Tag Archives: upper

Morning Shoreline

Morning Shoreline
Early morning light approaches the rocky shoreline of a backcountry Yosemite lake.

Morning Shoreline. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early morning light approaches the rocky shoreline of a backcountry Yosemite lake.

With this photograph we are back in the Yosemite National Park backcountry at a lake that I’ve visited many times, including this occasion more than a decade ago when I joined a group of friends and photographers here fo a few beautiful early fall days. This late-september and early October period is my favorite in these mountains. Most of the crowds have left, especially in the backcountry, the mosquitos are gone, and most days are beautiful and filled with warm autumn light. (Of course… occasionally it does snow…)

This photograph is part of a series of images I have shared recently, all made on a morning spent walking around the perimeter of this lake. The earlier photographs were made before the direct sunlight arrived on the scene, but in this one the first early morning light has arrived on granite slabs just above the shoreline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees, Boulders, Shoreline

Trees, Boulders, Shoreline
Boulders and trees along the shoreline of a Yosemite backcountry lake.

Trees, Boulders, Shoreline. © Copyright 2021 G Dan Mitchell – all rights reserved.

Boulders and trees along the shoreline of a Yosemite backcountry lake.

This dense and complex little scene caught my attention as I slowly wandered around the periphery of this Yosemite backcountry lake early in the morning a few years ago. I often look for a sort of compositional simplicity in photographs — some basic, underlying form that encompasses the elements — but sometimes I like to head off in the opposite direction and play with the idea of including lots of components in the scene. If I didn’t do this occasionally, I think I’d have to leave a lot of subjects out of my photography. So, yes, there’s a lot going on here: a couple of vertical lines from trees; a jumble of small trees and plants, the shapes and textures of the boulders, and even a bit of reflection in the water.

I made the photograph at a particular moment in the evolution of the morning light at this location. Because I was out and about very early, the first light I experienced was the soft, bluish light of the pre-dawn time. Before long the sun began to hit some of the surrounding peaks, and as this light spread it began to reflect warmer light in to the still-shaded parts of the landscape. At this point the light is still soft, but it is gradually and almost imperceptibly warming and becoming a bit more directional.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dry Corn Lily Plants, Autumn

Dry Corn Lily Plants, Autumn
A bed of fallen and dry autumn corn lily plants, Yosemite National Park.

Dry Corn Lily Plants, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A bed of fallen and dry autumn corn lily plants, Yosemite National Park.

The corn lily is one of my favorite Sierra plants. It tends to grow in meadowy, wet areas that are often particularly lush — and thus bug infested— in the early season. I think it is an attractive plant at almost any point in its annual life-cycle. It emerges as the green shoot as meadows come back to life early in the season, and before long the intense and lush bright green plants stand tall. But this state of perfection doesn’t last long, and soon blemishes appear — dark spots, holes, and eventually yellow areas as the end of the summer season draws near. (I’ve long thought of this change as the first sign of the coming Sierra autumn season.) Eventually the plants dry out, fall over, and when everything works out just right the form small carpets of brown and yellow and tan and fading green.

The corn lily is a favorite of photographers, most often photographed during that earlier lush, green stage. (It often seems like photographing such a beautiful plant would be easy, but once I start looking for the perfect conjunction of leaf shapes it inevitably becomes more difficult than I expected. )


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cathedral Peak, Autumn Sunset

Cathedral Peak, Autumn Sunset
Cathedral Peak in early autumn sunset light.

Cathedral Peak, Autumn Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Cathedral Peak in early autumn sunset light.

Everyone needs a photograph of Cathedral Peak at sunset, right? Although I’ve been to this place quite a few times — in a wide range of circumstances — I haven’t photographed the peak all that much. Perhaps it is because I haven’t often climbed up these slopes above the lake at this time of day. But on this visit some years ago, I did find myself in the right spot at the right time as a result of doing a bit of late-afternoon exploration.

The peak presents lots of opportunities for beautiful late-day light essentially at the end of the Cathedral range, leaving lower terrain open to the west and allowing the evening sun to shine directly on the mountain. Because the bowl is higher than surrounding terrain, gaining a it of elevation reveals lots of distant peaks, too, and the lake can reflect the mountain’s colors. Because this visit was late in the season — just a few days before the end of September — the meadows are golden-brown, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.