Tag Archives: yosemite

After the Storm, Mt. Gibbs

After the Storm, Mt. Gibbs
“After the Storm, Mt. Gibbs” — Evening light comes to Mt. Gibbs and Tuolumne Meadows as an afternoon storm clears.

I have learned that sometimes the light arrives when you don’t expect it. The day had unexpectedly turned stormy, and to my surprise it rained for hours, continuing past the time when Sierra afternoon thunderstorms typically dissipate. I wondered if it would clear at all, but I headed into the Tuolumne area anyway, thinking that I’d surely want to be there if the light did arrive. And it did! Right around sunset the clouds to the west thinned and beams of light played across the landscape.

One of the biggest surprises when I entered the park late on this afternoon was that a significant hail storm had apparently moved through earlier, dropping so much hail that from a distance it looked like fresh snowfall on Mt. Gibbs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Forest and Pond

Forest and Pond
“Forest and Pond” — Trees reflected in the still water of a subalpine pond, Yosemite.

I have had my eye on this little scene for a while. The trees stand along the far bank of a small subalpine pond in the Yosemite high country. During the daytime it is a tough photograph, with the sunshine becoming almost unbearably bright. My ideal might be to photograph it before sunrise or after sunset. But this time I found myself here a bit earlier in the day — so I went ahead and made some photographs.

A challenge with scenes like this is that the dynamic contrast between the highlights on the trees and the background shadows can be huge if there is direct sunlight — too big to capture in a photograph. That’s partly why the soft light helps —before sunrise, after sunset, or when something else shades the scene. I timed this so that the trees were entirely shaded, yet nearby subjects in brighter light cast some directional light into the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

2 responses to “Forest and Pond”

  1. Oscar Ramirez Avatar
    Oscar Ramirez

    I know nothing about photography but enjoy your art and techniques. Your dedication to the art is commendable!

    1. G Dan Mitchell Avatar
      G Dan Mitchell

      Thanks, Oscar!

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Charlie’s Tree

Charlie's Tree
“Charlie’s Tree” — Trees growing on the side of a granite dome, Yosemite.

This tree (along with a companion hiding behind it) is situated in an especially picturesque location at the base of a granite dome, where it grows out the upper edge of a pile of rocks. At just the right moment the sun moves around from behind and above the dome and illuminates the tree from behind. (You may have seen this tree in another photograph I recently shared, one that takes a wider view of the scene.)

There are many reason s that I like this tree, but one is that it always reminds me how easy it is to overlook something interesting. It is along a road that I have driven for decades. For years I whizzed past this spot without noticing it at all. Then I saw a photograph of this tree by Charles Cramer, and since then I do notice it. I often stop and look, and if the light is decent I’ll make a photograph or two — but in the end it will always remain “Charlie’s Tree.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Meadow, Mountains, Morning Mist

Meadow, Mountains, Morning Mist
“Meadow, Mountains, Morning Mist” — Morning mist rises from a subalpine meadow with trees in the foreground and peaks in the distance.

For a few days in early July I had this usually-crowded Yosemite location almost to myself. The nearby high-country campground was not yet open, and entry-restrictions to the park reduced the number of visitors. I camped just outside the park’s boundaries, and I entered in the mornings before sunrise — there was no line and I could get to my destinations quickly. On a couple of mornings the sunrise destination was this great subalpine meadow.

The meadow runs from east to west, so sunrise and sunset tend to send light down its length. I positioned myself near the west end on this morning, which meant that I was shooting nearly directly into that morning light. Here I placed a group of trees along the right side of the frame, to contrast the dark forms of their trunks and shadows with the lighter distant mountains, details muted by backlit haze.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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