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.