Tag Archives: urban

Street Scene, Child, Window Reflection

Street Scene, Child, Window Reflection
A child appears to yell at a reflective window in front of a London street scene

Street Scene, Child, Window Reflection. London, England. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A child appears to yell at a reflective window in front of a London street scene

This is one of those “either you get it or you don’t get it” photographs. We were in London for a bit more than a week, as part of a five-week period on the road through places including New York, London, Paris, Germany, and Italy. I know that not every “landscape photographer” feels the same way, but I love photographing the streets and people when I’m in places like this. In some ways it is a sort of counter to what I more typically do — I can work handheld rather than with a tripod, I tend to carry minimal equipment, and photographing “the street” often compels me to work quickly and instinctively.

We were out walking somewhere in London — I’ve forgotten the exact context — and we ended up on this busy street full of pedestrians. There is a lot to think about and to see in this photograph, at least in my view. The sky blue color figures prominently in many places within the frame. The carefree girl walking toward her reflection is the center of the scene for me, but behind we also see a couple and an older woman walking away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cafe, Montmartre

Cafe, Montmartre
Evening scene at a cafe in Montmartre, Paris

Cafe, Montmartre. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening scene at a cafe in Montmartre, Paris

This photograph was made on a warm summer evening last summer in Paris, on the day that we arrived by train from London. I’m almost embarrassed to say that this was our first ever visit to Paris — it is a long story — but I’m also very happy that we did get there, spending a beautiful week in the city. As first-time Paris visitors, we had little idea what we were doing, an issue perhaps compounded by the fact that I generally don’t like to do too much research about a place before arriving. Oh, and we don’t speak French. All of that aside, we made it from the train station to our hotel, and set out on foot in the early evening to try to get our bearings.

We had virtually no idea where we were going. We understood that we were in Montmartre, which we had selected at least in part because our son and daughter-in-law had stayed in the area recently. I won’t recount the entire story of our random wanderings through areas that we began to understand a bit better by the end of our visit, though in another post I may share the tale of our “discovery” of a rather well-known place. In any case, we were hungry, and it didn’t take us too long — though longer that it took on the following evenings — to figure out that finding a place is not a problem in Paris. In fact, we ate at this place…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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San Francisco Waterfront, Night

San Francisco Waterfront, Night
Downtown San Francisco waterfront at dusk.

San Francisco Waterfront, Night. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Downtown San Francisco waterfront at dusk.

I made this photograph on a lovely, slow, spring evening in San Francisco, where I had gone to meet up with a small group of street photographers. First I joined them for dinner in Chinatown, and then we all headed out to do some photography. While I usually do street photography completely on my own, relishing the ability to move fast from place to place or stay put for long periods of time, it is enjoyable to work with others at times, too. Several folks in the group were interested in the waterfront where downtown San Francisco meets the bay, so we headed that way first, and eventually everyone ended up on a popular pedestrian pier with good views back towards the City.

A few years ago I realized that the image quality and high ISO capabilities of very small digital cameras was making it entirely possible to go out into the street and do handheld photography after dark. Before that time my night photography was almost invariably the long-exposure type, with the camera on a tripod and exposure times measured in minutes rather than fractions of seconds. Then, during a weeklong visit to New York, it hit me that I could push things enough to shoot night, and I was immediately hooked. So when I found myself in front of this subject, one that would typically be a tripod-only subject, I thought I’d give it a try even though I was traveling very light — one small camera, one prime lens, no tripod. And even in this late dusk light it turned out to be quite possible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

It’s Time To Dance!

It's Time To Dance
Graffiti, street art, and a potted ivy plant, Le Marais

It’s Time To Dance! Le Marais, Paris, France. August 10, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Graffiti, street art, and a potted ivy plant, Le Marais

We wandered into Le Marais, a section of Paris that still retains the old, narrow, and sometimes twisting streets from before the improvements that brought wide boulevards and a logical (or so they tell me) street layout. It is also a sort of “artsy” area, with lots of little shops, the occasional museum, interesting people, and lots of street art. All in all, it felt like a street photographer’s paradise to me. (I made my favorite photograph of the entire five-week trip — and perhaps one of my favorites of all time — here in Le Marais, probably only feet from where I made this one.)

The street art, which includes but is certainly not limited to graffiti, is ubiquitous. Some seems light-hearted, some has a darker edge. Some is political, and the meaning of some of it was opaque to me. The combination of the French language — which I don’t speak and only some of which I can figure out — and English, some of which seems just a bit odd or “off,” gave a lot of it a kind of perplexing quality. For example, the words written around the edge of the black planter down near the sidewalk, which enthusiastically announce “It’s Time to Dance!” I saw these large female dancing figures elsewhere, another visual theme whose precise significance eluded me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.