Tag Archives: urban

Sunday In The Park

Sunday In The Park
Visitors to Manhattan’s Central Park on a sunny summer afternoon

Sunday In The Park. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Visitors to Manhattan’s Central Park on a sunny summer afternoon

I love the natural landscape, especially my familiar “friends” of the Sierra Nevada, the California coast, the redwoods, the western deserts, and others that are close enough to me that I regard them as part of my greater neighborhood. But I also love cities. The differences between the two worlds are obvious — loud and fast versus quiet and still, lots of crowds versus solitude, a constructed world versus a natural one. But they are not, perhaps, as entirely separate as we might think. When we visit either of these worlds we invariably bring at least some of the world we left behind. (Sometime when I feel like writing a lot more about the topic, I may share some ideas I have about the dangers of regarding the natural and human worlds as being altogether separate and distinct.)

In any case, we were again in New York earlier this summer, partly for the city itself and partly (mostly?) to visit family. We ended up in Central Park more than once, and on the last visit I think we sort of got to experience the park a bit as the “locals” do, when we put together a picnic with our “kids” and staked out a spot in Sheep Meadow to join the New Yorkers on the Fourth of July. Perhaps because that which seems natural is here so overwhelmed by that which seems constructed, it seems like at least some New Yorkers may almost feel more strongly about their local “natural spaces” than folks do in less urbanized environments. This photograph was made on an earlier walk through the park, when we traveled along paths that took us past this small but very popular lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Women, Street Art Vendors

Two Women, Street Art Vendors
Two women at a street art vendor beneath an umbrella, Manhattan

Two Women, Street Art Vendors. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two women at a street art vendor beneath an umbrella, Manhattan

I recently gave a talk on street photography to a local camera club in the South San Francisco Bay Area. It was the first time I’ve done a talk on this subject, so I spent more time that might be typical considering how to present the subject and how to illustrate some of my ideas about it. Since I don’t like to think there is only one way (or a “right way”) to photograph street or any other subject, I decided that part of the talk would involve looking at various ways to approach street subject. These could include street landscapes, street portraiture, people in groups, and much more — and the ways to photograph could range from very fast and spontaneous to as slowly and carefully as with any other subject.

This photograph came from the fast and spontaneous approach — so much so that I later don’t even recall making the photograph! (That is unusual — I typically have some recall of every photograph, and sometimes I remember a whole lot about it.) We were on a walk in Manhattan, likely heading uptown from the Little Italy area, and I had my camera out and in hand and was in a shooting mode in which I work very quickly — see subject, make photograph. I might take no more than a second or two to contemplate a composition, instead working very instinctively. There must have been something about the almost furtive appearance of the two women and something about the art for sale.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Red Shirts, Fountain

Red Shirts, Fountain
Two brightly clad people face a fountain in Washington Square

Red Shirts, Fountain. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two brightly clad people face a fountain in Washington Square

Manhattan’s Washington Square holds, along with many other places in this city, lots of opportunities for people-watching and for photography. On this visit we meandered through the park late on a Sunday morning as we walked to a destination further uptown. There was a lot going on: A pianist was set up on a walkway to give a recital, jazz combos played here and there, groups were doing aerobics, folks were playing in and around the fountain, people sitting on benches read the morning paper quietly, and much more.

When it comes to explaining what a photograph “means” or what it attempts to accomplish I would generally leave the determination to the viewer than offer too much explanation. I have my reasons! One is that, at least in most cases, I tend to think that a photograph that requires explanation may be a photograph that doesn’t speak strongly. Another is that I believe that multiple understandings of a photograph are possible, and that the photographer does not have a monopoly on the correct interpretations. But here I will give a few hints about what I was thinking when I made this. First, I was working quite quickly — there was definitely not enough time to pre-conceive this image. (That is not to say that pre-visualization was not possible, but that is a different thing.) I think the red shirts, which stand out from most of the other elements of the scene, initially caught my attention. The geometry of the scene also interested me — I confess that I think about composition quite a bit, even when shooting street. There is also something about the anonymity of these two people as they stand and look at a fountain while others are swimming in it or sitting on the steps that lead to the water. There’s more, but I’ll leave it at that.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Caffe Roma

Caffe Roma
A street scene next to Caffe Roma, Little Italy, Manhattan

Caffe Roma. Little Italy, Manhattan. July 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A street scene next to Caffe Roma, Little Italy, Manhattan

On the final evening of our recent week in New York City we headed back to the hotel. It is typical near the end of a such a trip to have a sense of things winding down. But I found time to make one more circuit of the surrounding streets of Little Italy and the edge of Chinatown to do a bit of night street photography.

I moved fairly quickly, and often made quick photographs while on the move, especially when people were the subject and they were not standing still. However, in a few places the buildings and the overall environment caught my attention and I paused for a moment to frame an urban landscape and then to wait for passers-by to populate it. This wall was quite a sight, with its huge and brightly lit painted sign, the red color of the wall itself, the light spilling onto the sidewalk, and the large painting of the woman at the far right. At this moment three groups of people coalesced: the trio interacting at the right, the two in the center who are lit by one of their smartphones, and the two unrelated figures at the far left near the bicycles.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.