Category Archives: Photographs: Urban/Street

Photographs: Architecture, Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Urban/Street

Leaves and Red Metal Door

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Leaves and Red Metal Door - Leaves grow against a red metal roll-up door in the Fremont District of Seattle, Washington.
Leaves grow against a red metal roll-up door in the Fremont District of Seattle, Washington.

Leaves and Red Metal Door. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Leaves grow against a red metal roll-up door in the Fremont District of Seattle, Washington.

In early May I was in the Seattle area of three days on non-photographic business, and fairly busy with those other affairs for much of time that I was there. However, when I happened to mention online that I was in that area, someone let me know that there was going to be a “Seattle Photowalk” the next evening. The plan was to meet in the Fremont area (“under the statue of Lenin” – it’s a long story…) and then wander about for the next four hours, ending up at the Gas Works Park at sunset. I couldn’t pry open a full four hours in my schedule, but I did manage to find one hour, so I made plans to meet the group.

I arrived at the appointed starting time and place and found a small group of photographers ready to go. After the obligatory group photo (indeed, beneath the statue of Lenin!) we split up and began to photograph. I think that I may have been in Fremont once before, perhaps a dozen or more years ago, since the general area seemed a bit familiar, but as far as photography went I had no specific ideas at all about what I would find. The area does have an interesting “worn” quality – at least the parts that aren’t trendy new corporate buildings – so I figured that I could probably find something. And having only one hour to photograph an area I’d not scouted, I knew that I’d better get to work! It only took me a few minutes – and this is typically true – to get into the “seeing” mode and start to find potential subjects. Shooting mostly with just a 50mm prime I wandered up side streets, alleys, and a few driveways, looking for odd bits of shape and color. This branch was growing across the sliding metal door on a small eating establishment that was apparently closed for the day.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Door Knob, Green Wall, and Grass

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Door Knob, Green Wall, and Grass - A worn green wall with doorknob, grass along the street, Fremont District, Seattle, Washington
A worn green wall with doorknob, grass along the street, Fremont District, Seattle, Washington

Door Knob, Green Wall, and Grass. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A worn green wall with doorknob, grass along the street, Fremont District, Seattle, Washington.

I made this photograph on my one-hour “Seattle PhotoWalk” in the Fremont District back in early May. A group of Seattle photographs was getting together to photograph between here and the Gas Works Park in the late afternoon and evening, and it turned out that I was in the Seattle area and able to pry open a bit of time in my schedule to meet up with them and explore the interesting photographic opportunities in the Fremont area.

We started in what I suppose must be “downtown Fremont,” right beneath the statue of Lenin. Yes, a statue of Lenin. It is a long story – but the short version, as I understand it, involves a post-Glasnost trip to the junk yard (in Poland) for the statue, its discover there by someone from Seattle who thought it had historical significance, its transport to the US, and then setting it up in Fremont for lack of a better place. Or something like that. (Google Fremont Lenin statue for more.) In any case, from the meet up at the statue we commenced our “photo walk,” and first explored the immediate surroundings. A lot of the buildings right there seem pretty old and a bit worn – though they have also been modified and updated in interesting and sometimes idiosyncratic ways. Take this bright green wall and door, for example! I was struck by the juxtaposition of the garish green paint and the natural green of the grasses that had sprung up at the base of the wall.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Building Facade, Reflections

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Building Facade, Reflections - The facade of a San Francisco building reflects the image of nearby buildings and the sky.
The facade of a San Francisco building reflects the image of nearby buildings and the sky.

Building Facade, Reflections. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The facade of a San Francisco building reflects the image of nearby buildings and the sky.

I enjoy looking for reflections in large, glass-facade downtown buildings in San Francisco and other urban centers. I find the reflections fascinating, especially when they hold complete images of other buildings or sky, the way that they acquire various distortions, and when the reflections begin to visually merge with the image of the building itself.

I spotted this building as the train approached the Fourth and Townsend Caltrain Station in San Francisco, so by the time the train stopped I had figured out that I needed to wander on over to this spot to see if I could find a photograph. I made a bee-line for the general area of the building that I had seen, and I soon figured out who to put together an image that included a wide range of materials: the building itself, the interior spaces beyond the window glass, the reflections of sky and clouds, and more. I especially like the bits of orange reflection from a building behind my camera position.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Industry Noir

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Industry Noir - A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.
A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.

Industry Noir. Mare Island Naval Ship Yard, California. March 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A night scene in an artificially-lit industrial area of the Mare Island Naval Ship Yard.

Given some of the other iconic and impressive things that may be photographed at the Mare Island Naval Ship Yard, this is sort of a normal looking scene. However, as one who has photographed there quite a bit at night, somehow it seems to capture – for me, anyway – something about the way the place feels. Wandering about among very old, very abandoned, and very dilapidated old structures in the quiet of the night, sometimes things can feel just a bit strange, and a glow from inside a window on the second story of a building or the reflection of a soft interior light can sort of make you wonder just a bit.

To be honest, I’m rarely scared or nervous when shooting there. For the most part the experience is a very quiet, slow, and contemplative one. But I recall one night that was a bit different. I had arrived early – before the sun set – and had met up with a group of fellow night photographers. They had some plans to shoot in a particular area, but I really wanted to shoot something else at first. So I told them to go ahead and start and that I would find them a bit later after shooting my first subject. Finishing with that work a half hour or so later I headed off in the direction they had gone, stopping to make more photographs along the way. But I never saw them again. I continued shooting along, wandering along deserted old streets and up alleys behind abandoned buildings. Finally at one point I suddenly became aware of being very alone in a very dark place and, for the first and only time at MINSY, I became nervous – and quickly packed up, returned to my car, and left. This photograph reminds me of that just a bit…

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.