Category Archives: Photographs: The Southwest

Murphy Point, Sunset

Murphy Point, Sunset - Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park
Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park

Murphy Point, Sunset. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park.

We spent the better part of a day scouting around the “Island in the Sky” section of Canyonlands National Park, partly with the goal of figuring out where to be for golden hour light. In the end, the very first place we had really considered ended up being the place we came back to – the Green River Overlook. While quite a few landscape photographs can be somewhat spontaneous and a matter of quickly taking advantage of ephemeral conditions, the decision to photograph at the Green River Overlook was quite the opposite. Not only had I decided that I wanted to shoot at this location, but I had even worked out the composition of the shot that I wanted.

With that in mind, we came back here almost an hour before actual sunset, confident that the photograph I had in mind would be waiting for me. And it was! That photograph was shot looking roughly west or a bit south of west and across the canyons dropping into the Green River. But I also had quite a bit of time to look around at other possible subjects as the light slowly transformed. The steep upper cliffs of (what I believe to be) Murphy Point stood to my south and the sunset light began to intensely color their red rocks during the final few minute of sunlight. So I took a moment away from the shot I had come for, pivoted the tripod this direction, and made a few exposures. The geology seen in this area is amazing. Layer upon layer build from the bottoms of the river canyon, through the side canyons and onto the lower plateaus. Then shattered rock stacks up against the tall upper sandstone cliffs that are topped by the relative flatlands of the “Island in the Sky” area. Here the low angle side-light from the setting sun reveals a lot of the more subtle details of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Towers, Moon Rising Through Clouds

Sandstone Towers, Moon Rising Through Clouds - The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.
The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.

Sandstone Towers, Moon Rising Through Clouds. Arches National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.

These rocks are near but not exactly part of the windows area at Arches National Park, where we ended up at the end of our first day there. We had arrived in Moab in the afternoon and then driven up into the park very late in the day – more or less gasping in amazement at the geology we were seeing for the first time – and finally ended up in this area just before sunset.

I’m repeating a story I wrote about earlier, so I’ll make the first part short. There was beautiful light leading up to sunset, and there were some interesting clouds in the sky to the north. However, it was extremely windy, making longer exposures as the light faded a real challenge and also making lens changes unwise. After sunset I ended up in the shelter of some rock towers where I found some protection from the wind. I knew that this was going to be a full moon night, but I was a bit concerned that by the time it was high enough that the ambient light would be somewhat dark, making it very difficult to photograph the twilight surroundings and the very bright moon in a single exposure. But as the moon rose and I found a location from which I could position it and the rocks together, high thin clouds partially obscured the moon and allowed my longer exposures for the dim foreground to work. I might have used a longer lens, but the thought of changing lenses in the blowing wind convinced me to just go ahead and shoot with the lens I already had on the camera – and in the end I think that let me produce a more natural view of the moon than I might have achieved with a longer telephoto.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Cottonwoods, Zion Canyon

Spring Cottonwoods, Zion Canyon - New spring leaves appear on cottonwood trees along the Virgin River in Zion Canyon, Zion National Park.
New spring leaves appear on cottonwood trees along the Virgin River in Zion Canyon, Zion National Park.

Spring Cottonwoods, Zion Canyon. Zion National Park, Utah. April 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

New spring leaves appear on cottonwood trees along the Virgin River in Zion Canyon, Zion National Park.

This is a type of photograph that I enjoy searching out – though it is also a type that can be difficult to present effectively in online jpg form, given the amount of fine detail that is present. The challenge is in trying to capture both the dense complexity of the thick foliage and the complex patterns of rock – and these things fill the frame completely – and still try to find some sort of compositional logic that might still be visible in the end. In general, I think these things work better in fairly large prints.

The scene is along a section of the Virgin River in Zion Canyon of Zion National Park. A trail continues up the canyon beyond the point that is accessible via the park service shuttles. Here the canyon gradually narrows, and thickets of young cottonwood trees grow on the valley floor in what I believe must be the sediment left behind by floods. The canyon itself becomes a bit more convoluted, twisting right and left around the vertical sandstone walls. For much of the day there is little or no direct sunlight at the bottom of the canyon, and that was certainly the case during the time when I made this photograph.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Towers, Evening Clouds

Sandstone Towers, Evening Clouds - Dissipating evening clouds above sandstone formations, Arches National Park, Utah
Dissipating evening clouds above sandstone formations, Arches National Park, Utah

Sandstone Towers, Evening Clouds. Arches National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dissipating evening clouds above sandstone formations, Arches National Park, Utah.

On our first early April evening in Arches National Park, we ended up at what the NPS map calls the “Windows Section.” This is an area of long sandstone ridges and many arches, including North and South Windows, Turret Arch and more. We really didn’t quite know where we were going, but we could tell that the day was waning and that we needed to find a spot to shoot the evening light – and this are was close and seemed to hold some potential. We drove the end of the road, quickly unloaded, and headed off to see what we could find.

I started by going back down the road a ways to photograph more open terrain to the west along with a row of sandstone features running to the north. I quickly figured out – duh! – that is was very windy! This isn’t a major problem as long as the light is good, but I knew that it was going to be a challenge as the diminishing light eventually called for longer exposures. I then wandered up toward Turret Arch and the South Window, looking for likely compositions. I made a few initial exposures before the sun dropped below the horizon, the light soon began to fade to that wonderful period just after sunset when everything can take on a sort of rich glow when the conditions are just right. Some dissipating clouds were adding to the glow and making the light and the sky more interesting… but that wind wasn’t diminishing a bit! Even with a solid tripod and head, when using a somewhat large lens and long exposures there will be issues with camera stability. This limited my range of motion a bit, as finding spots that provided some shelter from the strongest gusts became a consideration along with the usual compositional issues. With that in mind, I ended up mostly foregoing the major features here and instead turned my attention to the sky and to a cluster of sandstone formations to the east of the main arches… and that is what you see in this photograph.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.