Update on the Night Photo Shoot at Mare Island

Earlier today I mentioned my disappointment at missing the announcement of this weekend’s night photography shoot at Mare Island sponsored by The Nocturnes, and my hope that I might still be able to join them. Luck was with me and I have confirmation from Tim Baskerville and Susan Nichols that I can take part – so I’ll be there doing the night photography thing tomorrow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Quick Friday Links and Notes

Catching up on some links and thoughts I’ve been meaning to post during the past few days:

I see that Andy Frazer posted a piece about a book of photographs from ‘The Presidio’ by Charity Vargas and that Tim Baskerville has posted a longer piece on the same topic at his blog.

(Related to the above, I got the first notice yesterday of another night photography adventure at Mare Island Naval Shipyard scheduled for this Saturday… which included a deadline for participants to submit their application that had passed a week ago. I’m rather disappointed about that, as MI is one of my favorite locations for night photography, I’ve photographed there on several occasions with The Nocturnes, and I’ve been looking forward to going back soon. I’m hopeful that someone will reply to my email and let me know that I can still join them…)

Jim M. Goldstein posted a brief story about and links to photos of a sea otter doing something you don’t see every day and he has posted a new podcast of an interview with Aaron Johnson, the creator of the “What the Duck” photography comic.

One notion about “the right way to learn photography” that comes up a lot… and drives me crazy… is the claim that beginners should start with a single prime and stick to it if they want to understand composition and other important issues. The Readers Digest version of my thinking on this is that it was fine advice a few decades ago, but it is now obsolete. In any case, one of the arguments is that those who use zoom lenses instead of a prime are “lazy” and that they should “zoom with their feet.” I’ve been meaning to put together some photographs to go with a post illustrating the problems with this old-fashioned notion. I made the photos a week or so ago, and I hope to finalize this post before long.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dry Grasses, Morning Light

Dry Grasses, Morning Light

Dry Grasses, Morning Light. Calero Hills, California. February 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Golden dry grasses in morning light at Calero Hills, California.

I photographed these grasses and seeds near Castillero Pond at Calero on yet another sunny and dry winter morning on the first day of February.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: golden, brown, grasses, seeds, stem, leaf, morning, light, bokeh, blur, blade, calero, hills, santa clara, county, park, winter, california, usa, nature, foliage, plant, landscape, scenic, stock

Egret, China Cove

Egret, China Cove

Egret, China Cove. Point Lobos State Reserve, California. December 20, 2008. © Copyright G Dan Mitchell – all rights reserved.

An egret in flight over China Cove – last evening of autumn 2008, Point Lobos State Reserve, California.

On the last evening of fall 2008 I visited Point Lobos to photograph whatever I might see there. Late in the day I walked along the trail above China Beach and spotted a solitary egret in the kelp just beyond the beach. The cove was in deep shade and I had a long lens attached to the camera and was set to the lowest ISO when the bird took off – so I had no choice but to shoot with what I had. There was little time to think and no time to make changes to camera settings. I managed to get a few exposures as the bird rose into the air above the kelp beds, but they turned out to be quite underexposed as I was caught between the rock of low light and the hard place of needing short enough shutter speeds for a moving bird in a dark cove. In this one image the bird’s wings are extended and it is passing out of a dark section of the cove and over slightly brighter water.

To me, the nearly pure white bird, slightly diffused by the odd exposure and over the darker water, seems like a ghost or an apparition. Although it is not anything like a technically “correct” photograph, I still like it for what it is.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: big sur, california, carmel, Fall, monterey, nature, ocean, pacific ocean, point lobos, seashore, bird, in flight, egret, wing, china cove, kelp, water, state, reserve, park, usa, travel, scenic, landscape, black and white, monterey, peninsula, carmel, big sur, stock