Evening winter sky above California’s San Joaquin Valley
From that hour between late afternoon and the sometimes-fiery colors of sunset, a winter sky over the San Joaquin Valley of California, photographed on New Years Day 2014. Every so often I see a sky and what to photograph it, separated from the landscape below, and forming its own sort vaporous cloudscape.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Motion blur abstraction of a winter scene with three birds landing
Near the end of the day, well along into the dusk hour, with light fading fast, I decided to take advantage of the poor light and “play” a bit with very slow shutter speeds and intentional camera motion. By moving the camera in various ways during the exposure I can control to some extent the angle, length, and linearity of the blur. In some cases it is enough to just track the birds — and give the less fuzzy image of the three central birds, I am pretty certain that is what I was doing here. In other cases I can basically ignore the motion of my subjects and simply think about how to move the camera to create patterns in the motion blur.
I’ve often felt that working for sharply focused, stopped motion images of birds is not the only way to depict whatever it is that attracts me to them. The camera lets us see birds in ways that we really cannot usually see them with our own eyes. When birds are in motion it is almost impossible — at least with many types of birds — to clearly see them. They move too fast and the motion of wings is essentially impossible to track visually. And when we do stop them with a fast shutter speed, while we get to see them with a kind of clarity that isn’t otherwise possible, we may also sacrifice that sense of constant motion. So I started playing with the idea of intentionally avoiding sharp focus, allowing camera motion to come into play and using slow shutter speeds to allow the birds to blur and to blur their surroundings as the camera moves. To me, this sometimes evokes more strongly the feeling of the fast motion that I observe among these birds, and creates a different sort of honest portrayal of them.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A large flock of Ross’s geese, some airborne, in a San Joaquin Valley marsh, winter
Six months ago it was New Year’s Day 2014, and I was in the San Joaquin Valley with friends, joining a joyous and raucous throng of migratory birds at a party welcoming the new year. Today, at the opposite point on our annual journey around the sun, it is very hot and dry here in California, and thoughts of this January day were hardly on my mind until I started to revisit some photographs from earlier this year — and was reminded that we are now halfway back through the year on our way to another New Year’s Day.
In the evening these geese were more or less settled into the marshland at this San Joaquin Valley location, with small groups coming and going. I’m certain it was cold, and the cries of the birds filled that air, and the surface of the marsh reflected evening clouds as the day came to an end.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A winter fog obscures trees along a ridgeline high above Yosemite Valley
It may be surprising to hear that this is a color photograph. Well, the camera thought so, but you cannot easily tell by looking at the image. I was shooting another nearby subject, or perhaps waiting for that subject to some light that would make it more “photographable,” when I looked up to see this fog enveloping the high tree-covered ridges above this part of Yosemite Valley, with the atmosphere gently glowing in the backlight.
The photograph is a reminder for me that it is often better to see what you can make of the conditions you find than to lament that the conditions are not what you hoped for. (OK, you can go ahead a lament a little bit—i think that is normal!) While I often go to a place perhaps expecting or hoping for particular conditions, I’ve learned that quite often the most interesting opportunities are not those that we can predict but those that surprise us or those that we find. If the atmosphere of the place, apart from your initial notions of how it might be photographed, is something that attracts you, then it must be possible to make some kind of effective photograph of that thing that you like. You might be hoping for colorful sunset light, but you know—or at least I hope you do!—that a foggy evening, or a rainy evening, or even a hazy evening of soft light can be a wonderful thing, too.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
