Tag Archives: white

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Branches

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Aspen Branches
Winding branches of an aspen tree, Sierra Nevada.

Aspen Branches. © Copyright 2021 G Dan Mitchell – all rights reserved.

Winding branches of an aspen tree, Sierra Nevada.

For some reason this tree sticks in my memory. I had been scouting and photographing in the Lake Tahoe area as part of the work on my fall color book. On my way back to the San Francisco Bay Area I decided to leave the Tahoe area and head south so that I could drive through Hope Valley and over Carson Pass. By the time I got here it was late and the light was fading. There was a solid wall of aspen leaves behind this exposed tree, but they were very early in the autumn transition and still mostly green. I did not seem like the typical “fall color” photograph, but I stopped and made a few exposures anyway.

Some time later I “found” this file in my archives and, unlike when I made the photograph, it somehow seemed obvious that it could be a black and white image. Sometimes I know (more or less) when I make the exposure that a photograph is going to end up in a monochromatic rendition. But I confess that I sometimes reserved judgment until I see the raw file later on… and that on some occasions a photograph that I initially conceived of as a color image only reveals its potential in black and white during the post processing phase.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Urban/Street

Window and Wall in Summer Light

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Window and Wall in Summer Light
High summer light falls across the walls of a building with white window frames.

Window and Wall in Summer Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

High summer light falls across the walls of a building with white window frames.

There are still more of the pandemic photographs — the “postcards from pandemia” — that I have made from time to time since our world changed back in March of 2020. During that time I did a lot of urban walking in a several mile radius of my home, and I always carry a camera when I walk. On many walks the camera remained in my bag, but every so often some element of this area would catch my attention and the camera would come out, I’d make a few exposures, and then I’d continue walking.

I’m now not quite certain where this subject is, exactly. The style of construction is common in older neighborhoods around here. One thing that appeals to me about a photograph like this one is that it can be about many different things. On one hand it is a visual record of the urban architecture of a certain time and place. But it also, to me at least, also a little study in composition and forms, mainly rectangles. It also is a kind of minimalism, consisting of really only three colors — the dark windows, the blue wall, and the white window frame. There are two slightly mysterious elements that create visual dissonance for me. One is the diagonal shadow — really the only line in the scene that isn’t a perfect vertical or horizontal — that comes from some unknown and unseen source outside the frame. Another is that slightly dark and mysterious shaded area near the upper left.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Sierra Foothills, White Mountains

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Sierra Foothills, White Mountains
A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Sierra Foothills, White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Recently I was once again pondering how the way we approached the Sierra Nevada at first affected our overall perceptions of the character of the Range of Light. As I have noted before, during the first decades of my relationship with these mountains I approached from the west, crossing semi-coastal mountains, crossing the agricultural Central Valley, rising gradually into oak-grasslands and eventually to conifer forest, and only much later finally arriving in the “High Sierra” world of open meadows and alpine peaks. Contrast this with the experience of those approaching from the east, where the range presents a very long “wall” of peaks that towers above high desert, in places rising by as much as 10,000 feet above that dry landscape.

This photograph is, probably obviously, one that focuses on that eastern part of the Sierra. But here I look away from the Sierra Nevada, past the rugged and “barren” terrain of dry hills at the base of the range, across the expanse of Owens Valley, and toward the (also dry) peaks of the White Mountains. To put it plainly, you won’t see anything like this on the west side!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Northern California

Forest, White Trunks

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Forest, White Trunks
White trunks in a dense forest of deciduous trees, Redwood National Park.

Forest, White Trunks. © Copyright 2021 G Dan Mitchell – all rights reserved.

White trunks in a dense forest of deciduous trees, Redwood National Park.

It turns out that I have yet one more photograph from our early June visit to the far northern reaches of coastal California and the Redwood National and State parks. I am embarrassed to admit how long it was before I finally went up there to photograph, but since my first visit a few years ago I have been back every spring, usually trying to time my trips to coincide with the blooming of the rhododendrons. We were less than successful in that regard this year, but there is much else to see there, too. And because this was back in the early “maybe the pandemic is about over” period, it felt great to travel a bit more freely once again.

When it comes to trees, the redwood forests are obviously the mail attraction up there. But they are not the only attractions, and in many places all sorts of trees and plant life grow abundantly in this relatively wet climate. I stop at this particular forest of densely-spaced trees with light colored trunks on every visit — I like the challenge of looking for compositions that somehow bring some kind of order to the wild density of this vegetation.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.