Tag Archives: water

Hanging Valley

Hanging Valley
Hanging Valley

Hanging Valley. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Yosemite’s Bridal Veil fall emerges from a hanging valley among monolithic granite cliffs in late afternoon light

Late on a winter afternoon, the shadow of cliffs to the west rise up past Yosemite’s Bridal Veil fall and into the hanging valley from which it springs. The valley’s still-sunny eastern slope is covered with brush and trees, but the rest of the scene is almost entirely one of granite, from the relatively gentle V-shaped valley of Bridal Veil Creek to the vertical cliffs of the wall over which the water flows and the base of taller Sentinel Rocks beyond.

Bridal Veil fall comes out of a classic hanging valley. Apparently the creek descended toward a much older Merced River canyon even before glaciers finished (for now, anyway!) carving Yosemite Valley, and this creek cut is own beautiful V-shaped valley. (The V-shape is characteristic of river valleys. If you want to understand more of the life of a creek, when you visit Yosemite you can drive toward Glacier Point and cross the very shallow valley of this creek at a higher elevation. I’ve cross-country skied to it a number of times.) When the Valley was cut into its deeper U-shaped form, the existing valley of Bridal Veil creek was left… hanging.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blue Hour, Point Lobos

Blue Hour, Point Lobos
Blue Hour, Point Lobos

Blue Hour, Point Lobos. Point Lobos State Reserve, California. February 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening “blue hour” light along the Pacific Ocean shoreline at Point Lobos State Reserve

I have been visiting Point Lobos for decades, beginning when I was a young child. Point Lobos was on the circuit of parks in the greater San Francisco Bay Area that my parents regularly visited, and back in those days my elementary school even took field trips there to investigate tide pools. I have continued to visit often since that time. You would think that by now I would know every nook and cranny of this place but, as is always the case, there is still more to see and to learn about it.

For example, although I’m positive I must have seen this line of rocks extending into the surf many times over the years, it wasn’t until a few years ago that I recognized it as a potential photographic subject and even then I did not immediately see its relationship to the further shoreline. On this mid-winter (my favorite time to visit Point Lobos!) day I shot many subjects before finding myself here in the evening shortly after sunset, when the world takes on a magical and rich blue tone and ocean fog was beginning to appear over the coast.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandhill Cranes, Wetlands Marsh

Sandhill Cranes, Wetlands Marsh
Sandhill Cranes, Wetlands Marsh

Sandhill Cranes, Wetlands Marsh. San Joaquin Valley, California. February 14 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A group of sandhill cranes stands in a San Joaquin Valley wetlands marsh

This group of sandhill cranes was part of a bigger group that came much closer to us than I am used to. Most of the time when I see cranes they are either a good distance away if they are on the ground or they are in flight and passing quickly overhead. One of my strongest memories of cranes is from a morning of very dense fog, when I could hear their creaking, croaking cries from off somewhere in the distance, but could only catch a brief, half-visible view of them as they passed directly overhead and then disappeared again into the tule fog. But this group was hanging around in a shallow pond, near the dirt access road and even near to lots of other birds.

The cranes almost seem a bit aloof to me. While the geese whirl and turn overhead, and then erupt periodically into a honking riot when something disturbs them, the cranes seem to mostly stand quietly, occasionally walking a bit in the water or, even less often, on the land. The arrangement of this group caught my attention, with all standing together but each adopting its own unique pose.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Brown Pelicans, Fog, Water

Brown Pelicans, Fog, Water
Brown Pelicans, Fog, Water

Brown Pelicans, Fog, Water. Pacific Coast Highway, California. July 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A large flock of brown pelicans flies above the Pacific Ocean on a foggy summer morning

I have a thing about pelicans. They seem to me to stand apart from other birds along the California coast, most often coasting sedately on the wind, either high above as they pass along and above coastal cliffs or else down so close to the water that it seems like they will touch it. I have learned to watch for them, and I know of some places where it is likely that I’ll be able to see them close up, often by going to places high along cliff-top bluffs along which they frequently fly.

This large group completely surprised me — they came out of the blue, and I had not even been thinking about pelicans as I finished photographing a landscape scene from the tripod. I was just about as unprepared as possible for photographing birds in flight. Everything on the camera was set to manual — focus, shutter speed, aperture — and the camera had been in live view mode and on a low ISO. I was at the back of my car removing the camera from the tripod to put it away and probably was in the middle of collapsing the tripod legs when I looked up and saw a huge flock of pelicans just above the roadway to my south. I knew I had just seconds to reconfigure the camera before they arrived at my position — at least I had a long lens attached already! — so I did what I often do in these cases. I ignored the birds as I instinctively went through a bird photography set-up routine as quickly as I could: auto-focus on, stabilization on, camera in aperture priority mode (that’s a long story), ISO jacked up to 800. The only thing I forgot was shifting into burst mode, but that isn’t totally necessary. Finishing this quick sequence, I looked up to find the birds just about at my position, raised the camera, quickly tried to frame the birds against the background of the foggy Pacific, and made a few quick exposures before they moved out of range and faded into the fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.