Category Archives: Commentary

DSLR & Mirrorless: Flexibility and Adaptability

(Note: This is one of those occasional posts adapted from something I originally wrote elsewhere. This one came from an online discussion of the relative merits of DSLRs and mirrorless cameras and their abilities to work with various lenses and photographic subjects. I have edited the original slightly for its re-use here.)

With all of the recent (justifiable!) interest in new mirrorless camera developments from Sony, there are factors that may persuade some photographers to go slow on giving up DSLRs for mirrorless. (It may also convince them to do what I did — I augmented my DSLR system with a second mirrorless system.) As good as mirrorless cameras are becoming, in particular the full frame Sony A7r and newer A7rII, they have their pluses and minuses when it comes to real-world photography. They can do some things quite well – there are advantages in some cases to the electronic viewfinders, Sony sensors provide state-of-the-art dynamic range, the bodies are compact, and more. They do some things less well — native lenses are few, other lenses require adapters, the autofocus systems are slower than DSLRs, there are still latency issues with the viewfinders, and so on.)

In this context, I recently realized that one of the nice things about the new Canon EF 100-400mm f/4.5-5.6L IS II Lens and the newer Canon bodies (like my 5Ds R, which is very similar to the 5Ds)  is that they now autofocus (AF) quite well at f/8. The 100-400 len’s maximum f/5.6 aperture at the long end is no longer a barrier to getting 560mm out of the lens by adding the TC.

I’ve only tried the combination on one occasion so far, when the opportunity to photograph wildlife came up on a recent photography venture along the California coast. I put the 100-400 version II and the Canon 1.4x TC on my 5DsR and photographed two wildlife subjects, elephant seals lounging on a beach and pelicans doing everything from flying past to landing to sitting still. (For those who want more information than I can provide here, I wrote about the initial results in a another article.)

While I do not recommend that people whose primary photographic focus is birds in flight rush out and get a 5Ds or 5Ds R, a 100-400 v2, and a 1.4x TC as their primary setup, it does work decently and in some cases extremely well.  Most importantly, it means that my primary landscape photography setup and can also work very effectively with non-landscape subjects, including wildlife — a task that will severely challenge the best current mirrorless options.

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

The combination focuses well and provides good resolution, even with moving subjects — though, obviously, not as well as using something like a 1Dx with a 300mm f/2.8 prime. It is good enough that I can track birds in flight and catch sharp photographs of them in motion.

Continue reading DSLR & Mirrorless: Flexibility and Adaptability →

A Photograph Exposed: One Subject, Two Compositions

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail. A companion article looks at post processing issues related to the same subject.)

Landscape photographs depend on many things: good fortune to be in the right place at the right time, experience that helps predict when and where to find “right place at the right time,” sensitivity and experience that help you recognize the potential in a scene, being able to think beyond the intrinsic beauty of a scene to consideration of how it might make a photograph, an intuitive sense of “what is right” visually, the ability to apply some objective thought on top of the intuition, and other things in a list that is too long to recount completely.

I would like to share some of the thinking that went into photographing one particular scene earlier this summer.

Island and Trees, Tuolumne River
“Island and Trees, Tuolumne River” — Trees grow on a small ,rocky island in the Tuolumne River, Yosemite National Park

Back in mid-July I experienced a special evening in the Tuolumne Meadows Sierra Nevada of Yosemite National Park. It was special for many reasons — some photographic and some not, but even the non-photographic reasons helped put my mind and my senses in the right place to make photographs. I had arrived and set up camp, taken care of camp chores, and finally headed out for late-afternoon and evening photography. I pulled off the road to take a look at a possible subject, and by remarkable coincidence found myself parked behind two good friends who were there for much the same reason. We joined forces and headed of to a nearby area that seemed promising. In an even more remarkable coincidence, partway there two more friends showed up, also there for the same purpose! Something about hiking off into a beautiful landscape with like-minded friends seems to heighten my awareness.

We followed the Tuolumne River and soon its angle of descent began to increase slightly as its channel narrowed and became more rocky.

Continue reading A Photograph Exposed: One Subject, Two Compositions →

Landscape Not-Photography

It is no secret that I’m pretty serious about my landscape photography. I spend a lot of time going to interesting places, searching out subjects, and making photographs. In fact, this activity is undoubtedly the single biggest influence on the nature of my outdoor experiences.

Subalpine Meadow, Summer
Midday summer sky reflected in a subalpine tarn, Yosemite National Park

I embrace this effect and regard it as highly positive. I’m convinced that photography deepens my appreciation and understanding of these places and subjects. Like every photographer I know who shares my passion for these subjects, entering the natural world to make photographs focuses my perceptions in powerful ways. I slow down. I stop. I look. I ponder. I wonder. I indulge my curiosity and I see things that I would otherwise miss. I’m intensely aware of light, color, atmosphere, form, and subject.

But sometimes the photography gets in the way… Continue reading Landscape Not-Photography →

Brown Pelican in Flight

Brown Pelican in Flight
Brown pelican flight above the shoreline of Monterey Bay, Moss Landing, California

Brown Pelican in Flight. Monterey Bay, California. July 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Brown pelican flight above the shoreline of Monterey Bay, Moss Landing, California

Rediscovering this photograph and a few of its buddies makes for a bit of an odd story. Earlier today I got a message telling me that one of the drives attached to my computer was nearly full. That seemed a bit surprising, but it also was clearly an issue I had to address, so I set about looking for unnecessary files on that volume. In doing so I “discovered” a folder full of raw files and a few Photoshop files that I had apparently transferred to the computer last year… and then forgot. Most of the files there turned out to be unneeded, and I reclaimed 5GB of disk space by deleting them. But among there were s small number of shorebird photographs that I had forgotten.

The photographs came from an amazing and surprising spur-of-the-moment visit to Monterey Bay last June. For weeks I had been hearing stories of whales coming very close to the shoreline, and I had even observed a few from the cliffs in the Big Sur area. A news story claimed that they were now inside Monterey Bay and even coming very close to the beaches an Moss Landing — and friends had photographs to prove it. So over the hill we went to go there ourselves. When we arrived we were, indeed, impressed by how close the whales came to the beach — I had no idea they did that. But as impressive was the huge collection of birds that was perhaps attracted to the same food sources that drew the whales. I had never seen such numbers of these birds along the coast. Among them were a large number of brown pelicans, so many that photographing them was almost too easy.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


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