Dune Detail, Last Light

Dune Detail, Last Light
Dune Detail, Last Light

Dune Detail, Last Light. Death Valley National Park, California. December 11,2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

A last beam of light slants across rippled sand dunes and a few desert plants, Death Valley National Park

After a long day of driving and photographing along a back-country road in Death Valley National Park, I finally made it back to my campground in the mid-afternoon. (You might wonder how I can claim a “long day” when I finished in the mid afternoon – something about starting a couple of hours before dawn in temperatures in the teens!) I took a short break and did a few camp chores, and then it was time to head out once again for an evening shoot. I decided to make it something fairly simple that wouldn’t require a lot of travel, so I ended up at some dunes just before sunset.

While I’m not unwilling to shoot big, long views of dunes – sometimes they are quite impressive! – more often I focus on some smaller aspect of them, and I really like looking very closely when I can. One of the great things about focusing on the small details is that once you start to see them you find them everywhere – even in places that you might not think are all that spectacular. As I walked out into the dunes, with only a general sense of where I wanted to go, it was not long at all before I started noticing all sorts of subjects in the long shadows and warm light of the oncoming evening. Many subjects, such as this one, are illuminated by extremely transient light – slanting at a low angle across the tops of dunes and momentarily catching a plant or a bit of dune texture. I probably had little more than a minute to work with this subject and then the light disappeared – and I quickly found another similar subject and then another and so on until the light finally was gone.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Titus Canyon Road

Titus Canyon Road
Titus Canyon Road

Titus Canyon Road. Death Valley National Park, California. December 11, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Titus Canyon Road descents into upper Titanothere Canyon before climbing to Red Pass

Early December is a fine time to be in Death Valley National Park, and I managed to spend five days there this past December. The weather is cooler this time of year – in fact, temperatures dropped into the upper twenties in the Valley during my visit and well down into the teens in some of the upper elevations that I visited during the pre-dawn hours. Although seasoned Death Valley visitors prefer to visit during the cooler months, things seem much quieter than a few months later in the spring. In fact, I almost had the entire Stovepipe Wells campground to myself on my first night!

The relative solitude extended to this day, on which I drove over the Amargosa Range via Titus Canyon Road, the rough back-country one-way route between the Amargosa Valley and Death Valley itself. I know this route fairly well, having been over it a number of times. I always start in the morning, and this trip was no exception – I was well out on to the route when the sun came up. Often I just take a few hours for the trip, stopping at a few key locations. But recently I have thought more about how I might photograph some of these places that I used to simply drive through, and on this visit I slowed way down and devoted almost the entire day to this area. The location in this photograph is an example of the sort of area that I might have just passed through in the past. Here the road traverses the upper reaches of a very large canyon that eventually spills out into Death Valley far below. The location from which I made the photograph marks the high point on the route, and I always stop there – but on some previous visits I have just regarded the terrain as being empty. It isn’t, and I’m learning to see it more clearly. Here the gravel road drops down from the previous ridge, winding through the rough and dry landscape to the bottom of the canyon and its dry stream bed before climbing steeply up to my camera position.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Alpine Trees, Last Light

Alpine Trees, Last Light
Alpine Trees, Last Light

Alpine Trees, Last Light. Kings Canyon National Park, California. September 17, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Late afternoon light on small alpine trees growing in glaciated terrain, Kings Canyon National Park

This is a photograph from the latter portion of our nine-day photographic trip into the eastern High Sierra of Kings Canyon National Park last September. By the time I made this photograph I had been on the trail about a week, and we were nearing the end of our lengthy stay at our 11,000′ campground in the backcountry of Kings Canyon National Park. All such trips transition through a series of phases, and at this point I was in a phase of feeling more and more comfortable and familiar with these surroundings that we had explored so carefully – but I was also beginning to recognize that the end of this trip was not too far off.

Late on this afternoon I did one of my by-now-customary walks up the small, lake-filled valley ascending to the south from our camp. Because of very high ridges to our west, the sun was blocked from the valley terrain somewhat early in the day – late afternoon rather than evening. I reached the upper valley while there was still sun, but almost immediately the sun/shadow border began to move down into the valley and across the trees, rocks, and lake. I made a point of following this boundary, where the light can be at its most interesting at this time of day. Consequently I was moving almost constantly, generally moving west and north across and down the valley. In many cases I had only a brief moment to photograph whatever was being struck by the light at the edge of the moving shadow, so I was working each opportunity rather quickly. When I made this photograph the light had left the background talus fields and was still just striking this row of trees on top of a granite bench next to a small lake.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Snag and Talus Field

Snag and Talus Field
Snag and Talus Field

Snag and Talus Field. Kings Canyon National Park, California. September 16, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

An old snag stands atop a rocky outcropping and in front of a huge talus field, Kings Canyon National Park

During our mid-September 9-day expedition into the Sierra Nevada high country of Kings Canyon National Park we spent the better part of a week camped in this 11,000′ basin full of lakes and trees and rocks. We camped near the outlet stream of a lake located in a narrow section of the valley, with many more lakes beyond our location and a string of them ascending the valley to our south. Each day, from early morning until after dark, was largely spent exploring this landscape and making photographs.

The valley of lakes to our south, of which our lake was the lowest, was plainly visible to us from our camp site, which was situated on a rise above this lowest lake. From here we could look up the canyon across “our lake” and see a string of several other lakes along this creek. A few were easy to see while others further up the valley revealed themselves primarily by surrounding rock and by breaks in the vegetation. Every day, no matter what else we were doing and where else we photographed, we did at least some work around these closest lakes, and I developed a sort of “daily rounds” taking me up one side of the valley to the upper lake and then back down the other, with occasional detours across the middle of the valley. Is I recall, I was making one of those detours when I photographed this tree, located on top of a small rocky knoll in the middle of the upper valley and backed by the tremendous talus field descending from the surrounding ridges high above.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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