Tag Archives: weather

Two Small Trees, Autumn Fog

Two Small Trees, Autumn Fog
A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

Two Small Trees, Autumn Fog. Yosemite National Park, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

I admit it. I got distracted. This past week I had reason to visit Oakhurst, California, just below the southern boundary of Yosemite National Park. I drove up there in tremendous rain, had my meeting, and then headed to The Valley for a few hours of photography. As I drove up from Oakhurst the forest was wet and fog was everywhere — perhaps the ideal conditions for all color — but I kept driving, wanting to get to the Valley before the light was gone. At one spot inside the park I caught a glimpse of a bright yellow big leaf maple tree in a small gully leading away from the road, but I did not stop.

I was back in Oakhurst that night, and then up very early the next morning with a plan to arrive in the Valley again by daybreak. I headed up from town again, but once again there was fog, though less of it. Three things I cannot resist are autumn color, fog, and forests — so when I passed this spot again I quickly decided to turn around and come back to make some photographs. This is a complex photograph, the opposite of the minimalist images I like to produce (see some recent Mono Lake photographs for examples), but that is the nature of forest scenes like this — they are an utterly harmonious whole created out of a very complex set of components. And, even better, they are mysterious and quiet and still.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Art, Photography, and “Manipulation”

Creosote Bush, Dunes, Morning
A creosote bush among sand dunes, morning

Imagining that a photograph that is “straight out of camera” is better than one that has been “manipulated” in post is equivalent to imagining that the words coming straight out of one’s mouth are better than those resulting from careful and thoughtful editing.

While there is an art to extemporaneous expression, there is at least as much art in carefully crafted work. Continuing to refine and perfect the content and its expression is not remotely unethical. The objective is to produce a pure, clear, concise, more powerful and direct expression of the artist’s truth.

This is true of essentially every mode of human expression: painting, sculpture, movie-making, writing, music, and on and on. Even the seemingly extemporaneous expressions (jazz, etc) are the result of long preparation and practice and planning and are ultimately not simply things that happen in the moment.

It is nonsensical to imagine that photography should be the one art that eschews careful refinement and thought and the distillation and perfection of expression that can make it truer and more powerful.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Desert Mountains, Clouds

Desert Mountains, Clouds
Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

Desert Mountains, Clouds. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

If you follow my daily photographic posts, you just might recognize this scene — given that I’ve been posting variations on it for the past couple of weeks! (As you may have gathered, my daily shared photographs are not the same as my “Best of…” work. Instead they are, among other things, a way to stay “on assignment” and work out and try a variety of ideas.) So far, the variations on this general subject have included both monochrome and color versions and vertical and horizontal formats.

There were several challenges with this scene on location, some technical and some esthetic. Technical challenges included the extreme variations in the light, from the brilliantly lit clouds to the left foreground canyon in deep shadow. This was a challenge for which I realized that part of the solution could come in post, as long as I was careful with the highlights in the exposure. Compositional questions included how much of that dark foreground mass to include (with the presumption that some detail could be retained there), where to place various lines relative to the edges of the frame, and how much sky to include. While I first wanted to keep the hazy light on the mountains on the far side of the valley very brightly luminous, it seemed that their detail could be lost against the large dark areas. In any case, this is one of the current “finalists” among the group I’m considering.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Clouds

Desert Mountains, Clouds
Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

Desert Mountains, Clouds. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Clouds from a passing weather front and the beginning of a dust storm above desert mountains and valley

The light and atmospheric effects in the desert can be quite varied, though we are perhaps most familiar with the least interesting conditions, the heat and clarity of midday. (Even that has an appeal, but for me it often isn’t photographic.) But go there often enough and at different times of year, and you will witness an astonishing diversity of conditions. I’ve been at this location in extreme heat, gale force winds, snow, light rain, quite evening light, and more. The conditions on this morning were not unprecedented in my experience, but the combination was marvelous.

We arrived at this ridgeline location just before sunrise and, as is often the case, there were clouds above the ridges far to the east that would block the light of the rising sun. Such clouds can be a photographic blessing (when the light up the right way) or a curse (when they simply block the light and leave everything gray). After a very brief bit of color along the distant horizon it looked like this was going to be a gray morning. Fortunately, we stuck around! Since the light on the grand landscape was “challenging,” we turned out attention to closer and smaller things, and while we were thus distracted the landscape and sky were transformed. A weather front was passing by, and beautiful clouds began to stack up above us and to the east. A milky haze across the valley gave the first hints of a monumental dust storm that would arrive by the afternoon. The light everywhere was a luminescent blue and it illuminated the stark forms of the dry wash running up into the desert mountains beneath us.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.