Category Archives: Photographs: Mono Lake Basin

Paoha Island, Mono Lake

Paoha Island, Mono Lake
The view across Mono Basin, including Mono Lake and Paoha Island

Paoha Island, Mono Lake. © Copyright 2019 G Dan Mitchell – all rights reserved.

The view across Mono Basin, including Mono Lake and Paoha Island.

The light in this scene appeals to me. Yes, the view itself is impressive, but the warm-colored early-morning light is especially lovely. It is also a bit deceptive. It probably looks like a warm high-desert day, but the truth was quite different. It was an extremely cold autumn morning, and as we drove we encountered temperatures as low as high single-digits at one point. Ah, that’s fall in the Eastern Sierra!

I made the photograph from a high point above the southwest shoreline of Mono Lake, on a hill that was easily accessible. The view follows the slope down toward the very blue surface of this hug lake, then continues across Paoho Island. Although it is blocked by the island, the water continues beyond it to the far shoreline, where gentle slopes that were once submerged when the lake was larger lead to mountains that surround the Mono Basin.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Mono Lake, Paoha Island, Hills

Mono Lake, Paoha Island, Hills
Arid hills above Mono Lake and Paoha Island.

Mono Lake, Paoha Island, Hills. © Copyright 2019 G Dan Mitchell – all rights reserved.

Arid hills above Mono Lake and Paoha Island.

To look at this photograph you would never guess that it was a very cold autumn morning that felt much more like winter than fall. We were camped in an eastern Sierra canyon, had gotten up very early to head out across the Mono Basin, as not far from this spot we encountered temperatures below 10 degrees at one point! Such is autumn in and around the Sierra — summer one moment and distinctly winter-like the next.

This view, photographed in early morning light, looks across the rounded, volcanic hills between the lake and Mono Craters toward the lake and Paoha Island, one of the two volcanic islands here. The distances encompassed by the photograph are quite huge, extending beyond the far shore of Mono Lake to the slopes to the north. That immensity is one of the main features that quantify the experience for me: immense space, deep quiet, and the huge sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pinnacles, Mono Basin, Morning

Pinnacles, Mono Basin, Morning
Rocky pinnacles above the immense Mono Basin, early morning

Pinnacles, Mono Basin, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Rocky pinnacles above the immense Mono Basin, early morning.

As I have written before, my visits to the Eastern Sierra to photograph autumn color often lead me to other non-autumn subjects in the area, and frequently subjects further east than these mountains. That was the case again this autumn, and on more than one occasion I got up early in the morning and left the Sierra to explore the western edge of the basin-and-range country to the east.

The photograph doesn’t give this away, but it was a very cold morning! Temperatures at our campsite in a canyon on the east side were below 20 degrees Fahrenheit, and as we headed out into the more open high desert landscape to the east we saw the thermometer drop to as low as 9 degrees! We arrived at a high overlook before dawn, witnessed the first light on the eastern Sierra crest, and realized that there was quite a bit of wildfire haze floating around. That left me focusing on closer subjects or at least including nearer subjects as foreground to the more distant views. Below our position an impressive set of small buttes stood on the gentle slopes above the distant Mono Basin and the hills beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Moonrise

Mono Moonrise
The light of the rising full moon reflected on the surface of Mono Lake

Mono Moonrise. © Copyright 2019 G Dan Mitchell – all rights reserved.

The light of the rising full moon reflected on the surface of Mono Lake.

This is another of the autumn photographs that isn’t really an autumn photograph, except perhaps by extension. I was in the eastern Sierra for about eight days in the first part of October, primarily to chase the fall aspen color. But that most certainly is not the only thing worth seeing in and around the Sierra at this time of the year. The night before we had watched the moon rise well after dark and speculated about when (and precisely where) the full moon would rise the next night. We did not have any authorities to consult, so we made a good guess that it would probably rise just after sunset, which still provides enough ambient light to illuminate the landscape a bit and to reduce the contrast between the bright moon and its relatively darker surroundings. As sunset approached we left the place where we had been photographing aspens and I pulled over at a likely spot… which turned out to be almost precisely the right place to be.

We looked up just in time to see the first sliver of the moon emerge above the small peak barely visible at the left end of the ridge beyond the lake. We were set up and ready to go by the time it cleared the ridge, and we spent the next few minutes continuing to photograph as the moon rose, the surroundings darkened, and the reflection on Mono Lake become more prominent.

Special Announcement: Sharing this night photograph of mine is timely, as later this week I and my colleagues from Studio Nocturne SF, a collective of Bay Area night photographers, are offering an “Open Studio” as part of annual the San Francisco ArtSpan event in The City. We are showing our work at Big Daddy’s Antiques, 1550 17th Street on the following schedule:

Friday: October 25, 6:30PM-9:00PM — Artist Reception
Saturday, October 26: 11:00AM-6:00PM — Open Studio
Sunday, October 27: 11:00AM-6:00PM — Open Studio

All three events are free and open to the public. If you are in the Bay Area, please drop in and say “hi,” enjoy our photography, talk with us about our work, and acquire a photograph for your collection.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.