Reflections in new windows during reconstruction at the World Trade Center site, New York City, 2011.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
The San Francisco Oakland Bay Bridge, with morning fog bank above Treasure Island.
On the day I made this photograph I headed up to San Francisco to visit the San Francisco Museum of Modern Art, where a special Andy Warhol exhibit is soon coming to a close. I’m close enough to San Francisco that I can take the train up for these visits, and that also affords me the time to do some walking around in this city, which of course involves photography. Because I had a specific schedule for the MOMA exhibit, I took a familiar walking path along the Bay waterfront to the Ferry Building before turning inland to get to the Museum.
The early morning light along the bay is often special — the atmosphere often glows in the backlight. Somewhat to my surprise, given the recent warm temperatures, there was a fog bank out in the bay, laying across Treasure Island. I paused at this familiar spot to photograph the San Francisco Oakland Bay Bridge near where it comes ashore, and the very bright sky and fog created a dramatic silhouette.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A study in right angles, MOMA courtyard, Manhattan.
This is a photograph from nearly a decade ago, made on one of our semi-regular visits to New York City. For some reason I ended up in the archive of raw files from that visit recently and I ended up working on this photograph. It turns out that it is quite similar to another I made at this same spot, but there are some subtle but important distinctions that convinced me to work on this version.
The camera position is a window facing this courtyard, a spot that most people probably walk right past on their way between floors at the Museum of Modern Art. I think I may first have been attracted by the elevated viewpoint, looking down into the courtyard where people may sit or walk. I also was fascinated by the dense cubic forms of the buildings and the strong perspective lines that they form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
The front of a brick building on a steep San Francisco street.
The tilt of the sidewalk may just give away the location, at least if you happen to already know that I frequently photograph urban subjects while walking around San Francisco. As is often the case, I now don’t recall precisely where I photographed this little vignette, though there is a very good chance that it was in or not far from the Chinatown district of The City.
Without knowing exactly why — though I have a few ideas — I’m always attracted to little architectural scenes like this one. My best guess is that it is some combination of color, composition, texture, and light. Most of the color in this scene is not very intense, but the red pole and the greenish winter moss caught my attention. The scene is filled with rectangles, from the smaller size of tile and bricks to the larger shapes formed by the windows, doors, and sections of wall.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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