Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand, Branches, Shadows

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Sand, Branches, Shadows
Shadows of dried branches on windblown sand dunes

Sand, Branches, Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.

Shadows of dried branches on windblown sand dunes.

A small group of photographers ventured into the dunes early on this late-winter morning, starting out from the nearby roadway in pre-dawn darkness. As we walked the sky began to get lighter and before long we could begin to make our our surroundings and our destination in an out-of-the-way area of dunes. Along the way we were surprised — though in retrospect we should not have been — by muddy areas still soaked by recent rains.

The sun still was not up when we arrived at the edge of the dunes. As a group of five photographers we encountered a slight challenge — compared to when we photograph such places alone, we found that we had to consider every step regarding how our tracks would potentially intrude on our partners’ photographs! While dunes are mostly sand, there is quite a lot of life there, too. Early in the morning it is common to find the tracks of lizards, snakes, birds, and even small animals. Here and there plant life can be found, too. These spindly branches mostly looked dead, though a few retained the color of living plants and might soon put out a few post-rain leaves.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Germany, Photographs: Travel, Photographs: Urban/Street

Behind The Wall

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Behind The Wall
The “backside” of the Berlin Wall at the East Side Gallery

Behind The Wall. © Copyright 2019 G Dan Mitchell – all rights reserved.

The “backside” of the Berlin Wall at the East Side Gallery.

A possible alternative title for this photograph could be “Back Side Gallery.” Get it? OK, I’ll explain. The wall is The Wall, a remnant of the old Berlin Wall. This section is now known as the East Side Gallery, and on the other side (the “front side”) it features a wonderful array of street art that memorializes and comments on the Wall, its history, and a range of related subjects.

The East Side Gallery is, among many other things (most of which are likely more significant than what I’m about to write) a powerful example of how art claims out attention and can, at least temporarily, distract our vision from the mundane. The location of this section of the wall is unremarkable. One one side (where most probably don’t look) is this empty field, a plain wall covered with graffiti, and not much else. On the other side, as you stand looking at the “Gallery” portion, behind you is a busy roadway and an area filled with architecture that is not exactly eye-catching. But if you stop and take in the street-art side of the wall and the impromptu street theater produced by visitors, all of the rest of that temporarily disappears.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Shadows, Morning

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Dunes, Shadows, Morning
Patterns of morning light and shadows on dunes, Death Valley National Park

Dunes, Shadows, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Patterns of morning light and shadows on dunes, Death Valley National Park.

I made this photograph early in the morning. A small group of us arrived while it was still dark out, anticipating a walk of perhaps a half hour to get to the area we wanted to visit. Since we wanted to be in position well before dawn, we were set to start walking before there was enough light to see our objective. Someone asked, “Which way do we go?” I looked into the murk, couldn’t really make out the dunes, and guessed, “That way! We’ll correct course when the light arrives.”

In the dunes you find yourself in a veritable photographer’s laboratory of of shapes, juxtapositions, textures, and colors. And it is not static scene either when you are there very early or very late in the day — the light changes quickly. Dusk light lends brings softer light and lens a blue cast to the scene. When the sunlight first arrives there can be stark differences between brightly lit highlights and deeper shadows with cooler tones. Before long the colors began to fade and the scene can become more subtle or even nearly monochromatic. When I made this photograph, warm and color-saturated light was coming across the top of the dunes, but the light in the shadows, still mainly from open sky, was of a cooler blue color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

Sidewalk and Brick Building

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Sidewalk and Brick Building
The front of a brick building on a steep San Francisco street

Sidewalk and Brick Building. © Copyright 2019 G Dan Mitchell – all rights reserved.

The front of a brick building on a steep San Francisco street.

The tilt of the sidewalk may just give away the location, at least if you happen to already know that I frequently photograph urban subjects while walking around San Francisco. As is often the case, I now don’t recall precisely where I photographed this little vignette, though there is a very good chance that it was in or not far from the Chinatown district of The City.

Without knowing exactly why — though I have a few ideas — I’m always attracted to little architectural scenes like this one. My best guess is that it is some combination of color, composition, texture, and light. Most of the color in this scene is not very intense, but the red pole and the greenish winter moss caught my attention. The scene is filled with rectangles, from the smaller size of tile and bricks to the larger shapes formed by the windows, doors, and sections of wall.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.