G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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I spent last week in New York City doing a variety of things: photographing a couple nights of “Così fan tutte: Some Assembly Required,” exploring museums, eating a lot of wonderful food, visiting family, getting lost on the subway, and more. It has been a decade since I’ve been there, and this was my first chance to try to do photography in NYC. As many of you know, that is an almost overwhelming endeavor – there so much to see and do there that it is barely possible to skim the surface of the possibilities. But I tried. And some of the photographs will begin to appear here very soon.
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I’m in New York City for business and pleasure and to do some photography. It turns out that I am staying about a ten-minute walk from the renowned B&H Superstore. Since this blog is a B&H affiliate and because I had recently been in touch with someone from B&H, I mentioned to them that I would be in the area… and was invited to take a tour.
I am going to write more about this later when I can type on something other than my iPad “virtual keyboard,” but I thought I’d share a few things today.
We started in a building close to the one housing the well-known store. My guides took me through several areas that you might not think about – several floors teeming with employees handling the technical aspects of their online presence and other information systems, and a floor where customer support takes place. (As I understand it, support desks are staffed by people who have expertise in particular product areas.)
Next we took a short walk over to the store. I had been there briefly the day before with my son, but I had missed a lot since the two of us had headed straight to areas of the store focusing on our individual interests. Today’s tour showed me much of what I had missed – for example a very impressive video studio facility. (To my brother Ed who is a video guy… you have to see this!) The range of products available is remarkable, both in terms of the types of gear (video, audio, computers, and, of course, cameras and related equipment) and the levels of equipment available – at one information/demonstration booth you could ask about and handle a $99 point and shoot camera… or the $6000 DSLR body about two feet away. You can also see and handle just about any tripod made, and the same holds true for a large range of other products.
As I mentioned above,there is much more to write about this, but I’m going to save more for later. For now I’ll end by thanking Yechiel and Herschel for a very complete and informative tour!
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
Earlier today I posted (elsewhere) a photograph of an interesting, unusual, and perhaps somewhat fragile natural bridge located in a part of California that I frequently visit. Although I did not give directions to the feature or even narrow down its location within less than perhaps a 25 mile radius, shortly after posting the image a person replied… and included a photograph of someone standing on top of the bridge.
Sheesh.
I’m astonished at the self-centered behavior of some visitors to the wild world. They apparently don’t realize that their momentary thrill risks the very ability of later visitors to experience the thing that drew them there. Why in the world a person would go to all the trouble to find and visit these sometimes remote sites and then show little respect for them is beyond me.
I was brought immediately back to a conversation I had with my friend Mike earlier this summer. Mike is a retired national park ranger who has a deep love for wild places. He had expressed concern and reservations about the clarity with which I sometimes described the locations of my photographs. Mike’s concerns were several, but among them was the worry that too much information shared with too many people who have too little invested in the protection of these places might endanger them. At first I wondered how my little web site could have any significant impact, but after checking into some internet statistics I began to see that a fair number of people might be reading my descriptions.
The particular feature that I’m thinking of today is a delicate and rare natural arch in a place where such features are not common. Although it seems like a sturdy thing, being made of rock, it is actually quite fragile in the geological sense. There are cracks in the arch at both ends, and any time a person adds his/her weight to the structure stresses are created that can only hasten its eventual collapse.
But people do such things. I’m more inclined than ever to refrain from offering specifics about many of these locations, especially those that are potentially subject to visits by too many people and/or that are by their nature fragile.
