Tag Archives: trees

Aspen Slope

Aspen Slope
Autumn aspens descend from a ridge to the shore of an Eastern Sierra Nevada subalpine lake.

Aspen Slope. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspens descend from a ridge to the shore of an Eastern Sierra Nevada subalpine lake.

This spot is probably familiar to you, especially if you use the version of the Mac OS that used a different photograph of the feature as its branding. This aspen forest or grove — which someone once aptly referred to as the “Cheetos Forest” — is an example of something you can find in many Sierra locations, namely aspen groves that follow a watercourse as it descends from the heights. The result can be the appearance that the grove itself seems to flow over the landscape.

This grove also provides a notable example of other transitions that may take place within a single aspen grove. The color variation from top to bottom here is striking, with red autumn leaves up high, a distinct orange band in the middle, and then yellow/gold trees as the trees fan out just above the lake. The size of the trees also evolves within the grove from very small “scrub aspens” higher up to larger (though still not gigantic) trees lower down.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn Aspens, Eastern Sierra Lake

Autumn Aspens, Eastern Sierra Lake
Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Autumn Aspens, Eastern Sierra Lake. © Copyright 2020 G Dan Mitchell – all rights reserved.

Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Along the same lines as another photograph I recently wrote about, this one is an alternate framing of a scene that I previously shared in a landscape mode photograph. (For folks unfamiliar with this terminology, “portrait” mode is taller than it is wide and “landscape” mode is wider than it is tall.) When I wrote about the decision to create two versions of such a scene I proposed two reasons for doing so. First, I cannot always say with certainty which formatting is better. Second, clients (especially in the publishing world) are often quite specific about which they need, so it makes sense to have both if possible.

There is another practical factor at work in this case, too. Before I went to this spot I had a fairly specific idea of the camera position I wanted to use and of how I wanted to incorporate the red foreground trees with the lake, the more distant colorful aspens, and the higher mountains. So I got their very early — early enough that I took a headlamp when I walked to this spot — and prepared to work from more or less the same spot as the light evolved. And it evolved a lot on this morning. Before sunrise there was abundant wildfire smoke floating around and the scene was quite muted and not what I hoped for. Initially I had decided to let the distant part of the scene go and instead focus on the closer portions less affected by the smoke, but as the sun came up it cut through some of the haze. All of this meant that as I worked from this fixed location, waiting for the right light to evolve, and I had plenty of time to try different camera orientations and other small modifications of the composition and framing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Aspens, Hillside Grove

Autumn Aspens, Hillside Grove
A grove of autumn aspens ascends an Eastern Sierra hillside.

Autumn Aspens, Hillside Grove. © Copyright 2020 G Dan Mitchell – all rights reserved.

A grove of autumn aspens ascends an Eastern Sierra hillside.

If you we thinking that I’d be finished with this year’s fall color photographs by now… well, you’d be mistaken! And this won’t be the last one either. To review, it was a strange color season for me in the Eastern Sierra. On the plus side, I made it up there to photograph, and the colors were more spectacular than in many other recent years. On the not-so-plus side, the pandemic made travel a bit more complex, and wildfire smoke interfered with photography… and breathing!

I made this photograph in a place that I originally thought had mostly revealed what it had to offer. But I stop here every year, look at many familiar things and think there’s nothing new to see, linger a bit, and then start to see elements of the scene that suggest new photographs. This is one of those. I’m sure I’ve looked at this frame in the past, but perhaps the colors weren’t quite right or it was a different time of day. Whatever the reasons, this time it seemed to work.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tall Trees, Early Color

Tall Trees, Early Color
Tall aspen trees begin to take on fall colors, Eastern Sierra Nevada.

Tall Trees, Early Color. © Copyright 2020 G Dan Mitchell – all rights reserved.

Tall aspen trees begin to take on fall colors, Eastern Sierra Nevada.

Previously I shared a different view of this grove of aspens. (More on that below.) It is part of a large grove in the Eastern Sierra that is easily accessible. As a matter of fact, I photographed it from a spot just a few feet off of a roadway. Here a large expanse of trees rises from the bottom of a valley, working its way up talus slopes toward higher peaks. Because virtually the entire grove is open to view and spread out before me, I often use a long lens to pick out small compositions from within the larger totality. This photograph focuses on a group of tall, thick, mature trees.

About that “different view” that I mentioned above — the previous version was in portrait (vertical) format while this one is obviously presented in landscape view. If you imagine that there is one “best” way to depict a subject, the choice to share both might suggest a lack of clarity on the part of the photographer. Obviously, I feel differently. I do not think there is one right or even best way to frame or format a subject, and I believe that there are multiple ways to look at it. Beyond that there is a practical value to seeing such a subject in more than one way, as anyone who has worked with photography clients understands. In the end, I actually like both ways of seeing this grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.