Winter Evening Sky, Panamint Range, Death Valley. Death Valley National Park, California. February 18, 2011. © Copyright G Dan Mitchell – all rights reserved.
Winter clouds fill the evening sky above the eastern slopes of the Panamint Range in Death Valley National Park.
After the long drive from the San Francisco Bay Area I arrived at Stovepipe Wells in Death Valley and set up my camp in the mid afternoon and hung out a bit, thinking about the prospects of late afternoon and evening shooting. Because a weather front was coming in (the forecast called for a chance of rain in the Valley and pretty much certain light snow over the passes) the clouds were increasing, in many directions heading past the point of “picturesque” and more towards “socked in.” I was hoping for some evening light – or early rain? – but it seemed less promising as evening approached. In circumstances like these I may come up with a few possible shooting alternatives ahead of time, watch as conditions develop, and make a last-minute decision about where to go based on observations and hunches.
So, late in the afternoon I stopped near Death Valley Dunes and worked to line up some long shots that filled the background of the dunes with the rugged shapes of the Grapevine Mountains, and then headed towards the junction with the road to Scotty’s Castle to try to figure out if the light held more promise to the north or the south. It didn’t look totally promising in either direction, but I thought that I might be able to make something out of the haze to the south as the ridges on both sides of the Valley receded, especially if a bit of glow in the sky turned up right at sunset. So, south it was.
I drove just a little ways in that direction to a point where the road curves a bit towards the east to travel around the northernmost area of salt flats in what I think of as the lower valley – this is the area a bit south of the Salt Creek cutoff. From here there is a fairly open view all the way down to the end of the Valley, and it looked like the clouds were going to evolve in some interesting ways. It didn’t look like I would see a gaudy, brilliantly colorful sunset, but something more subtle and quiet looked like it might happen. As the light began to fade I made a series of photographs whose subject was largely the sky and the atmospheric recession along the Panamint Range (shown here) on the west side of the Valley and the mountains just beyond Furnace Creek.
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David, thank you very much for your kind comment. As you know, finding the boundary between making it look the way “it is” and the way you want it to be is a tricky thing… and it is all too easy to go to far in the direction of jazzing things up too much.
This photograph was not created without post processing (or, as I think of it, the digital equivalent of the darkroom), but the goal was to use these techniques to create an image that is true to the experience of being there in this place at that time.
Dan
Beautiful subtle blues and pastels. I like how this is more like the way Death Valley really appears.