Cottonwood Tree, Evening

Cottonwood Tree, Evening
The day’s last light catches the autumn leaves of a cottonwood tree, Capitol Reef National Park, Utah

Cottonwood Tree, Evening. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The day’s last light catches the autumn leaves of a cottonwood tree, Capitol Reef National Park, Utah

I made a long trip to Utah to photograph last fall, mostly photographing in the southwest and south-central part of the state. At times I worked alone, exploring slot canyons, washes, and back roads at my leisure. Later I met up with various other folks: photographers from California and Utah, relatives who were also visiting the state, and eventually members of my family. It may surprise some people to hear that I was almost completely unaware of the beauties of southern Utah until recently. (My family had passed through the state many times when I was young, but always through empty, arid regions that did not appeal to me then. Somehow they never showed me the spectacular red rock country, and consequently I thought of Utah as an empty and arid place.)

During the first week of the trip, after several days on my own, I met up with my friend and fellow California photographer David Hoffman in Capitol Reef National Park, where we camped and explored and photographed for several days. This day began with a spectacular and somewhat unexpected sunrise above the Waterpocket Fold, included a long drive on gravel roads to a more remote region of the park, and concluded along the road through the park with early evening photography just before we returned to camp. This section of the road passes though a valley lined with red rock walls, and it is filled with cottonwood and other trees. Late October is prime time for cottonwood color, and this scene of a backlit cottonwood below vertical sandstone cliffs seems representative of this time of year in this place.

(I taking a weekend break from posting my recent Sierra Nevada photographs — they will return on Monday.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aloe Flowers

Aloe Flowers
Yellow aloe blossom

Aloe Flowers. Mendocino Coast Botanical Gardens. Fort Bragg, California. July 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Yellow aloe blossom

I’m not the primary flower photographer around here — that would be Patty Emerson Mitchell, with whom I visited the Mendocino Coast Botanical Gardens earlier this month. For me the flower photography is often a sort of experimental process and a chance to “play” at a sort of photography that I don’t do all that much. It was a sunny day (tough for flower photography!) but there was plenty of shade (good for flower photograph!) though there was a bit of wind (not so good!), which made me look for protected spots (good!) like this one, where I found these spectacular aloe blooms.

(I’m taking a brief break this weekend from posting my recent Sierra Nevada photographs — those will resume on Monday.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Canon EOS 5Ds R — Resolution Examples

… and the EF 100-400mm f/4.5-5.6L IS II lens.

A few days ago I spent four days in the high Sierra making photographs. At the end of one evening I made a photograph that isn’t intended to have any particular aesthetic value, but which was intended as a test of something about my new camera, a Canon EOS 5Ds R.* So I pointed it up at the top of this nearby granite dome just as the last light washed over its summit.

The technical information about the photograph:

First, the resulting photograph — which is, I will be the first to admit, not a stunning example of photographic art!

Lembert Dome Sunset Watcher
A lone person watches the Sierra sunset from the summit of Lembert Dome

Next a crop from the same photograph showing a little surprise at the edge of the precipice. This is the same photograph, but this time a 100% magnification crop of a 600 x 450 pixel section. (You’ll have to click on the photos to see the 600 x 450 versions, since the design of this website slightly downsizes photos posted at that size.)

Lembert Dome Sunset Watcher (crop)
A lone person watches the Sierra sunset from the summit of Lembert Dome

If you are wondering where this guy is in the full image, he is just below the right summit of the peak, slightly to the left of the start of the large shadow.

I’ll share some other examples later that are better optimized to show the resolution potential of this camera — photographs using something closer to the diffraction-limited aperture, focal lengths not at the extreme long end, with a lens that has even better resolution potential, and with a subject that is not so far away. (The distance introduces atmospheric elements that reduce resolution.)

Not bad, I’d say.

Added later:  Someone asked how the 5Ds R handles the fine details of feathers. I’m sorry to say that I have not photographed birds yet — that is more of winter thing for me. However, while making landscape photographs this past week, deer wandered into several of my scenes and I went ahead and photographed them. The following 100% magnification crop (actual pixel size) was also made using the EOS 100-400 f/4.5-5.6L IS II at 400mm, f/5.6, IS and AF on, ISO 100. The critter was in shadow, and exposure has been pushed here roughly a full stop. (Click the image to see the original 600 x 450 pixel image — the version on this page is slightly downsized.)

Deer — 100% magnification crop at 600 x 450
5Ds R, EOS 100-400mm f/4.5-f.5L IS II @ 400mm, f/5.6, 1/200, ISO 100, AF and IS in us

And one more example, also a 100% magnification crop: Canon EOS 5Ds R, ISO 100, 1/13 second, f/8, EF 100-400mm f/4.5-5.6L IS II @ 105mm

100% Magnification Crop — 5Ds R & 100-400 v2 lens
Canon EOS 5Ds R, ISO 100, 1/13 second, f/8, EF 100-400mm f/4.5-f5.6L IS II lens @ 105mm

5Ds and 5Ds R Articles:

  • Links to the Canon EOS 5Ds and the Canon EOS 5Ds R in this article go to site-sponsor B&H photography with whom I have an affiliate relationship. When you purchase through these links your price is the same, but a small percentage is returned to help support this website.

Mentioned in this article:

© Copyright 2015 G Dan Mitchell – all rights reserved.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tenaya Lake, First Light

Tenaya Lake, First Light
Early morning light shines on granite cliffs above Tenaya Lake, Yosemite National Park

Tenaya Lake, First Light. Yosemite National Park, California. July 15 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Early morning light shines on granite cliffs above Tenaya Lake, Yosemite National Park

I have long been intrigued by a certain patch of sunlight that descends the granite slopes above this Yosemite lake in the mornings, and I planned to photograph it again on this trip to the park. I was up early on the first morning and off to this location, but I quickly got distracted by low fog floating in a very large nearby meadow. Somewhere I have heard an old saying about not ignoring the photograph in front of you for the possibility of another photograph that [i]might[/i] (or might not) happen, and I followed that “rule” and stopped and photographed the fog as the sun rose. By the time I finished this it was well past dawn, and although I continued on to the location of this photograph, when I got there the early light had transitioned into something much less interesting.

A couple of mornings later I thought I would try again. This time I was up even earlier and resolved to not stop for any but the most astonishing distractions, and I made it here before the first light was on the granite slopes. In this case, since I had a specific photograph in mind (and a few others that I might also try afterwards), I went to the exact spot where I wanted to be, pulled out the lens I knew I would need, set up and waited for the light. My location is not exactly an isolated or inaccessible one, and later on this day (and every summer day!) there would be lots of people and vehicles here. But at dawn even a place like this provides almost complete silence and the sense of deep stillness and huge space that I love in these mountains. I marvel that so many go to the Sierra yet so few seek out this quiet stillness. Soon the first tough of light appeared high on the dome to the left above the lake as beams of light began to pass between the peaks to the right, and I photographed as the light gradually worked its way down toward the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.