“Cotswolds Forest Clearing” — A break in the trees lets sunshine into a clearing in a Cotswolds forest.
During spring the woodlands and fields and pastures of the Cotswolds are very bright and green… if it isn’t raining. Of course, it is the rain produces all of that green. We had our share of sunny days, but we also experienced the rain — generally light and transitory, but a bit more substantial on the final day of our weeklong walk. This scene was midway through the walk, where the path crossed green hill, the trees opened up a bit, and the sun shone in.
“Trees, Pond, and Morning Mist” — Late-Summer morning mist rises from a subalpine pond surrounded by dense forest.
I have driven past this lake for years — decades actually — but I’ve only stopped a few times and hardly ever tried to photograph it. Until this year. Earlier this summer I was there on a morning after rain, and the little basin was full of luminous fog. On this mid-September visit the weather was wet, foo, and I had to stop and photograph when I saw more fog.
There is a sort of classic view of this feature, and I did make some photographs from that perspective. But then I decided to wander along the side of the pond, reaching its end and then walking back through forest. From that perspective, the view through the trees caught my attention, so I positioned myself behind a few backlit shoreline trees to make this photograph.
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“Chinese Houses Flowers” — Purple Chinese houses wildflowers in the San Francisco Bay Area.
I have often wondered about the popular name of these “Chinese houses” flowers — what the connection could possibly be with houses from China. Regardless, they are among the spring wildflowers that grow in the oak forests and grasslands around the San Francisco Bay Area, including a trail through a park south of San Jose where I photographed these specimens.
Some flowers are pretty easy to photograph — they are colorful and have shapes that are easy to photograph. (Close-ups of some flowers are tricky due to the narrow depth of field at short distances.) I’ve never found the Chinese houses easy to photograph. It is difficult to find a plant on which all of the buds are in this colorful stage — usually some are not open or already turning brown. The plant often grows low to the ground among other distracting elements. Bright sun can create dark shadows and wash out details. So I was pleased to find this group in an areas of soft, shaded light and to find all of the flowers open and colorful.
“Wetlands, Clearing Fog” — Morning tule fog clears to reveal wetlands ponds, grasses, and distant winter trees.
I made this photograph during a fortuitous moment of light and atmosphere. We were in California Central Valley wetlands primarily to photograph migratory birds. The tule fog was thick when we began our work before sunrise. But later on, as we came to the edge of this pond, the fog thinned around us, producing a bit of clear air even as more distant surroundings remained shrouded in fog.
In direct sunlight the effect can be somewhat harsh and stark, but since everything around from this little area was still shrouded in fog and mist (even the sky above contained clouds) the overall light was still soft. I got down low to position the darker foreground water and grasses in front of the more distant wetlands terrain and the distant trees barely visible in the fog.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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