Tag Archives: alley

Graffiti and Barred Window

Graffiti and Barred Window
“Graffiti and Barred Window” — Colorful wall, window, and metal grate in Ghent’s “graffiti alley.”

An alley in Ghent, Belgium is called the “graffiti street” or the “graffiti alley.” (The latter is more apt, since it is a very narrow walkway.) The walls (and sometimes the pavement) are covered with a wild mix of tags, graffiti, and street art. New imagery is continuously added on top of the old, and the intersections of these old and new images can be fascinating.

I have mixed feelings about photographing graffiti and street art, at least when it isn’t just an unavoidable element of the scene or an embellishment on other subjects. But here, the individual work is subsumed by the sum of it all, and in ways that hardly could have been anticipated by those who produced the deeper layers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Graffiti Wall and Bars

Graffiti Wall and Bars
“Graffiti Wall and Bars” — Complex paint patterns on a graffiti wall with metal bars, Ghent.

This is another photograph from the “graffiti alley” in Ghent, Belgium. This short, narrow walkway connecting two streets is covered with street art, tags, and graffiti of all sorts. The imagery covers the walls higher than you can reach and even extends to the sidewalk beneath your feet. If you are lucky you might find someone creating new work when you visit.

A lot of the work is text-based and/or representational. That’s interesting stuff, but I like to take a step back from the individual pieces and consider the layers and colors that build up over time. Older work is partly obscured by newer stuff, and eventually it seems that a lot of the old material simply disappears beneath the new. Here, as in some of my other photographs of this site, I decided to move close and focus on the abstract components — the broad strokes, the colors, and the surfaces to which the paint is applied.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Deserted Street, Orvieto

Deserted Street, Orvieto
“Deserted Street, Orvieto” — A nearly-empty back street in Orvieto, Italy.

I suppose I could title this, “Yet Another Italian Street,” right? I have shared quite a few of them! Like some of the other recent photographs, this one also comes from the hill town of Orvieto. I made the photograph on a back street away from the popular tourist areas of the town, and at a time of day when fewer visitors would be about.

For those of us who live in the United States, it is hard to imagine what it much be like to live in these towns. We’re used to wide streets, lined with areas to park, then curbs and sidewalks and often some kind of open area in front of buildings. But these old streets were constructed in a very different time, when the automobile was not king. The buildings open right onto the avenues, which are great for walking but barely wide enough for motor traffic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Ways

Ways
“Ways” — A graffiti-filled side alley in Glasgow, Scotland.

We visited a number of Scottish towns and cities, ranging from small villages where we were lodged during our Great Glen Way trek up to the urban centers of Edinburgh and Glasgow. We were actually in Glasgow twice. Our (long!) flight from the West Coast of the USA (in two segments) terminated in Glasgow, so we had made arrangements to walk the short distance from the terminal to the closest hotel and fall asleep. The next morning we took a shuttle into Glasgow to catch a trail to Oban, and while waiting we walked just a bit around downtown. But it wasn’t until we returned a couple of weeks later that we had a chance to explore this city.

We liked Glasgow even more than we expected to. We had read various things about the city — some suggested that it was more mundane than its bigger neighbor Edinburgh, but others touted its charm, quirkiness, “workaday” quality, and street art. In the end, we ended up agreeing with the latter reaction. There’s plenty to see and do there, but it doesn’t have the same tourist pressure that we saw in Edinburgh. I made this photograph near the end of a very long walk we took one day. Perhaps it doesn’t quite illustrate the point I’m trying to make about the town, but it was a fascinating little alley off of one of the main thoroughfares.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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