Tag Archives: wall

Photographs: Central California, Photographs: Urban/Street

Green Door, Evening

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Green Door, Evening
A weathered green door, a green wall, a sidewalk — evening light.

Green Door, Evening. © Copyright 2022 G Dan Mitchell.

A weathered green door, a green wall, a sidewalk — evening light.

First, a brief description of the photography, and then another reason that I am posting it today. I made the photograph on one of my daily walks — I try to get out and cover various routes in a radius of a couple of miles or so that add up to between 3 and 5 miles on a typical day. I always carry a camera, even though I don’t take it out on most of the walks. I’ve been past this old building quite a few times, but today I saw this door for the first time, so I stopped to photograph its worn and tilting form.

The other reason this photograph is here is that it comes from what is for me a photography tradition: the process of getting up to speed on a new camera. I usually avoid upgrading cameras too frequently. There are many reasons, but one is that I depend upon knowing a camera’s interface to the point where operation is intuitive. But eventually I do get new cameras. This was the first walk with the new Fujifilm XT5, which is going to replace the (fine) XPro2 that I’ve been using since that camera was introduced. I won’t go into the technical details at this point, but so far I’m liking the camera a lot.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Two Men, Fifth Avenue

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Two Men, Fifth Avenue
A pedestrian walks past a police officer standing in the sun.

Two Men, Fifth Avenue. © Copyright 2022 G Dan Mitchell.

A pedestrian walks past a police officer standing in the sun.

If you have been following along recently, you may recognize the return of a familiar character in this photograph, the police officer leaning against the sunny wall. This fellow was fascinating, though I don’t know quite what to make of what I observed. Most of the officers working this Manhattan parade were close to the crowd, moving about, and engaged. But this fellow did not move from this sunny spot while I was there. Several passers-by stopped and chatted him up, and it almost seemed like he knew them. But aside from that he mostly just leaned against the sun-warmed wall.

The other fellow was approaching from the right, and part of what originally caught my attention was the color of his jacket — which you’ll have to guess at, since it is now a monochrome photograph! Initially I thought that a photograph of just him would have been my preference, but I ended up liking the juxtaposition of his form with that of the cop. Beyond that you could probably read a whole range of stories and meanings into this one. Or not.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: People, Photographs: Urban/Street

On The Beat

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On The Beat
A NYPD officer leans against a sunny wall during the 2022 “Columbus Day” parade.

On The Beat. © Copyright 2022 G Dan Mitchell.

NYPD officer leans against a sunny wall during the 2022 “Columbus Day” parade.

Back in early October, following our New England fall color expedition, we spent a couple of days in Manhattan. The main reason was to visit family — since we were already on the East Coast it seemed like we should do so. But it was also an excuse to spend a little more time in Manhattan, and during a more pleasant time of the year than our traditional August visits. The city felt more and more like it was coming back to life. There was a street fair outside our hotel when we arrived, and since the last day of our visit coincided with a national holiday there was a parade.

It was what New York apparently still calls the “Columbus Day” parade, though that problematic naming is sometimes combined with “Indigenous Peoples Day” and/ or “Italian Heritage Day.” New York politics are fascinating. I photographed this police officer during the parade, making several photographs as he hung out by this this sunny wall, alternately chatting up passers-by, watching the parade, and maybe just enjoying the warm sunlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Trees, New Hampshire

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Autumn Trees, New Hampshire
“Autumn Trees, New Hampshire” — A dense wall of trees with autumn leaves, New Hampshire.

This vignette of one small bit of White Mountains autumn color is somewhat indicative of the intensity and variety of the color there. My baseline for considering autumn color is California, which means the aspens (and a few other things) of the Eastern Sierra, the maples and oaks and dogwoods of the west slope of the range, and the mixture of native and non-native trees another areas of the state. It is rare to fine large, continuous hardwood forests with a mix of trees in California — almost unheard of, in fact. Yet that seems to be the norm in New Hampshire and other parts of New England we visited. It seems like the period of time with best color may be shorter here, but during the window the variety and intensity is remarkable.

The circumstances of the photography often seemed different in New England, too. (In fairness, this was my first visit, and I can see how my process might adapt to this different landscape over time.) Once I found color in New Hampshire — and, believe me, it was not hard! — in some cases photographing it was almost too easy. Here, for example, I had stopped at a popular roadside pull-out to photograph an open landscape view to the north. When that view turned out to be problematic I turned around and basically looked for colors and patterns to photograph in a large “tree wall” across the roadway!

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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