Category Archives: Photographs: Flight

Flock of Tundra Swans

Flock of Tundra Swans
A flock of tundra swans aloft in evening light about the Klamath Basin

Flock of Tundra Swans. Klamath Basin, Oregon. February 12, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

A flock of tundra swans aloft in evening light about the Klamath Basin

More tundra swans — and I’m not finished yet! I don’t get to see these birds all that often at my usual Central California wildlife photography locations, so finding quite large numbers up here along the California-Oregon border has been pretty exciting. It turns out that while I was here a bit too early for the massive migration of some birds (I hear the geese will be back here in a couple of weeks) I seem to have arrived at just about the right moment for the tundra swans.

This day turned out to be the best for photographing these birds. Early in the morning I happened on a pair of ponds lining a short roadway, and both ponds held good size flocks. The morning light wasn’t quite right so I moved on and photographed other things, but in the evening I was back. During the final half hour or so before sunset, flocks of these birds began to stream back from the south, and I quickly headed back to this pond where I had seen  them earlier, figuring that some of them might land here. I was not disappointed! And the light was spectacular, starting out as typical warm-colored late day light against blue toned sky and clouds, and then later lighting up with a brilliant colored sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Geese Rising

Geese Rising
A flock of geese takes to the air above San Joaquin Valley wetlands

Geese Rising. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A flock of geese takes to the air above San Joaquin Valley wetlands

Sometimes bad light turns out to be good light. Late in the day I made one last circuit of this location, hoping to find some birds to photograph in sunset light. However, the light was obscured by the clouds of an incoming weather system and much of the light at this location became rather flat and gray. (The light to the west was another story, and another photograph made within moments of this one includes a rather spectacular sky in the distance.) It was cloudy enough that most of the light had faded before sunset, and there wasn’t much left after that at all.

Yet… the flat light has its advantages. One of the challenges of photographing airborne birds is that when they rise against the sky they are often lit from above, and it can be difficult to get a photograph that isn’t simply a silhouette. But the soft light fills those shadows, and here there was also a bit of gentle light coming from the western sky through sunset clouds that had picked up a bit of color. As I stood around watching a large group of geese (mostly snow geese) settled in a pond, the suddenly erupted into flight en masse, in the typical wild show of fluttering wings and loud vocalization. The turned and passed right in front of me before continuing on to some unknown place far to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

This photograph has appeared here at my website and in subsequent social media posts already, but merely as an example in a post I shared about some slightly technical matters related to a camera I use. (More on that in a moment.) Since I feel like the photograph stands not only as an example of how a lens and a camera work, but also as a photograph, this time I’m sharing it for the latter reason. We had spent a couple of days in the Monterey and Big Sur area, photographing along that spectacular coastline, and now we were headed home. We decided to work our say north along the coast, eventually turning inland just south of San Francisco.

Just before that homeward turn we passed a small, rocky island just a few yards off the actual coast, and I realized that it was covered with many scores of brown pelicans. I love photographing these birds, and it is somewhat unusual to see so many in one place, so we stopped and walked out to the bluff to make some photographs. The light was challenging since it was coming from almost directly behind the birds — but in this case that worked well as there is a light fringe around the bird, some light comes through its wing feathers, and additional light reflects back up from surf and rocks as this pelican lands. Oh, and that technical article? I made this photograph with a pretty unusual “birding” setup — the 50.6MP Canon EOS 5Ds R with a 100-400mm zoom lens with a 1.4x teleconverter attached!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Ross’s Geese, Evening Sky

Ross's Geese, Evening Sky
Ross’s Geese, Evening Sky

Ross’s Geese, Evening Sky. San Joaquin Valley, California. March 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A flock of Ross’s geese head west against the clouds of a winter evening sky

This may well end up being one of my final migratory bird photographs of the 2014-15 season. It seemed to wind down early this year, at least from what I saw. I suspect that this probably has something to do with the very unusual weather this winter in California. The temperatures were far above normal. In some places there averaged ten degrees higher than usual during the first three months of the year. Precipitation has also been way out of whack. There were some early indications of a possible wet year, then things seemed to be put on hold… until some serious rain (at my elevation) in December, which brought back memories of what winter used to be like in California. Then the tap seemed to be shut off with the new year, and where I live we went nearly 50 days with no rainfall whatsoever at what should be the wettest time of the year. It finally rained again, but not much. More troubling, the Sierra experience roughly 10% of typical precipitation levels, and this is the fourth year of below normal precipitation.

Despite the climate challenges, the season did produce some truly wonderful days of bird photography in the Central Valley. One thing that helped was a long period of tule fog in the Valley, which I find picturesque. Eventually the birds showed up, and we had a great stretch of geese and cranes and more up through the middle of February. At the end of the month we headed to the Sierra for an exhibit at the Yosemite Renaissance, stopping on the way to visit the birds. We didn’t see many at all, and when we stopped again on the way back things hadn’t changed much. Late in the day we did find a group of Ross’s geese on a pond, and I caught groups of them as they departed to the south and west.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.