Tag Archives: wash

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Wash and Mountains

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Desert Wash and Mountains
A golden desert wash descends toward distant mountains and a valley.

Desert Wash and Mountains. Death Valley National Park, California. March 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A golden desert wash descends toward distant mountains and a valley.

This beautiful wash is very (very!) close to one of the iconic Death Valley stopping places. I’ve never been able to warm up to that particular spot as a photographic subject. Fortunately, even time I go there I look in a slightly different direction — and I often seem to be the only person looking that way — and find this lovely view.

We visited near the end of the day, as afternoon sunlight begins to take on the warm tones of early evening and shadows start to stretch across the valley. Once again, I stopped at this well-known place. Once again I thought it was interesting, but not quite what I wanted to photograph. And, once again, I looked downhill and away to see this wash. The light highlighted the different colors of the geological deposits here, with yellow material lining the path of the wash and the middle distance hills darker and holding tones that are more reddish. The path of the wash winds sinuously back and forth as it descends between the lowering walls, with shadow on one side and sun on the other.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Basin and Range

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Basin and Range
A long distance view across Death Valley and to distant mountains beyond

Basin and Range. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A long distance view across Death Valley and to distant mountains beyond

The landscape of Death Valley National Park is immense. The fact that it is the largest national park in the lower 48 states begins to penetrate my awareness the more time I spend there. A number of years ago I spent some time on a very long cycling trip in Alaska and the Yukon, and this desert landscape comes closer than any other I have experienced to evoking the same sense of huge distances and deep stillness and quiet. This landscape extends even further beyond the boundaries of the park, from the Sierra Nevada to the west to distant peaks of the basin and range country to the east.

This high elevation location opens to such a huge swath of terrain that it is difficult to get your mind around the scale of what you are seeing. For example, there is a road out there in the large valley. To get there from the place where my tripod was set up would take me hours of driving — and that would take me perhaps less than half way toward the most distant peaks. Enhancing the other-worldly quality of this morning was the unusual atmosphere. The clouds of a weather front were breaking up over the mountains and valleys, and their shadows were moving across the landscape. Meanwhile, in another valley far behind me, dust storm conditions (which would envelope this entire scene by the end of the day) were beginning to pick up, and already the atmosphere was getting that milky, hazy quality that precedes such weather. At the bottom of the scene is an immense gravel fan that has carried material down from these mountains, filling the valley in places to thousands of feet of depth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Dry Mud and Sand

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Dry Mud and Sand
Dry, cracked mud on top of red sand under reflected canyon light, Grand Staircase-Escalante National Monument

Dry Mud and Sand. Grand Staircase-Escalante National Monument, Utah. October 25, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dry, cracked mud on top of red sand under reflected canyon light, Grand Staircase-Escalante National Monument

I almost titled this photograph, “Another Photograph of Mud.” But I have resisted that temptation, and once again used a simple more or less objective title. But, indeed, this is almost a photographic type when it comes to the Southwest, and one that is awfully difficult to pass up. These formations come about when silt-laden water rushes down desert canyons, washes, and streams, leaving behind a layer of very wet silt. The layer may be thin, as it was in this case, or it may be quite thick. In one narrow canyon last year I slipped into such silt-mud and it almost seemed like there was not bottom!

I’m not sure quite what explains our fascination with these formations. Is it because they are among the most transient features of the physical landscape, disappearing and then reforming every time it rains? Is it the patterns themselves, which can have a wonderful geometric quality and, at the same time, embody a randomness? Is it the combination of the colors of the material, which can range from white through black with many colors in between, and the reflected canyon light? Possibly it is all of these things and more.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes and Mountains

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Dunes and Mountains
Low dunes and the base of Tucki Mountain in evening light

Dunes and Mountains. Death Valley National Park, California. March 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Low dunes and the base of Tucki Mountain in evening light

This is a different interpretation of a photograph that I have previously posted. Here I have simply tried a different crop, one that eliminates some areas of from the top and bottom of the earlier photograph in order to focus more on the horizontal sweep of the shallow dunes and the more distant wash sloping up to the base of gigantic Tucki Mountain, here in nearly the last light of the evening.

I think that when we are in this place, one of the most iconic in Death Valley National Park, our attention is more likely to be drawn to the tallest dunes, which are located more or less behind me at this camera position. But there is much else to see here, ranging from the intimate landscape of ripple sand and small plants to the rugged slopes of Tucki Mountain just to the south, and including the many long views across the huge spaces of the valley. Here I had been mostly photographing an expanse of dunes leading off toward the northeast, when I turned around to see this view of the edge of the sand, with low dunes curving toward the sparse plant life at their edge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.