Tag Archives: abandoned

Water Tanks, Mountains and Plain

Water Tanks, Mountains and Plain
Two abandoned water tanks at Carrizo Plain National Monument in spring

Water Tanks, Mountains and Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two abandoned water tanks at Carrizo Plain National Monument in spring.

These old and apparently abandoned water tanks sit over a small seasonal stream a good distance up above the floor of the Carrizo Plain. You would think that the purpose of the tanks would be obvious, but I’m not so sure. I did a bit of (less-than-diligent) research to try to discover their purpose, but what little I came up with seemed to have less of the character of being based on primary sources and more than of something reportedly heard by someone who was told something by someone who thought they remembered that… You get the picture. I can think of two possibilities. As some sources report, they could have been built to ensure a year-round water supply for cattle operations. It also seems possible that they could have been connected to resource extraction operations, such as those at Soda Lake.

The presence of the tanks is a reminder that this landscape (like most landscapes, to be honest) has a strong human element — it isn’t exactly wilderness! When people visit the Carrizo today they most likely come to see the natural phenomenon of the springtime wildflowers. But the place has been shaped by oil exploration and (nearby) extraction, cattle ranching, “mining” of various sorts, and more. All of that aside, the backdrop for these remnant structures, especially on a spring day when rain showers alternated with sunshine, is an immense and spectacular landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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The Office, Deconstructed

The Office, Deconstructed
Abandoned and broken chairs abandoned on a Manhattan sidewalk

The Office, Deconstructed. © Copyright 2017 G Dan Mitchell – all rights reserved.

Abandoned and broken chairs abandoned on a Manhattan sidewalk

I’m no longer quite as surprised as I once was to see what finds its way to the sidewalks, curbs, and gutters in New York City. (I recently arrived at an understanding that people in such places focus more on the quality of their home environments and less on the public environment — beautiful, comfortably designed and equipped homes are found inside buildings that, from a certain perspective, look like dumps from the outside.) If you think about how many people live and work there, it boggles the mind to consider how much stuff flows in and out of the place, including an awful lot of stuff that simply needs to be discarded.

When I walked past this spot, located in an area of very narrow and twisting streets (which should narrow it down for New Yorkers), this particular pile caught my attention. Broken office chairs were piled on the sidewalk, completely blocking it. Nearby were a few other things we might associate with work/office: abandoned coffee cups, an empty cigarette carton. Heck, in a way you might even say there is a “corner” window. Of course, I noted other things, too: the angular and geometric forms of roll-up door, tiled wall, and the strange triangle near the top, plus the soft and blue light in this narrow spot where sun rarely shines, especially in the winter.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Abandoned Mill

Abandoned Mill
The ruins of an abandoned mill in the desert backcountry

Abandoned Mill. Desert Mountains, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The ruins of an abandoned mill in the California desert backcountry

During the nearly twenty years since I first “discovered” California deserts, my experience with them has changed. To be honest, as a person largely focused on the coast and the Sierra, when I was younger I didn’t really know much about these wild places, and I wasn’t really attracted to them. It wasn’t until the late 1990s that I actually made a serious visit and began to “get it” about the things that make these areas so marvelous. At first, like almost anyone else, I focused on some of the most obvious and iconic places. But eventually as I returned to these places, especially to Death Valley National Park, I began to push out my boundaries bit by bit. As I did so I discovered many more interesting things about these places, both the natural wilderness and the human history. One of the first experiences that connected me to the human history was an accident. One evening I wandered away from a camp and just sat down on a boulder in an elevated location on an alluvial fan. I happened to look down to see an unusual rock. I picked it up and quickly realized that it was a cutting implement left their by the earliest people to make their lives here — and my notions of the depth and variety of human experience in the desert was profoundly altered.

That human influence has many facets. Certainly the experience of the people we now refer to as “native Americans” is central. (I like Canada’s term: “first people.”) Later settlers showed up for a range of reasons — pioneers passing through, prospectors chasing the dream of the big strike, folks looking for a job, people not well suited to living in the civilized world, and other. They all left traces. The prospectors and miners left lots of them all over the desert landscape, and you can’t travel around these places without running into it. The photograph is a detail from one amazing structure high on a desert ridge, abandoned only recently in the context of the larger scale of history, but still putting us in touch with an era that is mostly gone now from these places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Empty Lot, Paris

Empty Lot, Paris
An empty lot with graffiti and street art, Paris

Empty Lot, Paris. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An empty lot with graffiti and street art, Paris

I’m pretty certain that I made this photograph on the evening of our arrival in Paris in the summer of 2016. We came from London the train, arrived in the afternoon, checked into a hotel, and headed out to explore. We were staying in Montemartre, which is a fine place to wander, with narrow streets, hills, and plenty of places to eat and drink.

A bit later, at dusk, we were walking through a residential area when we passed this empty and apparently abandoned lot. It appeared that it had been commandeered by graffiti artists, who produced everything from text to images. My sense was that this produced a sort of urban landscape, and as different as this look from, say, the Sierra Nevada, it photographed it in a similar way in the fading light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.