Tag Archives: yellow

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Grove, Red and Gold

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Aspen Grove, Red and Gold
Red and gold autumn color in an Eastern Sierra Nevada aspen grove.

Aspen Grove, Red and Gold. © Copyright 2022 G Dan Mitchell.

Red and gold autumn color in an Eastern Sierra Nevada aspen grove.

A small change in a subject can alter how we see it and even make photographs possible in a location that might have not worked in the past. I have driven past this grove scores of times, occasionally stopping to. look at some colorful nearby trees. But I never took the time to walk just a little bit further to this camera position. Why not? Often there are too many people here, and when I usually visit the color is not at its prime. But this time I came about a week later and on a quiet weekday. The color was much more interesting, and the entire time I was there I saw only one other person.

The beginning of the Sierra aspen color season is a special time, and the beginning of the transition never fails to catch my attention. My favorite time frame is usually the first two weeks of October, perhaps because the start of the change is so compelling. But things are different — and equally interesting — a bit later, following that early color peak. I made this photograph in the third week of the month, when trees at the higher elevations had already lost most of their leaves. Even here a lot of foliage had fallen. However, this meant that virtually all of the remaining leaves were shades of yellow, orange, and red… and the thinner foliage revealed the white aspen trunks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Peak New England Color

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Peak New England Color
“Peak New England Color” — A White Moutains forest of almost-exclusively hardwood trees at the peak of fall color.

This photograph, if nothing else, illustrates some aspects of how New England fall color is different from what I usually photograph in California, particularly in the Sierra Nevada. Out here the colors tend to be relatively uniform, usually yellow to brown, broken by occasional examples of other colors. For example, the great majority of our aspens turn yellow/gold, which is why the occasional red and orange exceptions attract so much attention. And the Sierra trees are far less likely to appear in huge, mountain-covering stands — they more typically line the bottom of a valley, run upslope along a gully or other feature, and are surrounded by green conifers.

So what differences can we see here? First, the hardwoods vastly outnumber the sparse conifer trees. (I like the contrast the latter provide, however.) The hardwood forest stretches for great distances — that area of the photograph is quite large but it is only a small portion of the fall-colored trees I could see here. The tree color is also much more diverse, here including every shade from green through orange and red.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

White Mountains Creek, Autumn

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White Mountains Creek, Autumn
“White Mountains Creek, Autumn” — Autumn trees along a boulder-strewn White Mountains creek littered with fallen leaves.

This photograph exists because we eventually thought to move beyond the lovely but iconic area we first photographed to explore a bit. We headed away from where we were staying, driving north and east, heading toward some locations that seemed interesting for little more than their names on a map. As we drove along one two-lane highway, for no reason that I can now recall I turned off onto a smaller road that took us through some lovely flatlands. A mile or two up that road a gravel road branched off — it had an intriguing name so I took it. It entered thick forest and began to rise, often following small creeks. We stopped where the roadway crossed one of them, got the cameras out, and began photographing this lovely and lonely area.

I was encouraged not only because this turned out to be a nice locations but also because it marked a transition from taking in the icons (often a great way to begin) to exploring, poking around, and discovering subtle little treasures that one usually won’t find on the main roads. Taking this detour also confirmed some advice I had been given by photographers with more experience in this region: explore those little side roads!

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Leaves, White Mountains

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Autumn Leaves, White Mountains
“Autumn Leaves, White Mountains” — Autumn leaves and soaring tree trunks in a White Mountains forest.

This photograph illustrates a few important take-aways from fall photography, things that can be extrapolated to other kinds of photography, too. Again, the location was not iconic, even though it is along/near iconic places. We had stopped after seeing a sign for a pond, but I ended up finding the nearby forest even more interesting. Note that not all of the trees have changed color. As overwhelming as a fully fall-colored forest can be, the colors often stand out when there is some “non-color” in the frame, too. Note, too, that I made this photograph in soft light, which intensifies the colors while opening up the shadows. Finally, I think that some non-color structural elements can help with the composition of photographs of the subject — here that comes from the verticals of the tree trunks.

One thing we learned on this trip — our first to New England in the fall — is how quickly the leaves reach and then pass their peak color. The build-up seems a bit slower, but there was literally one day when it was obvious that the peak had arrived. And only one day later the leaves began to fall more quickly, bare trees became more apparent, and the color was in decline. The show wasn’t over, but the process was clear. Fortunately, because the color doesn’t arrive everywhere at the same moment, flexible photographers and leaf-peepers can move on to different locations that haven’t peaked yet.

G Dan Mitchell is a California photograph

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

thers as indicated. Any use requires advance permission from G Dan Mitchell.