Mount Dana, Stormy Sky

Mount Dana, Stormy Sky
Thunderstorm clouds begin to assemble above Mount Dana, Yosemite National Park

Mount Dana, Stormy Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

Thunderstorm clouds begin to assemble above Mount Dana, Yosemite National Park

In this case I’ll make a bit of an exception to my usual rule and identify this peak by name. It is Mount Dana, a mountain well-known to folks who pass over Tioga Pass on the eastern boundary of Yosemite National Park, as it towers directly above the pass and is automatically the dominant feature of the landscape here. I climbed it once, many years ago, and have never been up it again, with the exception of one aborted attempt with one of my sons quite a few years ago. (We got up to the edge of the first plateau, only to discover a problem with his shoes.) My single ascent was a formative moment for me in the mountains. I can’t have been much older than 12-14 years old, and I was there with my parents and siblings. There was a ranger-led ascent, and my younger siblings weren’t ready for a 3,000′ climb to slightly over 13,000′, so they sent me alone with the group. (My memory is understandably hazy, but it may have been led by Carl Sharsmith.) I barely recall the summit, but I surely recall the climb, and I have a distinct memory of being at the top and looking down to see some hearty mountaineer type striding straight up the talus slopes across which we had just dragged our non-acclimatized bodies. I was impressed, and that image remains with me.

For such an important peak, it isn’t one I photograph a lot, with the exception of some long-lens photographs from the Tuolumne Meadows area. However, I’m aware of a view alternate views of the mountain, including this one that appeared as I returned from a hike just outside the park. The view from this spot is often a bit bland, frequently in full sun with blue sky. But on this day I was blessed with building clouds that still were broken just enough to let light and shadow move across the face of the peak.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Meadow, Tarn, and Trees

Meadow, Tarn, and Trees
Small trees near timberline grow in a meadow surrounding a subalpine tarn

Meadow, Tarn, and Trees. © Copyright 2018 G Dan Mitchell – all rights reserved.

Small trees near timberline grow in a meadow surrounding a subalpine tarn

In the Sierra Nevada photographers are nearly always grateful for clouds. There is a reason that these mountains are referred to as the “range of light” — there is a lot of light! In the summer months we often experience many days of perfect blue skies, often without a single cloud in sight, at least if you don’t include jet contrails from the many routes passing above the range. Clouds play a small part in this photograph, but I think they make a difference.

I made the photograph very near Tioga Pass, along the Sierra crest. I rarely photograph in this specific spot since it can be busy place and it is a bit overdone. (I have plenty of work in my archives that I have photographed from right around here.) But on this day the late light, as the sun was just about to pass behind the tall ridge to the west, was both warm and softened by the clearing overcast. So I stopped and wandered briefly into this intimate landscape of trees, meadow, and tarn.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pedestrian With Bucket

Pedestrian With Bucket
Two men walking, one with safety vest and bucket

Pedestrian With Bucket. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two men walking, one with safety vest and bucket

I share this in my ongoing effort to perplex those who like my landscape photography… but aren’t so sure about the other stuff! Don’t worry, my intentions are entirely positive. I’ll remain a bit circumspect, but not entirely so. I like photographing urban scenes for a bunch of reasons, ranging from aesthetic to practical. On the practical side, they are often much more accessible — I can literally step out my front door and make photographs or perhaps find them at the end of a one-hour train ridge. They also challenge me to see in ways that are not in my native comfort zone, and they hone my ability to see quickly… which is a good thing. On the aesthetic side, if you know much about the history of photography and photographers, it is obvious that good work can be done in these places.

As to what is going on in this photograph, you shouldn’t view it though the lens of landscape photography. Well, OK, perhaps you could do that. This is a kind of landscape. It even includes some native “wildlife.” When you look at photographs of natural landscape, you probably look beyond the pure “beauty” of place and subject to consider the abstractions of from and color and implied motion and so forth. It might be worth trying the same thing with other subjects!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Forest, Dome, and Ridge

Forest, Dome, and Ridge
Stormy evening view from Tuolumne Meadows, across forest and granite dome, to the Sierra crest

Forest, Dome, and Ridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

Stormy evening view from Tuolumne Meadows, across forest and granite dome, to the Sierra crest

This had been a challenging day for photography for the most part. While there was some good light in the early part of the day, later on the sky was covered by monsoonal clouds and building thunderstorms. It never really rained much where I was, but the potential was there and it did rain not far away. Thunderstorm photography can be exciting, especially if you are in a position where you can see the tops of the clouds… but down below, if the sky is completely overcast, the light can become blah and gray.

But there is always a hope that evening will bring a break-up of the clouds and even allow in some sunset light. By the time I made this photograph that process was already starting. The uniform cloud ceiling had begun to break up, with openings to blue sky here and there, and an occasional beam of light moved over the landscape. Here the light from the west, shining in beneath the clouds, illuminated the foreground meadow and the gigantic forests winding up the slopes toward granite peaks further away.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.