Tag Archives: wash

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Wash and Mountains, Evening

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Desert Wash and Mountains, Evening
Cloudy evening light on Mountains, Death Valley, and a desert wash

Desert Wash and Mountains, Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cloudy evening light on Mountains, Death Valley, and a desert wash

When people ask for advice about how to photograph Death Valley, one thing I tell them is to think a lot about the relationships between the landscape and light throughout the day. Many features align along a generally north-south line, so you can figure out fairly quickly when a location may be in direct sun or produce dramatic shadows. (I also suggest heading into narrow canyons when the sun gets a bit higher in the sky — here the higher sun position may send welcome light into their depths, which can otherwise be a bit murky sometimes.

I made this photograph late in the day after emerging from one of those canyons near the top of a large wash. The wash and the nearby hill face to the west and, as you can see, receive that late afternoon light — at least until the sun dips behind the mountain range on the other side of the valley.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Red Boulder, Evening

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Red Boulder, Evening
A red boulder sits in a desert wash next to eroded mud hills in evening light

Red Boulder, Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

A red boulder sits in a desert wash next to eroded mud hills in evening light

There are many things to like about the desert landscape, but in some places (including large areas in Death Valley National Park) I enjoy the fact that the landscape lies exposed to view, not covered or disguised by forest or even much in the way of plant life. I’m also continuously amazed by how obvious it is that water played a big role in shaping this Death Valley landscape — from the shorelines of ancient lakes, to boulder-strewn washes, to playas, the evidence is everywhere.

On this evening I had walked up a quiet — and not too visually exciting — slot canyon, and just before sunset I headed back the way I came and emerged into the wider valley of the wash and then headed towards the valley itself. Along the sides of this was were remnants of landscape modified by flowing water, including this large reddish rock, either deposited here by moving water or perhaps eroded out of the soil on site.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Sunset Storm Light

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Sunset Storm Light
Clearing storm clouds at a final wash of sunset color above the Sierra crest near Tuolumne Meadows

Sunset Storm Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clearing storm clouds at a final wash of sunset color above the Sierra crest near Tuolumne Meadows

This is another photograph from my mid-July evening of miracle light — or, more accurately, my five minutes of miracle light! As I wrote earlier, I had ascended this high point in the Tuolumne Meadows area on an evening when the light was about as “blah” as it gets. There were weak thunderstorms floating around over the crest, but they were more gray and flat that electrical and exciting. And the cloud shield extended a good distance to the west, which meant that no western light was making its way in to live up the scene. But there I was, on top of a high and spectacular place with a remarkable panoramic view, so I was starting to settle in to simply enjoy the experience and perhaps not make photographs.

But… sometimes boring conditions can actual be precursors to sudden changes and even very special conditions. On overcast mountain evenings (and mornings) there may be a distant break in the clouds near the horizon, and if the setting (rising) sun passes through that space at the right moment a sudden beam of colorful light may illuminate the landscape with golden hour or pinkish light. I felt that the odds weren’t with me on this evening, but I hadn’t written off the possibility entirely either, and I kept my gear at hand just in case. Perhaps five minutes before sunset the first pink light appeared to the north on distant clouds and then began to faintly glow on the closer domes. Within in seconds the scene went from gray and flat light to this marvel of warm reddish tones. I photographed rapidly for perhaps five minutes or less… and then it was gone.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Kit Fox Hills, Amargosa Range

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Kit Fox Hills, Amargosa Range
Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

Kit Fox Hills, Amargosa Range. © Copyright 2018 G Dan Mitchell – all rights reserved.

Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

These low, deeply eroded, and colorful (in the right light) Death Valley hills lie at the western base of the Amargosa Range near the start of the road heading north toward the Scotty’s Castle area. I recently read that they may be the remnants of an old earthquake fault along the eastern side of Death Valley, marking a division between the rising mountains and the sediment-filled valley. I have walked along the base of these hills, though I still need to find the time to more extensively explore their rugged and eroded landscape.

Late in the day they intercept almost the very last sunlight to reach the valley floor before sunset. With that in mind, I have photographed them many times, often from a good distance away across the valley. That was the case on this evening, when I found a spot elevated above the valley floor and climbed to its summit to watch the late-day light. It was one of those evenings when the light was unpredictable. There were clouds to the west above the Cottonwood mountains, which can turn out to be either a good thing or a bad thing. The clouds may light up at sunset and the minutes just after… or they may simply block the sun and “turn out the lights” on sunset photography. It looked like the latter might turn out to be the case as I watched the sun descend toward a band of thicker clouds. But there was a small gap between the base of the clouds and the top of the mountains, and the sunlight shone through this gap for a few minutes, casting beautiful soft light on these hills.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.