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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Tall Aspens, Autumn

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Tall Aspens, Autumn
A grove of tall aspen trees with autumn foliage in the Eastern Sierra Nevada.

Tall Aspens, Autumn. © Copyright 2020 G Dan Mitchell – all rights reserved.

A grove of tall aspen trees with autumn foliage in the Eastern Sierra Nevada.

Before I posted this photograph I shared another one that focused on a grove of small, slender aspen trees. In the accompanying text I pointed out that such groves tend to be typical of the Sierra, but that groves of tall, thick trees like those seen in other western locations do occur occasionally. This is one of those groves. The trees here grow in the middle of a rather large grove of aspens, in a valley that I suspect must be both sheltered and well-watered. Although many nearby trees are, indeed, of the more modest and sometimes twisted type, in the middle of this grove there are many like these, tall, straight, and with thick trunks.

I photographed these a bit before their peak color. Typically those smaller trees tend to change first, and the larger trees that grow in more sheltered locations may achieve best color a week or more later. This group grows on a gentle slope, and face a lookout where I was able to set up my camera with a long lens, and then spend some time simply looking for compositions within the span of the larger grove.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Golden Aspen Forest, Autumn

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Golden Aspen Forest, Autumn
A dense forest of golden Sierra Nevada autumn aspen trees.

Golden Aspen Forest, Autumn. © Copyright 2020 G Dan Mitchell – all rights reserved.

A dense forest of golden Sierra Nevada autumn aspen trees.

After sharing a bunch of very colorful red and orange aspen leaf photographs recently, someone asked me about those colors, wondering if they were a stage in the color development that led to the yellow/gold leaves with which this person was familiar. In response I pointed out a couple of things. First, those other colors — the reds and oranges — are actually the terminal colors of those leaves before they fall, and they do not go through a yellow stage. Secondly, those colors are, at least in the Sierra, the exception to the more familiar rule, which is the yellow colored leaves — those are by far the most common type.

The grove in this photograph is perhaps of the more typical sort. For the most part, the tall, thick-trunk trees of Colorado and similar places are quite rare in the Sierra. They do exist here and there, especially in some sheltered and well-watered locations. But more often we see smaller trees and trees that do not grow straight and tall. Many lovely Sierra aspen groves include trees that are only one or two times the height of a person. This is one of those groves. Note the typical yellow color, the small and slender trunks, and the surrounding vegetation representing fairly dry conditions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

The Last Leaves

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The Last Leaves
A few sparse leaves in a high elevation grove of slender aspens in the Eastern Sierra Nevada.

The Last Leaves. © Copyright 2020 G Dan Mitchell – all rights reserved.

A few sparse leaves in a high elevation grove of slender aspens in the Eastern Sierra Nevada.

For some reason this little grove and I have a long-standing relationship. Quite a few years ago I noticed it while exploring a slightly less-visited spot in an Eastern Sierra canyon that can be quite popular. As I crossed a creek I happened to look up and notice a grove of small and very densely-spaced aspens, then as this year already mostly bare of leaves even as the surrounding trees were in full autumn color. The trees are a bit inaccessible, so I usually photograph them with a long lens, most often from almost the same angle, since obstructions interfere with almost any other. But I return every year.

I suspect that most of us who spend a lot of time in a particular place eventually end up developing a personal collection of odd little spots that we connect with, places that others might not even notice. In various locations around the Sierra there are a few flat rocks, a couple of boulders, a high flat spot along a popular trail, a turn-off from a trail, a bit of meadow, a creek crossing , a little clump of aspens and more that feel like old friends every time I come back to them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Equipment, Fujifilm

Fujifilm XPro Camera System

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Fujifilm makes a variety of interesting APS-C (cropped sensor) cameras with different body designs, including from the DSLR-like XT series, the minimalist fixed-lens X100v and similar models, the tiny XE series, and the XPro designs. Unlike most companies making digital cameras, Fujifilm tends to put the same sensors in cameras of a particular vintage (which today means a 26MP APS-C “x-trans” sensor) and differentiate among the cameras in functional ways — size, types of viewfinders, physical controls, IBIS, price, etc.

After engaging in some discussions about some of these cameras recently, it occurred to me that despite doing about half of my photography with one of these Fujifilm cameras I haven’t written a lot about them here recently. So this post takes on some of the key features of the XPro line and some of my thoughts about the current state of this type of camera. (I mostly will not address general topics here, such as the cropped-sensor versus full-frame comparison, or the pluses/minuses of the Fujifilm x-trans filter array, etc.)

The XPro cameras

Fujifilm has now introduced three cameras in this series, the XPro-1, XPro-2, and XPro3. All of them share the rangefinder-style body design. They are not true rangefinder cameras since they use a non-rangefinder system for focusing, but the experience is fundamentally similar to using old-school interchangeable lens rangefinder cameras. This similarity isn’t just about looking or feeling like a rangefinder camera — it is also about including dedicated physical controls knobs (and buttons and switches) for a lot of camera settings such as shutter speed, aperture, ISO, exposure compensation, and more. While most modern cameras use a modal digital interface, where a single button or wheel may do many different things, on the XPro bodies you can, for example, go straight to a physical aperture ring to change the aperture. If you used those older cameras — or just happen to like them — these cameras are likely to appeal to you.

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