Commentary, Locations, Sierra Nevada Fall Color

Sierra Nevada Fall Color – Coming Soon!

September 13, 2019 G Dan Mitchell 25 Comments

This is an We’re just weeks away from Aspen Time as I write this eclectic and incomplete account of how I photograph Eastern Sierra Nevada fall aspen color. (Originally posted in September, 2009, and updated and slightly revised in varying degrees during successive aspen seasons — current update for fall 2019. Check the comments for other updates and notes. )

My fall color guidebook: “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra“ is available from Heyday Books. Order from Heyday Books and from Amazon. The book greatly expands and updates information in this article and elsewhere on my website. (Contact me directly, too — I may have some autographed copies to sell.)

During the latter part of August every year there always seems to be a day in the Sierra when I become aware that summer is coming to an end and fall is just around the corner. I’ve never quite identified the source of the feeling, but it is unmistakable when it happens. Perhaps a change in the light? Possibly something about the patterns of the wind? Maybe just that more and more places dry out and shift from green to brown and golden?

Of course, sometimes it is more obvious. I was in the Sierra during the final week of August in 2009, backpacking into Yosemite’s Ten Lakes Basin for a few days. It wasn’t hard to notice that the corn lily plants were dying and that many had taken on wild yellow/gold colors, or that some of the small meadow plants were beginning to turn red and yellow, or that some of the chaparral plants were losing a few leaves. By early September 2014 I was already seeing some aspens starting to pick up autumn color in a few places. When I revised the article in 2015 this day arrived early — we felt it during the first week of the August, perhaps due to the strange California weather that year. As I update this once again in 2019… it arrived later, following a very wet winter, spring, and summer, with wildflowers still blooming in early September!

So even when it is still summer by the calendar – and will be through most of September – my thoughts turn to fall once again. And that means I’m looking forward to the opportunity to photograph the incredible displays of aspen color in the eastern Sierra. (There are some aspens west of the crest as well – for example in the Carson Pass area – but the stands east of the crest are larger and more accessible.)

Since I’ve been visiting and photographing the aspens for some time, here are a few ideas and recommendations and locations for photographing them in the eastern Sierra. In no particular order:

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Photographs: Nature, Photographs: Sierra Nevada

Glaciated Terrain

Image September 13, 2019 G Dan Mitchell Leave a comment

A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines.

There are quite a few “terrains” in the Sierra Nevada, ranging from foothills oak grasslands through the mid-elevation forest, and on up to the rocky alpine heights. Off all of them, I think my favorite is that found just below the treelike, where granite slabs are frequently interspersed with small trees and meadows, where you are rarely very far from water, and where evidence of the glacial heritage of the range are everywhere. There is virtually no element of this scene that doesn’t owe something to those glaciers — the smoothly rounded slabs of foreground granite, the lake lying in a scooped-out hollow where glaciers converged, the moraines (at least two of which appear in the photograph), and even the line between the tops of the glaciers and the more jagged formations that remained above their reach.

This photograph is also about light, and a more subtle form of it. I composed the scene to exclude as much of the direct morning sun as possible, but yet to take advantage of its presence nearby. One of the favorite forms of light among photographers is that which is reflected into the scene from nearby objects in bright light. Here much of the warmer colored light is of that sort, reflected into the scene from nearby slopes that were already in the direct morning sun. This light fills shadows and can add soft color to the cold tones in the shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Peninsula, Lake, Morning Light

Image September 12, 2019 G Dan Mitchell 2 Comments

Morning light on a rocky peninsula, reflected in the deep green waters of an alpine lake.

My morning visit to this lake above our basecamp was fortuitously timed. I’d love to take credit for great planning, but I must admit that luck played a big role. I had a plan — it involved heading up that way quite early and then taking the time to ascend a low ridge and walk to the far side of the lake. But none of that happened. While I did get a reasonably early start, I was soon distracted by other subjects along the route to the lake, and I ultimately arrived there later than I had planned. However, my inability to stick to my schedule played to my advantage.

I arrived at the lake’s outlet, a long and narrow channel of still water, to find that the “quiet light” (thanks, Keith Walklet) was still there, so I paused to photograph that scene in soft shadows. Soon I decided to move on and head up and over that low ridge… but I immediately saw another scene that I had to photograph, some lichen-covered rocks along the shoreline. Finishing with this distraction, I now realized that I really had to get moving and climb that ridge. But by now the sunlight was on that ridge, and its reflection was casting lovely soft light back on a rocky peninsula and the boulder-strewn shoreline. So — again! — I stopped to make photographs of this scene. But this one took longer, as the light continued to develop and increase, until sunlight began to illuminate the water itself, building abstractions of light and color and reflections in front of the peninsula. (In the end I never did cross that ridge or go to the other side of the lake!)

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