I’m going to try to keep this post somewhat brief, and touch on two aspects effects of this reality. There is, no doubt, much more to say about both ideas, but not in a “morning musings” post! So I’ll keep it to one paragraph per idea this time.

I believe that photographs are not so much about the things in front of the camera as they are about how the photographer sees the world. Whatever the subject might be, there is only one of it. Yet there are as many ways of seeing that one subject as there are people — perhaps even more. At first we all are certain that the subject of a photograph is that thing at which we point the camera, but the more photographs we see — our own and those of other photographers — the more we understand that the important thing is how and what the photographer sees, and how that way of seeing is shared photographically. In your own photography, this can and should eventually lead you beyond trying to emulate or compete with other photographers, and toward finding your own true and honest way of seeing.

Related to the idea that photographs embody your way of seeing is a secondary issue that affects the difference between how we see our work and how others see it. I sometimes am surprised that a photograph I believe in provokes little response from viewers, while one that I might think is fine-but-not-great will evoke a strong response.  One explanation may be that no one else can ever see a photograph in the same way that the photographer sees it. I don’t write this to suggest that viewers are coming up short when they look at photographs. The point is actually more about a mystery that the photographer often has to deal with. We often “know” our photographs in ways that are inaccessible to others. We recall the experience of making the photograph, what we had in mind when we made it, how the subject might connect to us in a personal way. We understand what we wanted the photograph to be and to do, and we are aware of things that we might have chosen to do differently in retrospect But viewers know none of this and, for the most part, can never fully know it. One of the outcomes of this reality is that we, as photographers, are frequently not the best judges of our own work. For everyone in the world but the photographer, the photographs have to say what they say on a visual basis — whatever meaning and associations they may have must come from that visual object.

Morning Musings are somewhat irregular posts in which I write about whatever is on my mind at the moment. Connections to photography may be tenuous at times!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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