All of the other photograph s that I made in this location at Point Lobos turned out to be color images, but I decided that I wanted to use monochrome for this one. There were several reasons. There’s an old “rule” about using monochrome when subject’s colors aren’t its main feature, and that was the case here, at least in this light. In addition, I felt that black and white might better abstract the forms of these eroded coastal rocks.
It is a fascinating formation, partly for what it is and partly for how it has evolved. This layered rock apparently underlies the low headlands here, and the end of the formation has been exposed by ocean erosion. (Below this spot is a cove, while above it is a grassy headland.) As the erosion continues it exposes remarkable patterns in the underlying rock. much of it is a sort of familiar sandstone that has colors similar to those in the American Southwest, but interspersed are layers of pebble-filled conglomerate and, here and there, some surprising bits of color.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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