Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow
Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A hiker crosses a Yosemite Valley meadow beyond black oak trees with autumn foliage

Yes, yet another photograph of autumn oak trees and Yosemite Valley meadows! It is (or was) the season in late October and I’m still sorting through the photographs. When I first arrived here my plan was to photograph the black oaks as a “natural” landscape without people. So I found a composition that I thought would work and settled in to wait for the folks who were (as is inevitable in the Valley) wandering around in the meadow to finish and move out of the frame. It seemed that every time the view was about to be clear yet another person would arrive and walk into the frame. I finally decided that I might have to make two or more photographs and blend the “person-less” sections to create one image without hikers, so I made a few exposures as two or three people walked across. (I also timed some of the shots so that the people would be hidden behind the oak trees.)

As luck would have it, after I decided on this approach there was a point at which no human figures appeared in the scene, so I do have my natural landscape version of this scene. However, after thinking about it a bit more, I actually like the version with a person in it better! While most of my landscapes are “people-free,” every so often I do one that includes the figures in the frame. I’ve learned a few things about this. First, having a person in the frame isn’t always a bad thing. (Yes, file that in the “duh!” file.) The presence of a human figure can both crystallize the composition and it causes us to relate to the scene very differently – perhaps imaging ourselves being there or perhaps considering what the person in the photograph might be thinking and experiencing. Second, the figure can often be quite small and still change the effect of the image in ways that are much bigger than the small figure might suggest. As an exercise, try to just barely cover the person with your finger. Notice how the greatly the effect of this scene changes?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tall Trees, Meadow, Autumn

Tall Trees, Meadow, Autumn
Tall Trees, Meadow, Autumn

Tall Trees, Meadow, Autumn. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Tall trees grow in a row in a meadow backed by cottonwood and black oak trees with autumn foliage

I guess I just can’t help myself when it comes to photographing in this Yosemite Valley meadow area – or in similar areas, for that matter. As I’ve written before, during the time of the year when the days are shorter and the sun is lower, the light in some of these places is constantly changing – pre-sunrise and post-sunset soft “blue hour” light, early and late direct sun over the upper edges of cliffs, shadow right after dawn and before sunset and when cliffs interrupt the light during midday hours. Other changes take place on a longer cycle – the stark quality of winter, snow covering everything when winter storms arrive, morning fog, trees newly green in spring or yellow and gold in fall. And there are many more things to see than just the “landscape size” things – wildflowers, fallen leaves, frost, and more.

So, yes, I visited and revisited the meadows during this fall’s end-of-October visit to The Valley. While I often focus on the black oaks that grow in these meadows, here I decided to focus on evergreen trees. This group stands almost evenly spaced in a row. I struggled with how to deal with their height when shooting from a relatively close distance, and then realized that by not including the whole tree I could emphasize the vertical lines of their trunks and perhaps suggest the even higher parts of the trees that are not visible here.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Merced River Boulder, Autumn

Merced River Boulder, Autumn
Merced River Boulder, Autumn

Merced River Boulder, Autumn. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A large boulder is exposed by low autumn water levels in the Merced River

On the final two days of October this year, I did what I often do at this time of year – make a visit to Yosemite Valley to photograph fall colors. As is the case with fall colors in many places in the west, the transition seemed to come a little earlier than usual, and this might have been just a bit too late for some colors (big leaf maples) and perhaps a bit early for others (cottonwoods) but overall a fine time to be in the Valley. (This season was a bit strange in many places in the west, including many where I often photograph. For example, the arrival of the fall aspen color was early, though it did hang on for a good long time.)

This scene along the Merced River says “autumn” in ways that are both obvious to anyone and perhaps less so unless you know the Valley a bit. In the obvious category are the colors of trees along the banks of the river, mostly big leaf maple and oak in this photograph. Other aspects include the very low water level and the quiet flow of the river. In the spring this section of the Merced can be a wild flood of snow melt runoff that rises toward the top of the large boulder – but so late in the season, especially in a very dry year like this one – the river has a much gentler and quieter personality. The light is also different – with the low sun angle there is no direct light at the bottom of the canyon here and none on the section of valley wall visible in the distance. The atmosphere has some of the same feeling that the river has – a bit hazy, little air movement, and at times a softer quality of light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Meadow, Trees, Granite Wall

Meadow, Trees, Granite Wall
Meadow, Trees, Granite Wall

Meadow, Trees, Granite Wall. Yosemite Valley, California. October 31, 2013.© Copyright 2013 G Dan Mitchell – all rights reserved.

The immense granite face of Cathedral Rocks looms behind trees of El Capitan Meadow in autumn afternoon light

This meadow, located between two of the largest cliffs in Yosemite Valley, is both an obvious place to make photographs – everyone does it – and a place of nearly infinite variations of light, season, and atmosphere. Sometimes when I’m in the Valley I may stop here two or three times during the day. As is the case in other spots in Yosemite Valley, the place changes radically depending upon what the light is doing – soft early morning or evening light, strong light coming down the Valley in the early morning, light blocked by cliffs at midday, strong backlight in the late afternoon. And many of these changes happen very rapidly. As I made this photograph I could virtually watch the shadow move over the trees from the right.

The granite face rising beyond this meadow – one of the two I mentioned above – has always attracted me for some reason. Although not as high as the much more famous El Capitan, in some ways it seems to me to look more forbidding. It seems to lack the obvious crack systems seen on El Capitan, and unlike the larger wall, which is often bathed in sun, this one is often in shadow. In winter it casts a shadow across this portion of the Valley in the middle of the day, though a low spot may allow a beam of light to sweep across this area in the late afternoon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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