Tag Archives: walking

Woman, Empty Venice Street

Woman, Empty Venice Street
A woman walks along a narrow and deserted Venice street in the early morning.

Woman, Empty Venice Street. © Copyright 2023 G Dan Mitchell.

A woman walks along a narrow and deserted Venice street in the early morning.

The whole concept of “travel” is complex and, I think, fraught with trade-offs and contradictions. The world is a huge place, far too big to fully experience and see all of it in a lifetime. Do we go to many places and experience each of them less fully? Or do we got to fewer places and try for a deeper experience with those? I don’t have the answer — just the question. Our visit to Venice on this trip relates to that question as, even though we had been to Italy before, we had not ever been to this remarkable — and now tourist-filled and other wise endangered — city. Part of us did not want to go there, given the issues with modern Venice, but another part of us thought, “Venice! How could you NOT go there at least once!” So we went.

The place is just as crowded as you have heard and possibly seen for yourself. But it is also just as remarkable as you have heard. Arriving there for the first time (a story I’ll share in more detail later) was one of the most remarkable moments of our trip. But those crowds! Fortunately, we stayed in a place that was outside the main tourist zone — yet close enough to get to places we wanted to visit quickly. On this morning I went out early, when almost no other tourists were out. It was possible to photograph empty streets or, as in this case, individuals passing through this remarkable place.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Crosswalk People

Crosswalk People
Pedestrians enter a crosswalk in Manhattan.

Crosswalk People. © Copyright 2022 G Dan Mitchell.

Pedestrians enter a crosswalk in Manhattan.

The thought process behind a photograph like this one is hard to explain, perhaps partly because such photographs are often made instantaneously and with virtually no time for careful thought or planning. They happen almost purely instinctively when I see something in the scene that I react to, but without time to ponder what that “something” is. In fact, there’s a pretty good chance that I made this photograph without even raising the camera to my eyes, or at least without time to really look. If I had waited… the moment would have been gone. I think I’m attracted initially to something in the patterns in the scene, though in retrospect I think the image is a bit more complicated to parse.

Most photography — even landscape photography, despite what some will claim — often involves split-second intuitive decisions about subjects and scenes that are completely ephemeral. It is a matter of “make the exposure now or don’t make it at all.” One thing I like about street photography is that it requires me to make these judgments quickly, and I think that hones my ability to see subjects and compositions — even when they are standing still!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Stripes

Stripes
A woman wearing a striped outfit uses a cross walk in Manhattan.

Stripes. © Copyright 2022 G Dan Mitchell.

A woman wearing a striped outfit uses a cross walk in Manhattan.

This photograph comes from a long, looping walk in Manhattan. We were staying at an Upper West Side hotel last month, and there were good walking opportunities all around — Central Park a few blocks to the East, down Broadway and into that maelstrom of human activity a bit to the south, across the park and into the Upper East Side, walking along the waterfront on either side. On this walk we ended up near the UN Plaza, which is where I made this photograph.

Stuff happens quickly in the street, and I often have to simply react immediately using whatever lens is on the camera — taking too long to fiddle with lenses or frame the perfect shot and there’s a good chance the opportunity will be gone. I had just a few seconds to photograph this slightly unusual character in the long striped dress as she stepped out on the striped crosswalk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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A Family

A Family
A passing family group on the street in Manhattan.

A Family. © Copyright 2022 G Dan Mitchell.

A passing family group on the street in Manhattan.

As scheduled, it is back to more street photography today. This photograph comes from our late-August visit to Manhattan, which provided us with opportunities to simply go out on walks and observe/absorb the Manhattan vibe. That is, of course, a complex thing, being composed of lots of people, lots of motion, the urban canyons, occasional bits of quiet and stillness, and a lot of things that happen quickly and are gone. The latter, of course, is part of the appeal of street photography.

I recommend urban and street photography to all photographers, including those of you who like think of yourselves and landscape or nature photographers. As a general thing, I think it is good for you and for your photography to step outside your primary genre and to be aware of good photographic work done with subjects quite different than your own. On a very practical level, shooting street forces you to see, think, and react really quickly. Quite often subjects coalesce and disappear in seconds or even fractions of seconds. You don’t have much time to carefully consider, so you work on the basis of instinct. And that is a useful skill to develop, even if you usually work at a more sedate pace. Street also reminds us of how we make photographs of things that we don’t have time to fully evaluate or understand. For example, while I call this photograph “A Family,” I can’t know that it is a family group. And while I might make be tempted to make other assumptions about this trio… I have no way at all of knowing whether I’m right or wrong. It is better, I think, to just ask questions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.