Sculpted Sandstone

Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Winter Sky, California

Winter Sky, California
Winter evening sky above the San Joaquin Valley, California

Winter Sky, California. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter evening sky above the San Joaquin Valley, California

Photographers sometimes have a complicated relationship with sky. On one hand, quite a few of us tend to minimize its presence in photographs, especially when the sky isn’t special. The sort of blue sky day that seems beautiful to non-photographers (and beautiful to photographers when not making photographs!) often produces a plain blue expanse that can seem empty in a photograph. (Not always. It is also possible to use this in some cases, for example to suggest grand space and distance.) Among my photographer friends, quite a few work to minimize the presence of such skies or even eliminate it entirely — to the point that this can become an inside joke. I’ve heard people refer to certain photographs by one friend as “an extremely rare [insert photographer name] photograph of the sky.”

But sometimes the sky begs to be included, and on occasion it can be the main subject. To generalize, the most interesting skies often come in fall, winter, and perhaps spring in California, when much of the state gets its most interesting weather. (There are opportunities in summer, to — how about a clearing thunderstorm?) I made this sky photograph while I was busy photographing another subject. During a slow moment I looked away from that “other thing” and saw these clouds. I pivoted and made a few exposures, just as the last sunset light was illuminating the undersides of the clouds and already beginning to fade from the highest clouds against the darkest sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Fractured Rock and Lichen

Fractured Rock and Lichen
Yellow lichen grows on fractured, terraced rocks in the Eastern Sierra Nevada

Fractured Rock and Lichen. © Copyright 2018 G Dan Mitchell – all rights reserved.

Yellow lichen grows on fractured, terraced rocks in the Eastern Sierra Nevada

I had been camped within walking distance of this feature for the better part of a week before I spent time photographing it. Oddly, I had walked right past it as we hiked in to our base camp, and I had apparently not even looked up to see it. It is a long section of granite-like rock that runs along the shoreline of a lake, and because the rocks are high enough the spot retains soft, shaded light well into the morning. While it isn’t a dramatic, iconic sort of location, a closer look revealed lots of intimate details worth photographing.

This section of fractured blocks intrigued me for several reasons. The shapes themselves hint at geological processes about which I can only speculate — lots of linear and crossing fractures that gradually eroded to leave a stair step sort of structure. The rock itself is covered in places with some vividly colorful lichen, and small plants grow in cracks where water is apparently available. The color of the scene is a bit unusual, in that the bluish tones come from reflected sky, which produces a large portion of the illumination here.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rainy Evening, Amsterdam

Rainy Evening, Amsterdam
Pedestrians walk along a narrow Amsterdam brick street on a rainy evening

Rainy Evening, Amsterdam. © Copyright 2018 G Dan Mitchell – all rights reserved.

Pedestrians walk along a narrow Amsterdam brick street on a rainy evening

This was our first day in Amsterdam, on our first visit to this city. We arrived by train from London, got there in the afternoon, went to our hotel to get settled in, and then it was time to begin our explorations and to get something to eat. Our hotel was just outside of the very busy central area of Amsterdam, so we had to walk a few blocks first before we entered the familiar narrow and curving streets… and for the first time saw the busy crowds, scores of bicycles, and more.

It was a slightly wet evening — no hard rain, but enough to dampen the pavement and create reflections. The darkened, cloudy skies and the late hour limited the light, which always has the nice effect of making illuminated signs a bit more visible, but without blowing them out as can happen at night. Our first impression on entering this area was that we could just walk up the center of the street. That turned out to be sort of true, but there’s more to it than that in Amsterdam. Lots of different types of traffic share these streets — the ubiquitous bicycles, pedestrians, occasional scooters and cars — and it turns out that there are some rules and expectations about who goes where. If you haven’t been there before, I’ll just say, “Watch out for bicycles!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.