Category Archives: Photographs: Architecture

Buildings, Venice Beach

Buildings, Venice Beach
Venice Beach buildings in midday sun

Buildings, Venice Beach. Venice Beach, California. April 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Venice Beach buildings in midday sun

Finally. A photograph that is not Death Valley. Don’t worry, there are still more Death Valley photographs, and this one did come from the same trip. On our return from Death Valley we swung through the LA Basin to visit our daughter and son-in-law, replacing natural pleasures with the distinctly urban experiences of Los Angeles. On April 1 we went to Venice Beach to visit the G2 Gallery, where photographer friends exhibit from time to time. (We enjoyed the gallery quite a bit — some lovely photographs by Clyde Butcher and Jack Dykinga were featured that week.)

Out of the gallery and on the street I had an opportunity to play with a new camera, my Fujifilm X-Pro2, which had arrived shortly before we left for Death Valley. The street being the perfect place for such a camera, I pulled it out and made a few photographs. Initially I expected that this would be a color photograph, but as I worked on it in post I began to feel that it had potential in black and white.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Columns, Whitney Museum

Columns, Whitney Musuem
Repeating forms of cylindrical columns

Columns, Whitney Museum. Manhattan, New York City. December 27, 2015. © Copyright 20165G Dan Mitchell – all rights reserved.

Repeating forms of cylindrical columns

I admit it — photographing at the new Whitney Museum in Manhattan almost felt like play. The building is interesting in and off itself, but especially interesting on the high and open outdoor terraces that thrust out from the building toward the city. Although there are no people in this photograph — in fact, I had to take some care to ensure that was the case — the location was also a prime place to photograph people.

These columns occupy a corner, up against a wall, on one of the upper floor outdoor terraces. Their positions allow light to shine on them from multiple directions and on this very cloudy day the light was soft and luminous. Although this is the sort of thing that I might prefer to shoot from the tripod, I was working in street photographer mode and therefore had to shoot handheld, carefully lining up the verticals, trying to obscure a few places where the background shone through between the columns, and then waiting for people to pass by and not be in the shot.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Black Star, Tiles and People

Black Star, Tiles and People
People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

Black Star, Tiles and People. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

On our December 2015 visit to New York City we had a chance to visit the new Whitney Museum for the first time. We see the early construction phases on several earlier visits when we went to Chelsea and were pleased to find that it is now open. We went there one morning, began on the top floor, and started to work our way down. (I’m a bit notorious for being able to spend what some regard as far too many hours wandering slowly through museums. Eventually the others in my party left. I stayed and finally joined up with them again hours later.)

The museum’s collection is, of course, fascinating. But the building itself also fascinated me — as a structure it its own right, its placement in its Manhattan surroundings, how it is used to display art, its outdoor areas, and the opportunities it gave me to include people in photographs. I did virtually no photography inside the building, but on the outdoor terraces and walkways it was an entirely different situation. These areas were perhaps the most attractive parts of the architecture for me, with upper levels thrusting out over the Chelsea landscape, and lower levels spreading out horizontally. From below it created a sort of industrial landscape of metal angles, and from above the views downwards were quite something. This photograph looks over one of the upper balconies and straight down onto a tile-covered terrace where Frank Stella’s “Black Star” resides and was being photographed and contemplated by visitors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Terraces, Stairways, Sky

Terraces, Stairways, Sky
People arrayed on terraces and stairways at the Whitney Museum

Terraces, Stairways, Sky. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People arrayed on terraces and stairways at the Whitney Museum

This is another of my December 2015 photographs from the New York Whitney Museum, and perhaps yet one example of my idiosyncratic approach to visiting museums. I love visiting museums, especially art museums, and I can easily spend many hours or even a full day wandering around and slowly taking things in. It is enough to drive other people who go there with me crazy! (On this visit, the rest of our group finally gave up, left without me, headed to a nearby tavern, had lunch and drinks, and waited for me to finally show up hours later.)

I love to look at the art, the people, and quite often the architectural spaces as well. This was my first visit to the new Whitney Museum, so there was a lot to see. I started on the top level and explored galleries, but soon was distracted by the outdoor terraces, which extent from each of the floors in delightful and interesting ways. On the top floor narrow terraces project out into space above the Chelsea district. On lower levels the terrace areas become larger, and afford urban landscape views of the surrounding city and back upwards toward the exterior of the museum. When I looked up at this mass of windows, terraces, stairways and more I knew there was a photograph (or several) here, and I spent some time with the subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.