Tag Archives: valley

Cottonwood Grove, Evening

Cottonwood Grove, Evening
“Cottonwood Grove, Evening” — Late-day light shines into a cottonwood grove along the Merced River, Yosemite Valley.

At the end of October I spent a couple of days photographing fall color in Yosemite Valley. Previously I posted about “three” main sources of fall foliage int he valley, listing big leaf maple, dogwood, and black oaks. But I left out another important tree, the cottonwood. This photograph was made within a grove of cottonwoods growing along a quiet section of the Merced River.

This particular spot is one that I’ve photographed quite a few times in the past. It is a little trickier to get there these days, since the park has limited access points in order to discourage visitors from trampling fragile locations that were once accessible. I had to search a bit to find a way to get here that didn’t violate the protected zones. Once I did, I walked along the river bank in later afternoon to this spot, where the trees grow thickly near the water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Boulders and Autumn Forest

Boulders and Autumn Forest
“Boulders and Autumn Forest” — Fall colors in a conifer forest along the banks of the Merced River, Yosemite Valley.

while there is fall color in Yosemite, it is not widespread, and it comes in bits and pieces rather than hillsides blanketed in color. This scene is a case in point. The great majority of the trees here along the Merced River are conifers. But deciduous trees are scattered though the forest. Here they include three major sources of fall color in the Valley: A big leaf maple, a dogwood, and a black oak.

While working on this photograph I had a not-unusual “Yosemite experience.” When I made the exposure I was shooting across the Merced River into what seemed like an inaccessible forest. But as I post-processed the file and looked closely I discovered that there were old electrical wires hidden among the trees! The Valley has been populated for centuries, and few places there can be said to be true wilderness at this point.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Merced River Bend

Merced River Bend
“Merced River Bend” — Autumn cottonwood trees grow along a bend in the Merced River, Yosemite Valley.

I made this photograph late in the afternoon as long shadows began to stretch across the floor of Yosemite Valley, gradually leaving these trees in shade. Here the Merced River flows slowly through a flat section next to meadows and lined with big cottonwood trees. Although a few of these trees had lost their leaves, many were at peak color.

This is one of several spots in the Valley where I like to wander slowly and look for photographs. This particular spot used to be easily accessible, though increasing Valley crowds have forced the park service to downgrade access. It took me a while, but I found a trail that wasn’t off-limits.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Forest, Yosemite Valley

Auturm Forest, Yosemite Valley
“Autumn Forest, Yosemite Valley” — Autumn color from black oak and big leaf maple trees among the conifers, Yosemite Valley.

This is another of those dense vegetation photographs that I like. I enjoy the challenge of looking at these complex scenes long enough to find order in their complexity and near-chaos. Here that meant setting up a good distance back from the scene and photographing with a very long lens, moving around to find just the right relationships among the elements.

There are two special things about this specific spot in Yosemite Valley. The first has to do with light. Since areas along the base of the southern cliffs tend to remain in the shadows for many hours, I go here to find soft shadow light. But even better, El Capitan is across the Valley from this spot, and it reflects the daytime sun into these trees, giving a directional quality to the light. There’s one more interesting thing about this spot: a road runs fight in front of it, so one must compose carefully to leave it out and then wait for any cars to pass!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.