Category Archives: Photographs: The Southwest

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Clearing Storm, Morning Light

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Clearing Storm, Morning Light - Clearing storm clouds and morning light on sandstone towers, Zion National Park
Clearing storm clouds and morning light on sandstone towers, Zion National Park

Clearing Storm, Morning Light. Zion National Park, Utah. October 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Clearing storm clouds and morning light on sandstone towers, Zion National Park

We had arrived in Zion the day before, driving through rain across lower Utah and upper Arizona, stopping to photograph here and there including the still-wet upper elevation areas of Zion. On this morning we got up relatively early so that we could be on one of the first shuttles up into the canyon, and the day began with sun coming through breaks in the remaining clouds from the previous day’s rain. In my view, clouds in Zion canyon are not usually all that conducive to photography, since I tend to rely on the diffused midday light coming from open sky to light up my subjects, which are often found in the shade. Clouds can produce too much shade and move the color balance away from the warm tones of daylight and toward the dark and blue tones.

On the other hand, I love sunlight broken and muted by clouds, especially if they are moving and are a bit transparent. I love shooting in Yosemite Valley when winter storms or fog are swirling around the Valley’s walls and spires, alternately revealing and hiding bits of the cliffs. As we rode the shuttle into Zion Canyon, with a vague plan of heading toward the middle or upper part of the canyon, I looked up to see that same sort of effect high on the cliffs along the west side of lower Zion Canyon – early morning sun was shining through breaks in clouds that swirled around the upper cliffs, alternately revealing and concealing their form. Plans change, and we quickly hopped off the shuttle. I put the long lens on the camera and spent a few minutes exploring this subject.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Box Elder, Bend in the Creek

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Box Elder, Bend in the Creek - A Utah canyon creek winds through a narrow canyon and past a box elder tree.
A Utah canyon creek winds through a narrow canyon and past a box elder tree.

Box Elder, Bend in the Creek. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Utah canyon creek winds through a narrow canyon and past a box elder tree.

This little stream and its canyon was the first place we stopped at on our late-October photographic trip through (mostly) Utah. Before this we had shot a bit in the “touristy” part of Zion NP, but this place was quite a bit more off the beaten track. Truth be told, this was also my first time wandering/wading/rock hopping my way up one of these small Southwest canyons – so it was a special bit of adventure for me, and one that I took to very quickly. Although I felt, to some extent, like I already “knew” these places from reading and seeing the work of other photographers, it was still something special to be in the place for the first time.

We began by walking up a portion of the wash through which the stream flowed after it left the canyon. I quickly discovered that here, unlike in “my Sierra,” one does not necessarily try to avoid the water – which wouldn’t really be possible anyway – but instead you walk in it, hop or wade back and forth across it, or tread the soft sand and mud along its banks. Some figure that you’ll get wet, and they wear light footwear. I went “old school” and put on a pair of Gore-Tex hiking boots and rolled up my pants enough to keep the bottoms out of the water.

The light in such places – as the veterans of such shooting know – is a complex and interesting thing. Most of the time you don’t really want direct sunlight, so you (or I, anyway) seek out shade. But you do want reflected light, coming off of the canyon walls high above, taking on the color of the rock, and diffusing down into the depths of the canyon. Contrary to my well-developed shoot-very-early-and-shoot-very-late instincts, you also typically want to shoot during the mid-morning hours and the afternoon, and if the canyon is deep enough and oriented the right direction you may even shoot right through the noon hour! What a concept: sleep in until the sun comes up, eat breakfast, and then go shoot! In this little twist in the stream, at just about the point where we turned around, the water takes on the color of the light reflected from the sandstone walls around the bend, and a single small box elder with golden leaves adds a spot of fall color.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: The Southwest, Photographs: Utah

Cliff, Fall Color, Escalante River

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Cliff, Fall Color, Escalante River - Fall foliage of cottonwood and box elder trees at the base of a cliff along the Escalante River, Grand Staircase-Escalante National Monument
Fall foliage of cottonwood and box elder trees at the base of a cliff along the Escalante River, Grand Staircase-Escalante National Monument

Cliff, Fall Color, Escalante River. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fall foliage of cottonwood and box elder trees at the base of a cliff along the Escalante River, Grand Staircase-Escalante National Monument

This portion of the Escalante River treated us in two very different ways during our late-October visit. Early in the trip, we were anxious to explore this section of the river, where fall colors of cottonwood and box elder trees and more were arriving and where the river continuously twists and turns among sandstone cliffs. In the morning we drove out to our trailhead, noticing two things about the weather – it was cold and there was a lot of the thing that no one wanted to mention but which we might refer to as “W”. (Hint, it moves the branches and leaves a lot!) Undeterred, we entered the canyon and encountered very beautiful conditions, especially when it came to autumn foliage color. However, the “morning breezes” turned into a midday gale, at times forcing us to stop moving as strong gusts momentarily pinned us down. Some clouds began to move overhead. Low light and screaming winds in a deep canyon make for challenging foliage photography, to say the least! By the time we finally left the canyon, it was trying to rain, and across the valley we could see snow falling on higher peaks.

With that first visit in mind, near the end of our trip we found ourselves with time to go back to this canyon. The “I’ve already been there” thoughts were overwhelmed by the “maybe this time we can actually make photographs” thoughts, and so we re-entered this location. On this morning, there was no “W” and it was a few degrees warmer. As we continued up the canyon, the colors were just as beautiful as before, with blown-down leaves having been replaced in many locations by leaves that had more recently changed colors. The light was gorgeous, and we shot almost continuously as we walked downstream, only turning around reluctantly when we ran out of time and energy, though we did get a bit further down-canyon this time. The scale of this photograph may be difficult to understand in this small web jpg, but the trees are good-sized cottonwoods at the base of a giant cliff of light-colored sandstone that towers overhead at a bend in the river.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Arizona, Photographs: Desert, Photographs: The Southwest

Rain Squall, Monument Valley

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Rain Squall, Monument Valley j- Distant mesas and towers of Monument Valley, veiled by a passing rain squall
Distant mesas and towers of Monument Valley, veiled by a passing rain squall

Rain Squall, Monument Valley. Monument Valley Navajo Tribal Park, Arizona, October 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Distant mesas and towers of Monument Valley, veiled by a passing rain squall

I have a bit of a surprising confession to make. Utah is not the only state in the American Southwest that I had not previously photographed. Although I have been in the state before, I had never photographed there prior to this year, when we made a quick pass though the upper portion of the state on a drive between Moab and Zion National Park. Several things explain this. First, as I’ve written before, I’ve long been a California landscape bigot – the “local” landscapes of ocean and mountains and deserts and redwoods and more have been, and continue to be, such a focus that I’ve felt little inclination to shoot elsewhere. More recently, as I discovered Utah, I felt a bit of an obligation to avoid Arizona for certain other reasons that I won’t go into right now.

That’s right. I’ve never photographed the Grand Canyon. In fact, I haven’t even seen the Grand Canyon except from the air while flying over the state. And, no, I had not seen Monument Valley either. As we left Moab and headed south, I was excited about seeing this new landscape, but a bit concerned about the potential for photography as a storm – and not just the afternoon monsoon – was moving through. Sure enough, just about the time we got near to Monument Valley the clouds thickened, the wind blew, and it began to rain in earnest. However, I soon caught sight of the towers and mesas of this valley in the distance, familiar from so many photographs I’ve seen, and I quickly realized that the rainy conditions were actually going to provide some very special light and effects. This photograph is a case in point. It was cloudy but not raining at my camera position. Just beyond, a passing squall was dropping rain across the desert terrain and muting and blurring the features, but beyond that the sun was shining on the stupendous distant formations, and beyond them broken clouds were moving.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.