Tag Archives: wash

Lower Panamint Mountains

Lower Panamint Mountains
The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

Lower Panamint Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

This photograph is my excuse to return to an old theme of my posts about Death Valley National Park. For a place with a reputation so connected to aridity and heat, the clear evidence of the role of water in the formation of this landscape is abundant. In fact, it is hard to locate any place in the park where water had not played an important role. (The repetitive pattern of dips and rises on any drive across “level” roads here is a fine reminder of the importance of flowing water.)

I made this photograph from a vantage point high in the Panamint Mountain Range, from which I could look down at the vast alluvial fans formed by material that was once above the present-day upper reaches of the range. These fans go on for miles, and the amount of material they contain is nearly incomprehensible. More durable material still sticks up above the surface of the material, and washes and gully cut across their surface nearly everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Open Book

Open Book
A sandstone cliff meets the bottom of a Utah red rock country wash.

Open Book. © Copyright 2012 G Dan Mitchell – all rights reserved.

A sandstone cliff meets the bottom of a Utah red rock country wash.

My virtual journey back through Utah continues. Since opportunities to go into the field are limited right now I am instead digging back though tens of thousands of raw files in my archives. I have always recognized that I leave some photographs behind as I move on to the next thing — and sometimes I’m not just not yet ready to “see” how a photograph will work. For years I’ve made these return visits to the old files, most often with an end-of-the-year traverse of that year’s images before moving on. This time I’m starting back in 2012 and working my way forward slowly.

I made this photograph in the first slot canyon that I ever visited. You might wonder how I managed to get to 2012 without visiting this kind of terrain. It is a long story, but for some reasons I’ve explained elsewhere I simply didn’t get to Utah and the Southwest until about a decade ago. Shame on me! As we walked into this canyon I really had little idea of what to expect, but I was entranced. This bit of sandstone cliff wall sat immediately next to the sandy bottom of the wash, and the color of the diffused light warmed as it bounced down from above between the canyon walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sky, Mountains, and Wash

Sky, Mountains, and Wash
A dry wash, barren mountians, and morning desert sky.

Sky, Mountains, and Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

A dry wash, barren mountians, and morning desert sky.

One of the things I always think about in desert landscapes is water. Not for the reason your are probably thinking — that it is because there is no water or that I’m thirsty because it is hot and dry. In fact, the reason is that evidence of water is almost everywhere in these dry places. This is one of the great ironies of desert terrain — it is so affected by the power of water and that effect is more visible because the landscape is barren and dry.

Consider this scene. There is almost nothing in it that doesn’t reflect the power of water. The foreground wash, while dry at the time of the photograph, is covered with patterns created by flowing water. Beyond, the low hills are smoothed by water and incised with gullies made by flowing water. Although those far mountains rose because of forces that are not directly about water, the shapes of the peaks and ridges are the result of, yet again, water. And in the sky we have clouds — more water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dry Wash, Morning

Dry Wash, Morning
A dry wash, eroded hills, and dramatic sky.

Dry Wash, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

A dry wash, eroded hills, and dramatic sky.

This dry wash leads off into barren (though colorful and fascinating) desert hills. I was here early one morning during a 2019 visit to Death Valley National Park. I spent a few quiet hours working my way though a nearby canyon, making photographs, and I stopped here for a bit to investigate this dry wash that seemed as if it might have been wet in the not-too-distant past.

Washes like this one are fascinating places. In a world where we often feel that we should stick to the trail and follow the established route, they invite us to improvise our way into the landscape. Walking up such a wash, it is impossible to find anything resembling a trail. While you may you may have a general direction in mind, the immediate route deviates around rocks, heads toward an interesting plant, ducks into shade, stops at a colorful rock, and goes just about anywhere else that your feet and thoughts might lead you.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.