Hemlock and Pine, Stained Cliff

Hemlock and Pine, Stained Cliff — Yosemite
“Hemlock and Pine, Stained Cliff” — Trees grow in the shadow of a water-stained granite cliff, Yosemite National Park

Spend much time in Yosemite National Park — almost anywhere in the park — and the qualities of rock become a major focus. Most of that rock is some variation on granite, in forms ranging from domes and cliffs, to slabs and broken pieces, and boulders transported by ancient glaciers. By nature it is not a colorful rock, but in the right places and conditions it can pick up colors from black through reds and yellows and even green. Sometimes water seepage colors the surface of rock formations. In addition to the colors in and on the rock itself, granite picks up the colors of its surroundings and of the light — it may look cold and blue in some light and warm and yellow in different light.

During our early September week in the Yosemite backcountry we camped in a location surrounded by this rock. Jagged peaks and ridges towered overhead, glaciated domes and slabs were all around, and the bowl of the nearby lake was scooped out of granite. Along one side of the valley, where steep granite slabs led upwards toward a high ridge, we found an unusual cliff — hundreds of feet across and perhaps twenty or thirty feet high, its surface is marked by colorful stains from seepage, and trees and brush grow along its base.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Granite Ridge, Trees

Granite Ridge, Trees
Tall trees on top of a granite ridge, Yosemite National Park

Granite Ridge, Trees. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Tall trees on top of a granite ridge, Yosemite National Park

This has been a period of unprecedented drought in California as a whole and particularly in the Sierra Nevada. In the fourth of this series of drought years the Sierra is showing the strain. Creeks have stopped flowing, lake levels are significantly low, trees are under stress and dying throughout the range. This summer the annual wildfire season began much earlier than usual, and many fires spread quickly and took longer to contain. We certainly saw all of these effects during our week-long photographic sojourn in the Yosemite backcountry. Until we had a couple of days of (welcome!) rain near the end of the trip, the smoke was a major factor. On many days we had smoke so thick that we were concerned about our health, and the pall often made photography somewhat challenging. Fortunately, even on the smokiest days there were times when it was clear, too.

However, it is possible to see how to make photographs even in smoky conditions. On the plus side, some smoke can soften the light a bit, and the haze can enhance the atmospheric recession effect, which can emphasize the distances between subjects in front of the camera. The haze in this photograph comes partially from wildfire smoke. Here it muted to sometimes-difficult highlights on the granite, and it softened and muted the distant forest across the valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fallen Tree, Lake Shore Autumn Grasses

Fallen Tree, Lake Shore Autumn Grasses
An old fallen tree and lakeshore autumn grasses at a Sierra Nevada lake.

Fallen Tree, Lake Shore Autumn Grasses. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

An old fallen tree and lakeshore autumn grasses at a Sierra Nevada lake.

During a week at this backcountry lake and the surrounding area I had plenty of time to wander about, work in varied conditions, and see beyond the obvious first impressions. After a few long stays in such places I have come to be familiar with a certain cycle. I arrive with a mixture of “how will I ever manage to find enough here for a week of work?” and “once I slow down I know there will be plenty to see.” After a day of settling in it begins to feel like there will be plenty to photograph, but that there is no real urgency to the work. I tend to wander, looking at whatever happens to catch my attention and not really working much from a plan. At some point near the middle of the stay there comes a time when I do a count of subjects remaining to photograph and number of mornings/evenings remaining… and I realize that I have to formulate a plan! And then, invariably, on the final day or two I realize that even with a week to work there will be subjects that I won’t get to.

I photographed this scene close to the midway point on the trip — when there still seemed to be plenty of time and just before I felt the need to begin planning more carefully. This is a wonderful time on such a trip, when there are opportunities to engage in “aimless” wandering — though there is very much an aim to that aimlessness! This subject is one that I could easily overlook early on during a trip or during the end-of-trip attention to specific remaining subjects. The skeletal gray of the fallen tree contrasts wonderfully with the rich coloration of the early fall meadow around the edges of this sub-alpine lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Reflections, Cathedral Range Granite

Reflections, Cathedral Range Granite
Still waters of a lake reflect Cathedral Range granite patterns, Yosemite National Park

Reflections, Cathedral Range Granite. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved

Still waters of a lake reflect Cathedral Range granite patterns, Yosemite National Park

This is likely to be the first in a somewhat large group of photographs made during a recent weeklong stay at a backcountry Sierra Nevada lake with friends and fellow photographers Charlie Cramer and Scot Miller. The two of them are part of a larger group of photographers who have photographed annually in the high Sierra, most often in Yosemite, for about the past 15 years. I’m a more recent hanger-on, first tagging along on my own perhaps a half-dozen years ago, and then participating more fully for the past three years or so. The typical plan is to pack in to a scenic backcountry location, set up a base camp, and then photograph the heck out of the area for a week or so. This approach has all kinds of advantages — too many to completely describe them here — including the ability to watch for perfection conditions or to return to a location and refine a vision of the subject over a period of days.

Near the start of the trip I saw this little area where vertical rocks meet water near the edge of a lake. My first photographs were OK, but just OK. However, I knew the spot had potential given the right water and light conditions. I watched the area each time I passed it, always watching for those better conditions. I got them on this day, when the water had become almost completely still, producing a more coherent reflection of the lichen-covered rocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.